Taylor Swift (often simply referred to as Debut) is the debut studio album by the American singer-songwriter Taylor Swift. Under the Big Machine Records imprint, it was released in the United States and Canada on October 24, 2006, and elsewhere on March 18, 2008.
Taylor Swift | ||||
---|---|---|---|---|
![]() Standard cover[note 1] | ||||
Studio album by | ||||
Released | October 24, 2006 | |||
Recorded | 2005 | |||
Studio |
| |||
Genre | Country | |||
Length | 40:28 | |||
Label | Big Machine | |||
Producer | ||||
Taylor Swift chronology | ||||
| ||||
Singles from Taylor Swift | ||||
|
Relocating from Pennsylvania to Nashville, Tennessee, Swift signed with Sony/ATV Tree Music Publishing at 14 to write songs for the album. Her contract with Big Machine in 2005 enabled her to work with the producer Nathan Chapman during her freshman year of high school. Of the 11 tracks that made the album, Swift wrote three by herself and the rest with Robert Ellis Orrall, Brian Maher, Angelo Petraglia, and Liz Rose. Inspired by her outlook on life as a teenager, the lyrics address romantic relationships, friendships, and security. A country album, Taylor Swift incorporates acoustic instruments such as guitars, banjos, and fiddles, and its songs feature pop and pop rock elements.
Five songs were released as singles; "Our Song" and "Should've Said No" peaked atop Hot Country Songs, and "Teardrops on My Guitar" charted on Pop Songs. Swift embarked on a six-month radio tour in 2006 and opened tours for other country artists throughout 2006–2007. By promoting her album via the social networking site Myspace, she reached a younger audience relative to country music's middle-age demographics. In mainstream reviews of Taylor Swift, critics praised its accessible sounds with crossover appeal and Swift's earnest depictions of adolescent feelings. The album was nominated for Album of the Year at the 2008 Academy of Country Music Awards.
In the United States, Taylor Swift spent 24 weeks at number one on Top Country Albums, became the longest-charting album of the 2000s decade on the Billboard 200, and made Swift the first female country artist to write or co-write every song on a platinum-certified debut album. It also charted and received certifications in Australia, Canada, and the United Kingdom. The pop-oriented country production and autobiographical songwriting of Taylor Swift were a blueprint for Swift's next albums and an inspiration for other confessional singer-songwriters. Rolling Stone featured it in their 2022 list of the 100 Best Debut Albums of All Time.
Background
editTaylor Swift had an interest in the performing arts as a child. While acting in a children's musical theatre company, she developed a fondness for singing and would sing country songs on the company's karaoke machine during the cast parties.[1] After watching a documentary about Faith Hill, she felt sure she needed to move to Nashville, Tennessee—the center of country music[2]—to become a country singer.[3] At 11, Swift broadened her performing capabilities by opening for Charlie Daniels and singing the national anthem of the United States at local sports games.[1] She traveled from her hometown in Pennsylvania to Nashville with her mother to pitch demo tapes of karaoke covers to record labels for a contract,[4] but they rejected and told her that her music would not cater to country music's middle-aged demographic.[5][6]
The rejections made Swift become determined to distinguish herself from other aspiring country singers.[5] At 12, she started writing songs and learned to play the guitar with the help of a computer repairman who had fixed her family's computer.[6] Her performance of "America the Beautiful" at the 2002 US Open caught the attention of Dan Dymtrow, a music manager who helped 13-year-old Swift get an artist development deal with RCA Records in Nashville.[7][8] To assist Swift's artistic endeavors, her father transferred his job to Nashville, and her family relocated to the Nashville suburb of Hendersonville, where she enrolled in the local public high school.[9]
Development and conception
editUnder Dymtrow's management, Swift had early exposure to show business, including an advertising tie-in with Abercrombie & Fitch, a music compilation CD with Maybelline, and a 2004 appearance in Vanity Fair.[10] Around that time, she signed a publishing deal with Sony/ATV Publishing House;[11] at 14, she was the youngest signee in the publishing company's history.[12] Swift commuted from Hendersonville to Nashville every afternoon after class to practice writing with experienced Music Row songwriters.[13][14] After one year on the development deal, Swift performed her self-written songs to the label executives, who decided to hold her off an official record deal and keep her in development until she was 18.[14][15] In a 2009 interview with The Daily Telegraph, Swift recalled her leaving RCA: "I genuinely felt that I was running out of time. I'd written all these songs and I wanted to capture these years of my life on an album while they still represented what I was going through."[14]
Swift invited record label executives to her showcase concert at Nashville's Bluebird Café on November 3, 2004;[16][17] among the invitees were Scott Borchetta, a music executive who had working experiences at MCA Nashville and DreamWorks Records.[18] At that time, Borchetta was planning to establish an independent record label that still needed financing. He offered to Swift and her parents that as soon as the label was set up, she would have a record deal with him.[14][18] Two weeks later, Swift called Borchetta to accept the offer.[18] The label was Big Machine Records, who partnered with Universal Music Group for music distribution.[19] According to Swift, she signed with Big Machine because the deal allowed her to write all songs that would feature in her albums.[20] Her father purchased a three-percent stake in the company.[21]
Of over 40 songs that Swift wrote for the album, 11 made the standard edition.[22] Seven songs were co-written by Liz Rose, who became an important collaborator and formed a lasting working relationship with Swift on later albums.[9] According to Rose, they had productive sessions because she respected Swift's vision and did not want to put her in the "Nashville cookie-cutter songwriting mold".[23] Robert Ellis Orrall and Angelo Petraglia co-wrote "A Place in This World", and Brian Maher co-wrote "Mary's Song (Oh My My My)" with Rose. Three tracks—"The Outside", "Should've Said No", and "Our Song"—were written solely by Swift.[24] The deluxe edition features three additional songs, co-written by Orrall, Petraglia, Brett James, and Troy Verges.[25]
After experimenting with different producers, Swift persuaded Big Machine to recruit Nathan Chapman, who had produced her demo album in a "little shed" behind the Sony/ATV offices.[26] Big Machine was skeptical about hiring Chapman because he had never produced a commercially released studio album but conceded because Swift felt they had the "right chemistry".[26] Before approaching Chapman, Swift conceptualized how her songs should sound: "I know exactly where I want the hook to be and ... what instruments I want to use."[22] He has sole production credits on all songs but one, "The Outside", which credits Orrall as the producer and Chapman as an additional producer.[26] Recording took place for four months near the end of 2005.[26] When the recording and production wrapped, Swift had finished her freshman high-school year.[27]
Themes and lyrics
editWhile Swift followed country music's confessional songwriting, she did not write about stereotypical themes that she described as "tractors and hay bales because that's not really the way I grew up".[28] She instead wrote about her observations and reflections on romantic relationships and friendships, striving to convey her teenage perspectives as honestly as possible.[29] To capture the immediate feelings, Swift wrote songs anytime and anywhere, from studio sessions to school breaks.[9] This practice resulted in straightforward lyrics, which The Daily Telegraph found to "[brim] with an earnest naiveté".[30]
The songs on Taylor Swift are from the perspectives of an American small-town girl. Confined within settings like high-school hallways and rural backroads, the songs bring forth a contemplative and personal nature.[31] Most tracks are about romantic relationships, some of which were based on observations.[13][26] "Tim McGraw" was inspired by Swift's relationship with a senior boyfriend during her first year of high school. The song is about Swift's hope that the boyfriend, after ending the relationship and leaving for college, would reminisce about her every time he hears their mutual favorite Tim McGraw song; according to Swift, it was "Can't Tell Me Nothin'".[32][33] "Stay Beautiful", addressed to a character named Cory, describes Swift's admiration for him from afar without him knowing.[34] "Mary's Song (Oh My My My)", written in third-person perspective from the perspective of a character named Mary, portrays a love that has survived its trials and tribulations.[35] "Our Song", written for her high-school talent show,[36] is about a young couple's daily experiences.[37]
"Picture to Burn" and "Should've Said No" depict a vengeful attitude toward those who do not reciprocate the protagonist's feelings;[40] on "Picture to Burn", Swift sings about burning photographic evidence of an ex-boyfriend's existence.[41] The original version included the lyrics, "Go and tell your friends that I'm obsessive and crazy / That's fine; I'll tell mine you're gay."[39] On the radio edit and subsequent versions, Swift modified the lyric to "That's fine; You won't mind if I say."[42] Heartbreak is the theme of tracks like "Teardrops on My Guitar", which was about her unreciprocated feelings for a classmate.[41] On "Cold as You", she laments a fruitless relationship in which the lover does not appreciate her.[43] She said it was her favorite song lyrically on the album: "I love a line in a song where afterward you're just like... burn."[39]
In other songs, Swift sings about insecurity and self-consciousness.[44] "The Outside", which Swift wrote at age 12, describes the loneliness she felt when her love of country music alienated her from her peers,[45] and "A Place in This World" expresses her uncertainty about where she truly belongs.[31] Swift wrote "Tied Together with a Smile" the day she learned one of her best friends had an eating disorder.[44] The song describes a young girl who lacks self-esteem and disguises her inner turbulence with a smile, but Swift's character tells her that she will never overcome her struggles until she learns to love herself.[46]
Music
editMusically, Taylor Swift incorporates country music elements, including twang vocal delivery and acoustic instruments such as fiddles, guitars, and banjos.[31][38] According to American Songwriter's Michael Kosser, Chapman's production was a distinctive sound hard to categorize into a particular genre; Big Machine marketed the album to country radio regardless.[23] Reviews from The Palm Beach Post and the Chicago Tribune categorized Taylor Swift as country music.[48][49]
Elements of crossover pop are apparent on many songs.[50] In retrospective articles, critics disagreed on to what extent the Taylor Swift songs are fully country. Jon Caramanica from The New York Times called it a "pop-minded country" album,[51] while Rolling Stone critic Chuck Eddy observed that Taylor Swift blended "pop-rock and Dixie Chicks-style twang".[52] Another album review on Rolling Stone, meanwhile, felt the songs were inflected with rock.[53] Grady Smith from the same magazine listed the singles "Tim McGraw", "Teardrops on My Guitar", "Our Song", and "Picture to Burn" among Swift's "countriest songs", which evoke "classic country" in terms of instrumentation, themes, and song structure.[54] J. Freedom du Lac from The Washington Post noted that the "rhythmic, rap-influenced phrasing" on "Our Song" was atypical to country music.[55]
The musicologist James E. Perone cited "Tim McGraw" as an example of Swift's crossover appeal. "Tim McGraw" follows the I-vi-IV-V chord progression, which is typically found in late-1950s and early-1960s rock and roll. The refrain consists of repeated motifs built within a small pitch range, which gives the song a catchy tune. Additionally, the refrain—and to a lesser degree, the verses—makes heavy use of syncopation at the sixteenth-note level, which brings about a production reminiscent to non-country genres such as alternative rock and hip hop. Perone argued that these melodic qualities laid the groundwork to Swift's pop radio-friendly discography enjoyed by both pop and country audiences.[47]
Release and promotion
editTaylor Swift was released on October 24, 2006, through Big Machine Records.[57] Swift was involved in the album packaging, designing doodle graphics herself.[24] She included hidden messages with hints at the subjects of her songs in the lyrics printed in the liner notes, inspired by the Beatles' hiding secret messages in their records.[58] She executed the same technique on her subsequent albums.[30][59] Swift said the messages could be interpreted by tracking the capital letters in the order they appear in the lyrics printed in the liner notes.[26] In addition to the eleven-track standard edition, a 15-track deluxe edition contains three new original songs—"I'm Only Me When I'm with You", "Invisible", and "A Perfectly Good Heart", and an alternate version of "Teardrops on My Guitar".[60] An "enhanced version", which includes the music videos for "Teardrops on My Guitar" and "Tim McGraw", was released on March 18, 2008.[61]
The album was preceded by the lead single "Tim McGraw", which was released on June 19, 2006.[62] The single peaked at number 40 on the Billboard Hot 100 and number six on the Hot Country Songs chart, marking Swift's debut appearance on both charts.[63][64] It was certified double platinum by the Recording Industry Association of America (RIAA).[65] Swift promoted the album performing on televised programs including Good Morning America, The Megan Mullally Show,[66] America's Got Talent,[67] Total Request Live,[68] the CMT Music Awards,[69] and the Academy of Country Music Awards.[70] To maintain her presence on country radio, Swift embarked on a radio tour during a six-month run in 2006.[26] Swift also promoted the album by performing as an opening act for other country artists' concert tours. She opened for Rascal Flatts from October 19 to November 3, 2006.[66] Throughout 2007, she opened for George Strait,[71] Brad Paisley,[72] and Tim McGraw and Faith Hill's joint tour, Soul2Soul II Tour.[73]
In addition to traditional radio promotion, Swift extensively used her Myspace profile to communicate with her audiences, sharing her daily blogs and song information. Her online marketing strategy boosted the album's popularity among teenagers and young adults.[12] Swift and Big Machine decided to release "Our Song" as a single because of the positive feedback it received on Myspace.[12] Throughout 2007 and 2008, four more singles supported Taylor Swift: "Teardrops on My Guitar", "Our Song", "Picture to Burn", and "Should've Said No", all of which peaked within the top forty of the Hot 100 and the top ten of the Hot Country Songs chart.[74] "Teardrops on My Guitar" peaked at number two on the Hot Country Songs chart and had a crossover release to pop radio; it peaked at number seven on the Mainstream Top 40 (Pop Songs) chart, and number 13 on the Hot 100.[75][76] "Our Song" and "Should've Said No" reached number one on the Hot Country Songs chart.[74] With "Our Song", Swift became the youngest person to single-handedly write and sing a Hot Country Songs number one.[77] All singles were certified platinum or more by the RIAA, with "Teardrops on My Guitar" (3× Platinum) and "Our Song" (4× Platinum) selling over three million copies each.[65][78]
From August 2019 to January 2020, Big Machine released 4,000 copies of each of the singles from Taylor Swift on vinyl for the 13th anniversary of the album. This was met with immediate backlash in light of the purchase of the masters of Taylor Swift's first six studio albums.[79][80]
Critical reception
editAggregate scores | |
---|---|
Source | Rating |
Metacritic | 67/100[81] |
Review scores | |
Source | Rating |
AllMusic | [82] |
Christgau's Consumer Guide | [83] |
Country Weekly | [84] |
The Palm Beach Post | A[48] |
The Philadelphia Inquirer | [85] |
Pitchfork | 6.7/10[38] |
PopMatters | 6/10[86] |
Rolling Stone | [53] |
Taylor Swift received generally positive reviews.[87] Perone wrote that although some critics deemed the lyrical themes unsophisticated, most praised Swift's songwriting for using familiar techniques in ways that sounded original and novel.[25] Laura Snapes of The Guardian said that reviewers were impressed by her "pure yet prematurely wise depictions of teenage love".[88] The review aggregate site Metacritic reported five published reviews and assigned the album an aggregated score of 67 out of 100.[81]
In a review for Country Weekly, Chris Neal deemed Swift a success compared to previous aspiring teenage country singers because of her "honesty, intelligence and idealism".[84] Reviewers were impressed by Swift's maturity while retaining a sense of youthful innocence in her lyrics, including Ken Rosenbaum of The Toledo Blade,[89] Nick Cristiano of The Philadelphia Inquirer,[85] Jeff Tamarkin of AllMusic,[82] and Rolling Stone.[53] In a review for The Palm Beach Post, James Fontaine felt Swift's honest depiction of her teenage experience made the album compelling, and lauded the "musical maturity" for effectively communicating the sentiments.[48] The Morning Call's Keith Groller said that the album was not groundbreaking but could appeal to a wide-ranging audience with its adolescent earnestness.[90]
Critics commented on the album's pop sensibility—Neal and Rolling Stone found it appealing to a mainstream audience.[53][84] Tamarkin commented that Swift's "considerably strong voice" straddled the precarious boundary between country and pop, and criticized producer Chapman for applying "a gloss that not all [songs] really require".[82] In the Chicago Tribune, Chrissie Dickinson described Taylor Swift as "a slick package, pleasant enough but devoid of anything resembling gritty traction".[49] In a mixed review for PopMatters, Roger Holland complimented the production quality of certain tracks, but deemed the album overall a misstep for Swift's true appeal: "It's to be hoped that when she finds both her place and her full grown voice, she's able to find an accommodation between the country tradition and her very obvious pop sensibilities."[86] Robert Christgau rated the album a "cut" score ( ), and selected "Tim McGraw" and "Picture to Burn" as highlights.[83][note 2]
Taylor Swift helped Swift earn a nomination for New Female Vocalist of the Year at the 2007 Academy of Country Music Awards, a Horizon Award at the 2007 Country Music Association Awards, and a nomination for the Grammy Award for Best New Artist at the 50th Annual Grammy Awards (2008).[57][92] The album itself was nominated for Album of the Year at the 2008 Academy of Country Music Awards.[93]
Retrospective reviews have remained favorable toward Swift's early songwriting. Maura Johnston from Pitchfork described the album as an honest record about teenage perspectives, which set Swift apart from the manufactured albums that "weighed down former teen sensations".[38] Jonathan Bradley from Billboard lauded how Swift captured immediate emotions and feelings with "details... so sharp at so small a scale".[31] In July 2022, Rolling Stone ranked Taylor Swift at number 32 on its list of the "100 Best Debut Albums of All Time".[94]
Commercial performance
editTaylor Swift was a sleeper success in the United States.[13][95] It debuted at number 19 on the Billboard 200 chart dated November 11, 2006, with first-week sales of 40,000 copies.[96] Because albums often drop in sales after their initial release, Swift did not expect her album to remain long on the chart: "I would be incredibly lucky to see this album certified Gold."[13] Contrary to her expectations, Taylor Swift kept selling at a fairly consistent pace.[13] By November 2007, the album had sold over a million copies.[97] It reached its highest sales week on the Billboard 200 chart dated January 5, 2008, when it sold 187,000 copies and charted at number eight.[98]
The album reached its peak at number five on the chart dated January 19, 2008, in its 63rd week of charting.[99] Spending 157 weeks on the Billboard 200 by October 2009, Taylor Swift marked the longest stay on the chart by any album released in the 2000s decade.[100] It has spent a total of 280 weeks on the chart as of August 2023.[101] On Top Country Albums, Taylor Swift peaked at number one for 24 non-consecutive weeks.[102] By January 2024, the album had sold 5.871 million pure copies in the United States.[103] It had been certified seven times Platinum by the RIAA for earning over seven million album-equivalent units in the nation.[104]
In Canada, Taylor Swift peaked at number 14 on the Canadian Albums Chart[105] and was certified Platinum by Music Canada (MC).[106] The album peaked at number 33 on the Australian Albums Chart in March 2010,[107] and was certified Platinum by the Australian Recording Industry Association (ARIA).[108] In the United Kingdom, it peaked at number 81 on the Albums Chart[109] and was certified Gold by the British Phonographic Industry (BPI) for sales of more than 100,000 copies.[110] The album had sold 198,000 units in the United Kingdom by October 2022.[111] It appeared on albums charts in New Zealand (peaking at number 38),[112] Japan (53),[113] Ireland (59),[114] and Scotland (17).[115]
Impact and legacy
editMs. Swift ... has quickly established herself as the most remarkable country music breakthrough artist of the decade. In part that's because ... [her] career has been noteworthy for what happens once the songs are finished. She has aggressively used online social networks to stay connected with her young audience in a way that ... is proving to be revolutionary in country music, ... helping country reach a new audience.
— Jon Caramanica, The New York Times (2008)[75]
Taylor Swift was released in a time when female country artists were gaining momentum in popularity.[38][53] Nashville industry experts nonetheless disapproved of Swift's debut as a teenager[11][23] because they considered the album's adolescent themes inappropriate for country music's middle-aged key demographic.[74][116] Jim Malec of American Songwriter observed that contrary to industry expectations,Taylor Swift's success on country radio, particularly with the track "Our Song", established Swift as one of the few teenage female artists to be equally successful with male counterparts in a format dominated by men.[74]
Though critics questioned the album's country-music categorization,[117] Rolling Stone remarked that following the Dixie Chicks' 2003 controversy, which left "a huge space opened up in the heart of the country audience", Swift "has completely filled it ... with a sound that's not just rock-informed but teen-poppy too".[53] Jon Caramanica of The New York Times observed that, although the country-pop crossover sound was facilitated by previous successful singers, Swift was the first country artist to embrace the status of a pop star.[75] Taylor Swift made her the first female solo artist in country music to write or co-write every song on a platinum-certified debut album.[77][118] Its production laid the groundwork to Swift's subsequent country-pop discography, whose chart success straddled the perceived boundary between the two genres.[117][119][120]
Music journalists attributed the album's success to Swift's songwriting and online marketing strategy.[11] While online promotion was familiar to pop and hip hop artists, she was the first country artist to promote her songs on social media services like Myspace;[74][75] she also relied on social media to promote her subsequent releases, which brought her a loyal fan base.[116][121] Her social media presence ushered in a younger audience consisted of mostly teenage girls who listened to country music—a previously unheard demographic.[11] The autobiographical narratives on Taylor Swift defined Swift's songwriting over the next decade,[30][31] which Billboard noted to inspire a new generation of aspiring singer-songwriters.[116] Consequence stated Taylor Swift was the blueprint for songs focused on unrequited love and suffering, paving the way for "future teenie boppers" such as Conan Gray's "Heather" (2020) and Olivia Rodrigo's "Drivers License" (2021).[122] Rolling Stone opined, "if Taylor Swift retired right after dropping her debut album, she'd still be remembered as a legend today [...] Taylor debuted with complete mastery of a genre she was also completely transforming."[94] According to Entertainment Weekly, the commercial success of her debut helped the infant Big Machine go on to sign Garth Brooks and Jewel.[123]
Track listing
editAll tracks are produced by Nathan Chapman except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Tim McGraw" | 3:54 | |
2. | "Picture to Burn" |
| 2:55 |
3. | "Teardrops on My Guitar" |
| 3:35 |
4. | "A Place in This World" | 3:22 | |
5. | "Cold as You" |
| 4:01 |
6. | "The Outside" (
| Swift | 3:29 |
7. | "Tied Together with a Smile" |
| 4:11 |
8. | "Stay Beautiful" |
| 3:58 |
9. | "Should've Said No" | Swift | 4:04 |
10. | "Mary's Song (Oh My My My)" |
| 3:35 |
11. | "Our Song" | Swift | 3:24 |
Total length: | 40:28 |
No. | Title | Writer(s) | Length |
---|---|---|---|
12. | "I'm Only Me When I'm with You" (
|
| 3:35 |
13. | "Invisible" (Orrall) |
| 3:26 |
14. | "A Perfectly Good Heart" (
| 3:42 | |
15. | "Taylor Swift's 1st Phone Call with Tim McGraw" | 4:44 | |
Total length: | 55:55 |
No. | Title | Length |
---|---|---|
15. | "Teardrops on My Guitar" (pop version) | 2:58 |
Total length: | 54:09 |
Notes
edit- ^ additional production
- Upon its release, a special enhanced CD version of the album was released, featuring the "Tim McGraw" music video and performance at the Grand Ole Opry.[124]
- In addition to the bonus tracks, the deluxe edition also contains the single versions of "Teardrops on My Guitar" and "Our Song", replacing the original versions. It was released with the bonus DVD disc, featuring more than an hour of video content. A special deluxe edition, released at Target, contains an extended DVD content.[125]
- "A Perfectly Good Heart" is entitled "Perfectly Good Heart" on CD releases of the album.
- The initial standard edition releases at Best Buy include "I Heart ?" as a download from Taylor Swift’s official website.
- The 2008 edition replaced the original editions after being released, and was the first and only edition to be released in many countries. In addition to the new versions of "Teardrops on My Guitar" and "Our Song", which had initially replaced their original counterparts on the deluxe edition, the 2008 edition also replaces "Picture to Burn" with the radio edit.[126] In the United States, the new edition contains enhanced content, featuring the music videos of "Tim McGraw" and "Teardrops on My Guitar".[127]
Personnel
edit- Taylor Swift – lead vocals, background vocals, songwriting, acoustic guitar
- Nathan Chapman – acoustic guitar, banjo, bass, drums, electric guitar, engineer, background vocals, mandolin, production
- Scott Borchetta – executive producer
- Chuck Ainlay – mixing
- Jeff Balding – mixing
- Bruce Bouton – dobro
- Mike Brignardello – bass guitar
- Nick Buda – drums
- Gary Brunette – electric guitar
- Jason Campbell – production coordination
- Chason Carlson – engineer
- Aaron Chmielewski – assistant engineer
- Eric Darken – percussion
- Allen Ditto – engineer
- Dan Dugmore – pedal steel
- Shannon Forrest – drums
- Rob Hajacos – fiddle
- Gordon Hammon – assistant engineer
- Tony Harrell – keyboard
- Jeffrey Hyde – banjo
- Scott Kidd – mixing assistant
- Greg Lawrence – mixing assistant
- Andy Leftwich – fiddle, mandolin
- Liana Manis – background vocals
- Tim Marks – bass
- Robert Ellis Orrall – background vocals, producer
- Lex Price – mandolin
- Lee Ann Ramey – graphic design
- Joshua Whitmore – dobro, pedal steel
- Clarke Schleicher – engineer
- Steve Short – assistant engineer
- Sandi Spika – engineer
- Whitney Sutton – production coordination
- Ilya Toshinsky – acoustic guitar, banjo
- Wanda Vick – fiddle
- Hank Williams – mastering
- John Willis – banjo, mandolin, hi string acoustic guitar
Charts
edit
Weekly chartsedit
|
Year-end chartsedit
Decade-end chartsedit
All-time chartsedit
|
Certifications and sales
editRegion | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[108] | 2× Platinum | 140,000‡ |
Canada (Music Canada)[106] | Platinum | 100,000^ |
Singapore (RIAS)[158] | Gold | 5,000* |
United Kingdom (BPI)[110] | Gold | 100,000^ |
United States (RIAA)[104] | 7× Platinum | 5,871,000[103] |
* Sales figures based on certification alone. |
Release history
editRegion | Date | Edition | Format | Label | Ref. |
---|---|---|---|---|---|
United States | October 24, 2006 | Standard | Big Machine | [159] | |
November 6, 2007 | Deluxe | CD+DVD | [160] | ||
March 18, 2008 | Enhanced | [61] | |||
Australia | October 4, 2008 | International | CD |
|
[161] |
New Zealand | [162] | ||||
Germany | March 8, 2009 | [163] | |||
United Kingdom | August 3, 2009 | Virgin EMI | [164] | ||
Japan | June 30, 2010 | Universal | [165] | ||
Deluxe | CD+DVD | [166] | |||
United States | November 18, 2016 | International / Deluxe | LP | Big Machine | [167] |
Germany | [168] |
Footnotes
edit- ^ This cover was used for the standard and 2008 editions of the album. The 2007 deluxe edition features a different image of Swift.
- ^ In Robert Christgau's rating, a "cut" ( ) means "a good song on an album that isn't worth your time or money".[91]
- ^ Compiled by Billboard for albums 1963–2015[153][154]
- ^ Compiled by Billboard for albums 1963–2017[155][156]
- ^ Compiled by Billboard for albums 1963–2016[157]
References
editCitations
edit- ^ a b Grigoriadis, Vanessa (March 5, 2009). "The Very Pink, Very Perfect Life of Taylor Swift". Rolling Stone. Archived from the original on January 28, 2021. Retrieved June 28, 2024.
- ^ "Nashville Music Industry: Impact, Contribution and Cluster Analysis" (PDF). Recording Industry Association of America. September 2015. Archived (PDF) from the original on December 18, 2017. Retrieved February 21, 2020.
- ^ Diu, Nisha Lilia (April 3, 2011). "Taylor Swift: 'I Won't Do Sexy Shoots'". The Daily Telegraph. Archived from the original on May 6, 2013. Retrieved April 17, 2012.
- ^ "CMT Insider Interview: Taylor Swift (Part 1 of 2)". CMT. November 26, 2008. Archived from the original on January 23, 2015. Retrieved July 1, 2012.
- ^ a b Malec, Jim (May 2, 2011). "Taylor Swift: The Garden In The Machine". American Songwriter. Archived from the original on May 10, 2012. Retrieved May 21, 2012.
- ^ a b Spencer 2010, p. 7.
- ^ "Casting Call Hopefuls Ready To Shine". United States Tennis Association. June 30, 2015. Archived from the original on September 2, 2022. Retrieved July 4, 2024.
- ^ Spencer 2010, p. 12.
- ^ a b c Spencer 2010, p. 19.
- ^ Reinartz, Joe (October 12, 2010). "Swift Sued By Former Manager". Pollstar. Archived from the original on June 4, 2023. Retrieved July 4, 2024.
- ^ a b c d Widdicombe, Lizzie (October 10, 2011). "You Belong With Me". The New Yorker. Archived from the original on July 24, 2014. Retrieved October 11, 2011.
- ^ a b c Willman, Chris (February 5, 2008). "Taylor Swift's Road to Fame". Entertainment Weekly. Archived from the original on January 17, 2021. Retrieved February 27, 2021.
- ^ a b c d e Malec, Jim (May 2, 2011). "Taylor Swift: The Garden In The Machine". American Songwriter. p. 3. Archived from the original on August 7, 2013. Retrieved May 21, 2012.
- ^ a b c d Preston, John (April 26, 2009). "Taylor Swift: The 19-Year-Old Country Music Star Conquering America – And Now Britain". The Daily Telegraph. Archived from the original on January 5, 2012. Retrieved August 30, 2012.
- ^ Kotb, Hoda (May 31, 2009). "On Tour with Taylor Swift". NBC News. Archived from the original on October 5, 2013. Retrieved July 1, 2012.
- ^ Paulson, Dave; Alund, Natalie Nesya; Leimkuehler, Matthew; Tamburin, Adam (November 24, 2019). "Taylor Swift vs. Big Machine: How Did We Get Here?". The Tennessean. Retrieved July 4, 2024.
- ^ O'Brien, Kristen (May 16, 2019). "Taylor Swift (at Age 14!) Proved 'She Can Actually Work a Room' at Nashville Landmark Bluebird Café". People. Archived from the original on January 2, 2024. Retrieved July 4, 2024.
- ^ a b c Leonard, Devin (November 14, 2014). "Taylor Swift Is the Music Industry". Bloomberg Businessweek. Archived from the original on March 13, 2016. Retrieved July 4, 2024.
- ^ Willman, Chris (July 25, 2007). "Getting to Know Taylor Swift". Entertainment Weekly. Archived from the original on May 24, 2022. Retrieved July 4, 2024.
- ^ Spencer 2010, p. 21.
- ^ Hiatt, Brian (October 25, 2012). "Taylor Swift in Wonderland". Rolling Stone. Archived from the original on December 9, 2022. Retrieved June 28, 2024.
- ^ a b Spencer 2010, p. 27.
- ^ a b c Kosser, Michael (June 3, 2010). "Liz Rose: Co-Writer to the Stars". American Songwriter. Archived from the original on August 4, 2020. Retrieved February 20, 2020.
- ^ a b Taylor Swift (album booklet). Big Machine Records. 2006. BMR120702.
{{cite AV media notes}}
: Unknown parameter|people=
ignored (help) - ^ a b Perone 2017, p. 15.
- ^ a b c d e f g Morris, Edward (December 1, 2006). "When She Thinks 'Tim McGraw', Taylor Swift Savors Payoff: Hardworking Teen to Open for George Strait Next Year". CMT. Archived from the original on December 29, 2018. Retrieved March 11, 2010.
- ^ Spencer 2010, p. 28.
- ^ Spencer 2010, p. 18.
- ^ Spencer 2010, p. 18–19.
- ^ a b c Carson, Sarah (October 24, 2016). "The Story of Taylor Swift: 10 Years At the Top In Her Own Lyrics". The Daily Telegraph. Archived from the original on November 24, 2016. Retrieved October 24, 2016.
- ^ a b c d e Bradley, Jonathan (November 7, 2017). "Why Taylor Swift's Self-Titled Debut Is Her Best Album". Billboard. Archived from the original on November 11, 2017. Retrieved November 7, 2017.
- ^ Yahr, Emily (June 16, 2016). "Taylor Swift's First Song Came Out 10 Years Ago. Here's What She Was Like as a Teen Songwriter". The Washington Post. Archived from the original on March 26, 2021. Retrieved February 25, 2021.
- ^ "20 Questions with Taylor Swift". CMT. November 12, 2007. Archived from the original on November 17, 2014. Retrieved March 30, 2021.
- ^ Perone 2017, p. 13.
- ^ Perone 2017, p. 14.
- ^ Shelburne, Craig (April 15, 2008). "Taylor Swift Shares Story and Success of Award-Winning 'Our Song'". CMT. Archived from the original on February 9, 2018. Retrieved March 15, 2010.
- ^ Frere-Jones, Sasha (November 10, 2008). "Prodigy". The New Yorker. Archived from the original on October 21, 2016. Retrieved July 7, 2024.
- ^ a b c d e Johnston, Maura (August 19, 2019). "Taylor Swift: Taylor Swift Album Review". Pitchfork. Archived from the original on August 19, 2019. Retrieved August 19, 2019.
- ^ a b c Edwards, Gavin (August 28, 2012). "2008's Country Lolita: Taylor Swift". Rolling Stone. Archived from the original on November 29, 2020. Retrieved November 7, 2020.
- ^ Horner, Marianne (October 20, 2008). "Story Behind the Song: Don't Cheat on a Songwriter". Country Weekly. Vol. 15, no. 21. p. 14.
- ^ a b Spanos, Brittany (August 22, 2016). "Ex-Factor: Taylor Swift's Best Songs About Former Boyfriends". Rolling Stone. Archived from the original on July 17, 2018. Retrieved August 22, 2016.
- ^ McCarty, Tara (August 23, 2019). "Taylor Swift's Lover Is Out. Here's An Analysis of the Lyrics". Tampa Bay Times. Archived from the original on August 23, 2019. Retrieved August 23, 2019.
- ^ Perone 2017, p. 11.
- ^ a b "Ask the Artist". Great American Country. Archived from the original on July 8, 2007. Retrieved March 15, 2010.
- ^ Rubin, Ronna (October 23, 2006). "Taylor Swift Is a Veteran at 16". Great American Country. Archived from the original on April 27, 2015. Retrieved March 15, 2010.
- ^ Perone 2017, p. 12.
- ^ a b Perone 2017, pp. 6–7.
- ^ a b c Fontaine, James (October 30, 2006). "Taylor Swift Shows She's the Real Deal". The Palm Beach Post. p. D6. Archived from the original on May 13, 2021. Retrieved April 8, 2021 – via Newspapers.com.
- ^ a b Dickinson, Chrissie (November 17, 2006). "Recordings". Chicago Tribune. p. 13.
- ^ Perone 2017, p. 6.
- ^ Caramanica, Jon (September 5, 2008). "A Young Outsider's Life Turned Inside Out". The New York Times. Archived from the original on September 8, 2014. Retrieved August 1, 2016.
- ^ Eddy, Chuck. "Taylor Swift". Rolling Stone. Archived from the original on July 9, 2012. Retrieved July 9, 2013.
- ^ a b c d e f "Taylor Swift: Album Guide". Rolling Stone. Archived from the original on December 5, 2012. Retrieved December 5, 2012.
- ^ Smith, Grady (September 8, 2014). "Teardrops on Her Guitar: Taylor Swift's 10 Countriest Songs". Rolling Stone. Archived from the original on August 20, 2020. Retrieved February 20, 2020.
- ^ du Lac, J. Freedom (February 28, 2008). "Her Song: Talking Taylor Swift". The Washington Post. Archived from the original on August 12, 2013. Retrieved February 27, 2010.
- ^ Rosa, Christopher (March 24, 2015). "Opening Acts Who Became Bigger Than The Headliner". VH1. Archived from the original on November 10, 2015. Retrieved November 11, 2015.
- ^ a b Boardman, Madeline (August 25, 2017). "Flashback to Taylor Swift's First Album Drop". Entertainment Weekly. Archived from the original on July 21, 2017. Retrieved August 25, 2017.
- ^ Mansfield, Brian (November 21, 2006). "On the Verge: Taylor Swift, Teen Hops On Back of 'Tim McGraw'". USA Today. p. D.5. ProQuest 409044861.
- ^ Willman, Chris (February 4, 2008). "Taylor Swift: Date with Grammy?". Entertainment Weekly. Archived from the original on December 12, 2019. Retrieved February 27, 2020.
- ^ "Taylor Swift (Bonus Track Version)". Apple Music. October 24, 2006. Archived from the original on December 20, 2019. Retrieved February 27, 2020.
- ^ a b "Taylor Swift (Bonus Tracks)". Barnes and Noble. Archived from the original on October 20, 2020. Retrieved February 20, 2020.
- ^ "Tim McGraw". AllMusic. Archived from the original on September 25, 2022. Retrieved January 24, 2010.
- ^ "Taylor Swift Chart History (Hot 100)". Billboard. Archived from the original on November 19, 2021. Retrieved January 24, 2010.
- ^ "Taylor Swift Chart History (Hot Country Songs)". Billboard. Archived from the original on November 17, 2021. Retrieved January 24, 2010.
- ^ a b "American single certifications – Taylor Swift". Recording Industry Association of America. Retrieved January 24, 2010.
- ^ a b "Taylor Swift Joins Rascal Flatts Tour". CMT. October 18, 2006. Archived from the original on June 23, 2018. Retrieved March 11, 2010.
- ^ "Taylor Swift Will Sing on America's Got Talent". CMT. August 20, 2007. Archived from the original on August 11, 2017. Retrieved March 11, 2010.
- ^ "Video: TRL Embraced Me for who I Am". MTV. November 16, 2008. Archived from the original on September 4, 2018. Retrieved March 11, 2010.
- ^ "Video: Picture to Burn (From the 2008 CMT Music Awards)". CMT. Archived from the original on August 10, 2017. Retrieved March 11, 2010.
- ^ "Video: Should've Said No (From the 2008 ACM Awards)". CMT. Archived from the original on June 13, 2008. Retrieved March 11, 2010.
- ^ "Taylor Swift Joins George Straits 2007 Tour". CMT. November 17, 2006. Archived from the original on July 29, 2018. Retrieved March 11, 2010.
- ^ "Brad Paisley Announces More Tour Dates". CMT. March 19, 2007. Archived from the original on October 13, 2018. Retrieved March 11, 2010.
- ^ "Taylor Swift Joins Tim McGraw, Faith Hill on Tour". CMT. June 1, 2007. Archived from the original on May 25, 2012. Retrieved March 11, 2010.
- ^ a b c d e Malec, Jim (May 2, 2011). "Taylor Swift: The Garden in the Machine". American Songwriter. p. 4. Archived from the original on July 26, 2020. Retrieved May 2, 2020.
- ^ a b c d Caramanica, Jon (November 9, 2008). "My Music, MySpace, My Life". The New York Times. Archived from the original on April 11, 2009. Retrieved February 28, 2010.
- ^ Willman, Chris (July 1, 2016). "Taylor Swift's Incredible Decade: Marking the 10th Anniversary of Her Billboard Chart Debut". Billboard. Archived from the original on April 19, 2021. Retrieved February 3, 2021.
- ^ a b "Taylor Swift". Songwriters Hall of Fame. Archived from the original on February 12, 2021. Retrieved February 27, 2021.
- ^ Trust, Gary (July 14, 2019). "Ask Billboard: Taylor Swift's Career Sales & Streaming Totals, From 'Tim McGraw' to 'You Need to Calm Down'". Billboard. Archived from the original on July 15, 2019. Retrieved July 14, 2019.
- ^ "Big Machine to re-release Taylor Swift's early singles on limited-edition vinyl". NME. July 11, 2019. Archived from the original on December 6, 2022. Retrieved December 5, 2022.
- ^ "Taylor Swift's former record label draws criticism for repackaging her catalog". Los Angeles Times. July 10, 2019. Archived from the original on December 6, 2022. Retrieved December 5, 2022.
- ^ a b "Reviews for Taylor Swift by Taylor Swift". Metacritic. Archived from the original on August 30, 2022. Retrieved August 30, 2022.
- ^ a b c Tamarkin, Jeff. "Taylor Swift by Taylor Swift". AllMusic. Archived from the original on October 18, 2010. Retrieved January 26, 2010.
- ^ a b Christgau, Robert. "Christgau's Consumer Guide: Taylor Swift". robertchristgau.com. Archived from the original on April 5, 2021. Retrieved March 1, 2021.
- ^ a b c Neal, Chris (December 4, 2006). "Taylor Swift Review". Country Weekly. Archived from the original on July 22, 2012. Retrieved March 31, 2010.
- ^ a b Cristiano, Nick (November 12, 2006). "New Recordings". The Philadelphia Inquirer. p. H12. Archived from the original on April 19, 2021. Retrieved April 8, 2021 – via Newspapers.com.
- ^ a b Holland, Roger (November 9, 2006). "Taylor Swift: Taylor Swift". PopMatters. Archived from the original on August 28, 2018. Retrieved August 17, 2020.
- ^ St. Asaph, Katherine (June 21, 2017). "A Brief History of Musical Wunderkinds". Pitchfork. Archived from the original on October 9, 2017. Retrieved October 8, 2017.
- ^ Snapes, Laura (November 9, 2017). "Taylor Swift's reputation: Will Her New Album Silence Her Critics?". The Guardian. Archived from the original on March 28, 2023. Retrieved May 11, 2024.
- ^ Rosenbaum, Ken (November 12, 2006). "The Who's 1st Disc in 24 years, Endless Wire, is a Mixed Bag". The Toledo Blade. p. 12. Archived from the original on October 21, 2014. Retrieved March 31, 2010 – via Google News Archive.
- ^ Groller, Keith (January 27, 2007). "Taylor Swift, Taylor Swift (Big Machine) [Second Edition]". The Morning Call. p. D6. ProQuest 393303166.
- ^ Christgau, Robert. "Key to Icons". robertchristgau.com. Archived from the original on April 1, 2021. Retrieved March 1, 2021.
- ^ "2008 Grammy Award Winners and Nominees". The New York Times. February 9, 2008. Archived from the original on July 3, 2015. Retrieved November 13, 2012.
- ^ Vrazel, Jarrod (May 19, 2008). "2008 Academy of Country Music Awards Winners". Academy of Country Music. Archived from the original on July 7, 2015. Retrieved July 7, 2015.
- ^ a b "100 Best Debut Albums of All Time". Rolling Stone. July 1, 2022. Archived from the original on July 1, 2022. Retrieved July 1, 2022.
- ^ Whitaker, Sterling (October 24, 2021). "15 Years Ago Today: Taylor Swift Releases Debut Album". Taste of Country. Archived from the original on October 24, 2021. Retrieved October 24, 2021.
- ^ Hasty, Katie (November 1, 2006). "'Hannah Montana' Trumps My Chem, Legend At No. 1". Billboard. Archived from the original on May 23, 2013. Retrieved February 21, 2010.
- ^ Guerra, Joey (November 3, 2007). "Swift Known For Sweet Sound, But There's More to Her". Houston Chronicle. Archived from the original on September 25, 2019. Retrieved February 21, 2020.
- ^ Walsh, Chris (December 27, 2007). "Groban, Blige Enjoy Huge Weeks On Album Chart". Billboard. Archived from the original on January 15, 2021. Retrieved February 27, 2021.
- ^ Cohen, Jonathan (January 9, 2008). "Radiohead Nudges Blige From Atop Album Chart". Billboard. Archived from the original on February 12, 2008. Retrieved February 21, 2010.
- ^ Trust, Gary (October 29, 2009). "Chart Beat Thursday: Taylor Swift, Tim McGraw Linked Again". Billboard. Archived from the original on June 26, 2019. Retrieved July 12, 2019.
- ^ "Taylor Swift". Billboard. Archived from the original on August 6, 2023. Retrieved August 6, 2023.
- ^ "Taylor Swift Bumps Herself Out of No. 1 Slot". CMT. July 26, 2008. Archived from the original on August 19, 2010. Retrieved January 9, 2010.
- ^ a b Caulfield, Keith (January 18, 2024). "Taylor Swift's 1989 (Taylor's Version) Surpasses 2 Million in U.S. Sales". Billboard. Archived from the original on January 18, 2024. Retrieved January 19, 2024.
- ^ a b "American album certifications – Taylor Swift – Taylor Swift". Recording Industry Association of America. Retrieved May 5, 2019.
- ^ a b "Taylor Swift Chart History (Canadian Albums)". Billboard. Retrieved November 21, 2017.
- ^ a b "Canadian album certifications – Taylor Swift – Taylor Swift". Music Canada. Retrieved June 28, 2020.
- ^ a b "Australiancharts.com – Taylor Swift – Taylor Swift". Hung Medien. Retrieved November 18, 2017.
- ^ a b "ARIA Charts – Accreditations – 2023 Albums" (PDF). Australian Recording Industry Association. Retrieved October 27, 2023.
- ^ a b "Official Albums Chart Top 100". Official Charts Company. Retrieved November 18, 2017.
- ^ a b "British album certifications – Taylor Swift – Taylor Swift". British Phonographic Industry. Retrieved July 25, 2016.
- ^ Griffiths, George (October 27, 2022). "Taylor Swift's Official Biggest Albums in the UK Revealed". Official Charts Company. Archived from the original on October 27, 2022. Retrieved October 27, 2022.
- ^ a b "Charts.nz – Taylor Swift – Taylor Swift". Hung Medien. Retrieved November 17, 2012.
- ^ a b テイラー・スウィフトのアルバム売上ランキング [Taylor Swift's albums rankings] (in Japanese). Oricon. Archived from the original on October 13, 2020. Retrieved March 3, 2021.
- ^ a b "Irish-charts.com – Discography Taylor Swift". Hung Medien. Retrieved November 18, 2017.
- ^ a b "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved July 13, 2024.
- ^ a b c Roland, Tom (July 7, 2016). "Love Story: The Impact of Taylor Swift's First Decade in Music". Billboard. Archived from the original on July 14, 2016. Retrieved July 7, 2016.
- ^ a b McNutt 2020, p. 77.
- ^ Spencer 2010, p. 29.
- ^ Mylrea, Hannah (December 17, 2020). "Taylor Swift: Every Single Album Ranked and Rated". NME. Archived from the original on September 17, 2020. Retrieved December 17, 2020.
- ^ Tannenbaum, Rob (December 9, 2014). "4 Ways Billboard Woman of the Year Taylor Swift Changed Country Music". Billboard. Archived from the original on January 23, 2021. Retrieved February 27, 2021.
- ^ Lewis, Randy (October 28, 2014). "How Does Taylor Swift Connect with Fans? 'Secret Sessions' and Media Blitzes". Los Angeles Times. Archived from the original on February 7, 2019. Retrieved February 5, 2019.
- ^ Siroky, Mary (November 9, 2021). "Every Taylor Swift Album Ranked from Worst to Best". Consequence. Archived from the original on March 28, 2022. Retrieved November 10, 2021.
- ^ Willman, Chris (February 5, 2008). "Taylor Swift's Road to Fame". Entertainment Weekly. p. 3. Archived from the original on February 21, 2015. Retrieved April 22, 2012.
- ^ Taylor Swift (Media notes) (enhanced ed.). Big Machine Bargins. 2006. BMR133702IN01.
{{cite AV media notes}}
: Unknown parameter|people=
ignored (help) - ^ Taylor Swift (Media notes) (deluxe ed.). Big Machine Records. 2006. BMR022702.
{{cite AV media notes}}
: Unknown parameter|people=
ignored (help) - ^ Taylor Swift (physical album liner notes). Big Machine Records. 2008. BMR079102.
{{cite AV media notes}}
: Unknown parameter|people=
ignored (help) - ^ "Taylor Swift". Barnes and Noble.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved August 1, 2020.
- ^ "Official Country Artists Albums Chart Top 20". Official Charts Company. Retrieved July 10, 2023.
- ^ "Taylor Swift Chart History (Billboard 200)". Billboard. Retrieved November 21, 2017.
- ^ "Taylor Swift Chart History (Top Country Albums)". Billboard. Retrieved November 21, 2017.
- ^ "ARIA 20 Country Chart". Australian Recording Industry Association. Archived from the original on November 8, 2012. Retrieved November 8, 2012.
- ^ "Los discos más vendidos de la semana". Diario de Cultura (in Spanish). Argentine Chamber of Phonograms and Videograms Producers. Archived from the original on September 6, 2021. Retrieved September 8, 2021.
- ^ "Austriancharts.at – Taylor Swift – Taylor Swift" (in German). Hung Medien. Retrieved August 20, 2024.
- ^ "Lista prodaje 25. tjedan 2024" (in Croatian). HDU. June 10, 2024. Archived from the original on June 29, 2024. Retrieved June 29, 2024.
- ^ "Top-75 Albums Sales Chart – Week 44/2023" (in Greek). IFPI Greece. Archived from the original on November 13, 2023. Retrieved November 1, 2023.
- ^ "Album Top 40 slágerlista (fizikai hanghordozók) – 2024. 29. hét". MAHASZ. Retrieved July 25, 2024.
- ^ "Portuguesecharts.com – Taylor Swift – Taylor Swift". Hung Medien. Retrieved September 11, 2023.
- ^ "Veckolista Album Fysiskt, vecka 21". Sverigetopplistan. Archived from the original on May 24, 2024. Retrieved May 24, 2024.
- ^ "Taylor Swift Chart History (Independent Albums)". Billboard. Retrieved August 28, 2023.
- ^ "Billboard 200 Albums Year-end charts 2007". Billboard. January 2, 2013. Archived from the original on October 1, 2016. Retrieved April 13, 2020.
- ^ "Billboard 200 Albums Year-end charts 2008". Billboard. January 2, 2013. Archived from the original on January 16, 2016. Retrieved October 12, 2017.
- ^ "Best of 2009 – The Billboard 200". Billboard. Archived from the original on April 4, 2013. Retrieved March 12, 2010.
- ^ "Best of 2010 – The Billboard 200". Billboard. Retrieved March 12, 2010.
- ^ "Best of 2011 – The Billboard 200". Billboard. Archived from the original on April 1, 2013. Retrieved March 12, 2010.
- ^ "Best of 2007 – The Billboard Country Albums". Billboard. Archived from the original on November 19, 2013. Retrieved March 12, 2010.
- ^ "Best of 2008 – The Billboard Country Albums". Billboard. Archived from the original on October 18, 2013. Retrieved March 12, 2010.
- ^ "Best of 2009 – The Billboard Country Albums". Billboard. Archived from the original on June 11, 2015. Retrieved March 12, 2010.
- ^ "Best of 2010 – The Billboard Country Albums". Billboard. Archived from the original on July 5, 2015. Retrieved March 12, 2010.
- ^ "Top Country Albums – Year-End 2023". Billboard. Archived from the original on November 21, 2023. Retrieved November 22, 2023.
- ^ "Independent Albums – Year-End 2023". Billboard. Archived from the original on December 5, 2023. Retrieved November 22, 2023.
- ^ a b "The Decade in Music: Top 200 Billboard Albums". Billboard. Vol. 112, no. 39. October 3, 2009. p. 163. Archived from the original on March 1, 2022. Retrieved July 15, 2019.
- ^ "Greatest of All Time Billboard 200 Albums : Page 1". Billboard. November 12, 2015. Archived from the original on October 1, 2016. Retrieved May 13, 2020.
- ^ Caulfield, Keith (November 12, 2015). "Greatest Billboard 200 Albums & Artists of All Time: Adele's 21 & The Beatles Are Tops". Billboard. Archived from the original on June 9, 2023. Retrieved June 16, 2023.
- ^ "Greatest of All Time Billboard 200 Albums By Women". Billboard. November 30, 2017. Archived from the original on February 1, 2018. Retrieved July 13, 2020.
- ^ Trust, Gary (November 30, 2017). "Madonna, Barbra Streisand, Adele & LeAnn Rimes Are Hot 100 & Billboard 200's Leading Ladies". Billboard. Archived from the original on June 16, 2023. Retrieved June 16, 2023.
- ^ "Greatest of All Time Top Country Albums". Billboard. Archived from the original on June 26, 2023. Retrieved June 26, 2023.
- ^ "Singapore album certifications". Recording Industry Association Singapore. Retrieved January 23, 2023.
- ^ "Taylor Swift (CD)". AllMusic. Archived from the original on October 20, 2015. Retrieved February 20, 2020.
- ^ Spencer 2010, p. 38.
- ^ "Taylor Swift CD". Sanity. Archived from the original on August 15, 2020. Retrieved February 20, 2020.
- ^ "Taylor Swift by Taylor Swift". JB Hi-Fi. Retrieved February 20, 2020.[permanent dead link]
- ^ "Taylor Swift: Taylor Swift" (in German). JPC. Archived from the original on December 2, 2020. Retrieved March 3, 2021.
- ^ "Taylor Swift: Taylor Swift". WHSmith. Archived from the original on August 10, 2020. Retrieved March 3, 2021.
- ^ テイラー・スウィフト [Taylor Swift] (in Japanese). Tower Records. Archived from the original on April 19, 2021. Retrieved February 20, 2020.
- ^ テイラー・スウィフト-デラックス・エデション [Taylor Swift – Deluxe Edition] (in Japanese). Tower Records. Archived from the original on March 21, 2016. Retrieved February 20, 2020.
- ^ "Taylor Swift – Vinyl". Walmart. Archived from the original on April 16, 2021. Retrieved March 3, 2021.
- ^ "Taylor Swift: Taylor Swift (2 LPs)" (in German). JPC. Archived from the original on April 19, 2021. Retrieved March 3, 2021.
Cited sources
edit- McNutt, Myles (2020). "From 'Mine' to 'Ours': Gendered Hierarchies of Authorship and the Limits of Taylor Swift's Paratextual Feminism". Communication, Culture and Critique. 13 (1): 72–91. doi:10.1093/ccc/tcz042.
- Perone, James E. (2017). The Words and Music of Taylor Swift. The Praeger Singer-Songwriter Collection. ABC-Clio. ISBN 978-1-4408-5294-7.
- Spencer, Liv (2010). Taylor Swift: Every Day Is a Fairytale – The Unofficial Story. ECW Press. ISBN 978-1-55022-931-8.
External links
edit- Taylor Swift at Discogs (list of releases)