Tokyo Decadence (トパーズ, Topāzu) is Japanese pink film.[2][3] This erotic film was directed by Ryū Murakami (村上 龍 Murakami Ryū) with music by Ryuichi Sakamoto (坂本 龍一 Sakamoto Ryūichi). The film was shot and completed during 1991 and released in the start of 1992. It stars Miho Nikaido (二階堂 美穂 Nikaidō Miho) and is known by two alternate titles, Topaz and Sex Dreams of Topaz.[citation needed]. Because of the cruel and graphic nature of this film, it has been banned in several countries such as Australia[4] and South Korea.[5] Shimada Masahiko (島田 雅彦 Shimada Masahiko) also makes an appearance in this film. The story follows Ai (愛, lit. "love"), the submissive and lovesick prostitute who goes about her trade with misery and is being abused by hedonists and criminals while trying to find some sort of appeasement away from the fact that her lover is currently married.
| Tokyo Decadence | |
|---|---|
 Tokyo Decadence DVD cover | |
| Directed by | Ryū Murakami |
| Produced by | Chosei Funahara |
| Cinematography | 青木正 (Tadashi Aoki) |
| Music by | Ryuichi Sakamoto |
| Distributed by | Cinema Epoch |
Release date |
|
| Language | Japanese |
| Box office | $277,845[1] |
Plot
editAi, a timid 22-year-old college student in Tokyo, works as a prostitute for an exclusive escort agency that caters to wealthy, perverted men. To please her clients, Ai has to play out elaborate fantasy scenarios involving sexual humiliation and light sadomasochism/bondage.
Ai visits a fortune-teller who advises her to find a "pink stone", and then fashion it into a ring. The fortune teller also advises Ai to put a telephone directory under her television, and to avoid a gallery in the east. When she later loses the ring she risks her life to recover it.
Ai shows an emotional connection to one of her clients, another sex worker who is a female dominant and who Ai clearly admires. She confides to this client that she has unrequited love for the gallery artist, and Ai's client tells her that she must live life to the fullest otherwise she will be filled with regrets. She tells Ai that she must confront this part of her life then she can move forward as her future will be hers.
Taking the advice of her female client, and an unidentified drug which her client gave her to provide her with the courage of lions, she becomes dangerously inebriated and fails in an attempt to meet her ex lover.
She is rescued from the police by one of the artist's neighbors who is said to have once been a great singer but is now crazy. This woman met Ai only a few minutes earlier and told her that she used to be friends with the Gallery artist but it is over and that she considers Ai to be her "best friend".
Throughout the film, Ai's movements have been timid and stiff and her posture demure. After the credits there is a sequence of her dancing on stage boldly and fluidly thus finalizing her growth in to her new future.
Release
editThe film was banned by the Ontario Film Review Board. David Cronenberg protested the board's decision stating that "even by their own rules, which they invented, it's clearly acceptable".[6]
See also
editReferences
edit- ^ "Tokyo Decadence". Archived from the original on 2018-07-08. Retrieved 2020-02-19.
- ^ "Tokyo Decadence 1991". Bfi. BFI.org. Archived from the original on May 11, 2019. Retrieved May 10, 2019.
- ^ Modern East Asian Literature. Columbia University Press. 2003. p. 233. ISBN 9780231113144. Retrieved May 10, 2019 – via Internet Archive.
tokyo decadence 1991.
- ^ "Film Censorship: T #2". Refused-Classification.com. Archived from the original on 2012-05-09. Retrieved 2013-04-29.
- ^ South Korea damns Breillat's Hell Archived 2015-04-02 at the Wayback Machine 11 May 2004 ScreenDaily.com
- ^ Taylor, Noel (February 11, 1994). "Cronenberg supports Japanese movie". Ottawa Citizen. p. E1. Archived from the original on August 26, 2024 – via Newspapers.com.
- Thompson, Nathaniel (2006) [2002]. DVD Delirium: The International Guide to Weird and Wonderful Films on DVD; Volume 1 Redux. Godalming, England: FAB Press. pp. 697–698. ISBN 1-903254-39-6.