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The Tuxedo

(Redirected from The Tuxedo (film))

The Tuxedo is a 2002 American science fiction action comedy film directed by Kevin Donovan and starring Jackie Chan and Jennifer Love Hewitt. It is a spy parody that involves a special tuxedo that grants its wearer superhuman abilities. It also involves a corporate terrorist, threatening to poison the United States' fresh water supply with bacteria that spills electrolytes into the blood and totally dehydrates the host.[4]

The Tuxedo
Theatrical release poster
Directed byKevin Donovan
Screenplay by
Story by
Produced by
Starring
CinematographyStephen F. Windon
Edited byCraig Herring
Music by
Production
companies
Distributed byDreamWorks Pictures
Release date
  • September 27, 2002 (2002-09-27)
Running time
98 minutes
CountryUnited States
LanguageEnglish[1]
Budget$60 million[2][3]
Box office$104.4 million[2][3]

The film received negative reviews from critics upon release and earned a total worldwide box office gross of $104.4 million.[2]

Plot

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James "Jimmy" Tong is a taxi driver notorious for his speed and ability to get his customers anywhere in the least amount of time, with no accidents whatsoever. His reputation lands him a job as the personal chauffeur of the mysterious but wealthy Clark Devlin. Jimmy does not really know what his new boss' job is, but Devlin's friendly nature, imperturbable demeanor, and willingness to offer Jimmy advice wins Jimmy over and the two become friends. What Jimmy does not realize is that Devlin is a secret spy and undercover government agent, for an agency called the CSA. When an attempt to kill Devlin with a car bombing sends him into a coma, Jimmy ends up with Devlin's recent case notes and a special watch that controls Devlin's rather unusual tuxedo.

The tuxedo is a gadget capable of granting its wearer special abilities (including martial arts, speed, the ability to dance, sing, cling to walls, and various acrobatics) which Jimmy must use to stop the criminal organization responsible for Devlin's attempted murder. The group is a terrorist organization disguised as a corporation named Banning Corporation and is headed by the notorious and ruthless Dietrich Banning. Its goal is to take over the global drinking water supply, starting with the poisoning of major US reservoirs by means of genetically modified water strider insects. These water striders have bacteria that can spread from person to person, causing severe dehydration. By pure chance, Jimmy is joined by a genius scientist with aspirations of field work, Delilah "Del" Blaine. Blaine is completely new to field work and is delighted to be on assignment with Devlin, only to be very confused by Jimmy as he impersonates Devlin, relying on the tuxedo's special abilities to compensate for his lack of skill and training.

At first, Blaine thinks Jimmy is weird and annoying, and then a fraud when Jimmy's impersonation is finally exposed. She confiscates his borrowed tuxedo and attempts to stop the evil Dietrich Banning on her own by feigning a desire to become a turncoat for Banning Corporation. Meanwhile, Jimmy is ready to give up and go back to his life as a taxi driver, but while packing his belongings he discovers that Devlin had ordered a second suit for Jimmy himself, believing that Jimmy could also be a great agent. Using his new suit, Jimmy defeats the villain, Banning, by putting a cigarette in Blaine's mouth. Banning's tuxedo automatically forces him to pull out a lighter and light her cigarette. While Blaine is (comically) puffing on the lit cigarette, Jimmy begins to punch Banning. During the fight, Jimmy throws a glass containing the queen of the water striders into Banning's mouth. He is then infected with bacteria from the water strider. The other remaining water striders attack Banning and he then dies instantaneously from terminal dehydration.

As compensation for his role in bringing down Banning, the organization uses its resources to orchestrate an operation so that Jimmy can finally meet his dream girl. However, confused by Blaine's and the now-recovered Devlin's conflicting instructions on how to act Jimmy succeeds only in alarming the girl into threatening to mace him, resulting in the operation being aborted. Consoling Jimmy afterwards, Blaine admits feeling sad that no one had ever tried to do for her what Jimmy had just done, and Jimmy tells Blaine that she has to change her shrewish personality and be more accommodating if she ever wants to have a boyfriend. Feeling a tentative attraction for each other, they walk away to buy coffee together.

Cast

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Production

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Jackie Chan was unsure about the project adding special effects together with stunts, but was interested to work with DreamWorks for the chance to meet Steven Spielberg.[4] Chan found the American approach to stunts and safety restrictive and wanted to repeat a jump but was not allowed. "American films are different -- it drives me crazy," said Chan.[5] On her first day of stunts, Jennifer Love Hewitt suffered a broken finger after being struck by one of the stunt men.[6]

Principal photography began in September 2001 and ended in January 2002. During filming in Toronto, Chan and Love Hewitt appeared on an on-set webcam and interacted with fans.[7]

Chan worked on The Tuxedo in between shooting The Medallion, which started before, and completed shooting later.[8]

Soundtrack

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After an initial score by Christophe Beck, John Debney was brought in to rescore the film (incorporating Beck's thematic material). Both composers ultimately had cues included in the final version.

Varèse Sarabande released a soundtrack album on October 1, 2002, including different cues written by the composers for the same scenes. Cues by Debney are in italics, cues by Beck in bold.[9]

  1. Jimmy's Tux (2:50)
  2. Skateboard Chase (2:00)
  3. Mad Bike Messenger (1:04)
  4. Jimmy's Dream (:48)
  5. Main Title - "The Tuxedo" (3:01)
  6. First Mission (2:54)
  7. Swallow The Queen (2:25)
  8. Demolition (1:20)
  9. Putting on Tux (1:59)
  10. Demolition Program (1:02)
  11. Rope Fight (2:58)
  12. Rope Fight (2:14)
  13. Superhuman (1:39)
  14. Walter Strider (1:21)
  15. High Noon (:49)
  16. Banning Opens The Pods (2:29)
  17. Banning Swallows Queen (:49)
  18. Jimmy Saves Blaine (1:50)
  19. Get Up (I Feel Like Being a Sex Machine) - James Brown (3:19)

Reception

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Box office

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On a reported budget of $60 million, the film grossed $50.5 million in the United States. In its opening weekend, the film grossed $15 million from 3,022 theaters, ranking in second place behind Sweet Home Alabama.[10] The film's total worldwide gross is $104.4 million.[2][3]

Critical response

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On Rotten Tomatoes, the film has an approval rating of 21% based on 137 reviews and an average rating of 4/10. The site's critical consensus reads, "Chan is as charming as ever, but his talents are squandered by special effects and bad writing."[11] On Metacritic, the film has a score of 30 out of 100 based on reviews from 27 critics, indicating "generally unfavorable reviews".[12] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[13]

Roger Ebert of the Chicago Sun-Times commented that "The movie is silly beyond comprehension, and even if it weren't silly, it would still be beyond comprehension" but does comment that the film has its good moments. He gave the film one and a half stars out of four.[14] Robert Koehler of Variety magazine says that the film's central problem is the mix of Chan's actual stunts and effects, which plays against Chan's whole career and hard-core commitment to doing all of his own body-defying stunts. He notes that Hewitt "has displayed a Chan-like sweetness herself in past roles" and is disappointed that her character is "a haggling, high-strung shrew who's instantly repellent" rather than an amusing sidekick as Chan has had in other Hollywood films. Koehler also criticizes the "pallid direction", and "virtually incomprehensible plot line".[15] American film critic Wheeler Winston Dixon described the trademark action comedy as having an "unlikely pairing" of Jennifer Love Hewitt with Chan, and noted that Chan's doing his own stunts, even in his middle age, added a "welcome touch of verisimilitude to the endless succession of doubles who normally populate such films."[16]

Writing in the Asian Journal of Communication in 2013, academic Zheng Zhu listed the film alongside Dragon: The Bruce Lee Story (1993) and Kiss of the Dragon (2001) as films that broke from the Western tradition of portraying Asian men as asexual, stating that while they are often featured as heroes in martial arts films, they are rarely portrayed as romantic or loving. Noting the films each show an Asian martial artist with a white female partner, Zhu states they reverse the conventional portrayal of a "dominant white knight and a submissive Oriental lady". However, he makes critiques of the portrayal of these relationships. For example, each film shows "white women play[ing] the most important role" in helping Chinese men accomplish success. Asian men, Zhu argues, are portrayed as incapable of achieving success in Western society unless they are supported by white femininity.[17]

Novelization

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A novelization of the film was released by publisher Price Stern Sloan adapted by Ellen Weiss.[18]

See also

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References

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  1. ^ "THE TUXEDO | British Board of Film Classification". bbfc.co.uk. Archived from the original on 2019-08-16. Retrieved 2019-08-16.
  2. ^ a b c d "The Tuxedo". Box Office Mojo. Archived from the original on July 10, 2019. Retrieved October 11, 2017.
  3. ^ a b c "The Tuxedo (2002) - Financial Information". The Numbers. Archived from the original on 2023-05-28. Retrieved 2019-08-17.
  4. ^ a b Hart, Hugh (September 8, 2002). "His Career Is No Stunt". Los Angeles Times. Archived from the original on 2010-08-05. Retrieved 2010-10-23.
  5. ^ Curiel, Jonathan (24 September 2002). "Man of action / Jackie Chan suits up for 'Tuxedo,' finds Hollywood reluctant to let him do the stunts". SFGate. Archived from the original on 20 July 2020. Retrieved 20 July 2020.
  6. ^ Daniel R. Coleridge (October 1, 2002). "Jennifer Love Hewitt: That Elusive Devil!". TV Guide Online. Archived from the original on 2002-10-01.
  7. ^ Jackie Chan, Jennifer Love Hewitt visit the Bagel Cam. Archived from the original on 2021-12-12. Retrieved 16 April 2015 – via YouTube.
  8. ^ "Wacky Jackie". The Irish Times. September 8, 2001. Archived from the original on 2019-08-08.
  9. ^ "The Tuxedo". AllMusic. Archived from the original on 2019-05-01. Retrieved 2019-08-28.
  10. ^ Linder, Brian (October 1, 2002). "Weekend Box Office: Home Sweet Home". IGN. Archived from the original on May 20, 2023. Retrieved May 20, 2023.
  11. ^ "The Tuxedo (2002)". Rotten Tomatoes. Archived from the original on 2024-03-19. Retrieved 2024-04-01.
  12. ^ "The Tuxedo Reviews". Metacritic. Archived from the original on 2018-01-08. Retrieved 2024-04-01.
  13. ^ "Cinemascore". Archived from the original on 2018-12-20.
  14. ^ Ebert, Roger (September 27, 2002). "The Tuxedo". www.rogerebert.com. Archived from the original on March 13, 2013. Retrieved August 16, 2019.
  15. ^ Robert Koehler (26 September 2002). "The Tuxedo". Variety. Archived from the original on 6 November 2019. Retrieved 14 September 2019.
  16. ^ Wheeler Winston Dixon, 2003, Wallflower Press, London and New York, Visions of the Apocalypse: Spectacles of Destruction in American Cinema, retrieved November 28, 2014, ISBN 1-903364-74-4 (paperback) ISBN 1-903364-38-8 (hardcover), see page 18, lines 15–20
  17. ^ Zhu, Zheng (2013). "Romancing 'kung fu master' – from 'yellow peril' to 'yellow prowess'". Asian Journal of Communication. 23 (4): 403–419. doi:10.1080/01292986.2012.756044. S2CID 144868286.
  18. ^ The Tuxedo. Dreamworks. 2002. ISBN 9780843149661.
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