https://doi-org.sandiego.idm.oclc.org/10.1093/oao/9781884446054.013.2000000074
- T. Castelló and M. Martínez del Río de Redo: Biombos mexicanos (Mexico City, 1970)
- Viento detenido: mitologías e historias en el arte del biombo (exh. cat., essays by G. Curiel and others, Mexico City, Museo Soumaya, 1999)
- S. Sakakibara: Bi no kakehashi: ikou ni tsukawasareta byōbu tachi [The bridge between Japan and foreign countries through beauty: on Japanese screens presented to foreign countries] (Tokyo, 2002)
- S. Sanabrais: ‘The Biombo or Folding Screen in Colonial Mexico’, Asia and Spanish America: Trans-Pacific Artistic and Cultural Exchange 1500–1850, ed. D. Pierce and R. Otsuka (Denver, 2009)
- J. Katz: ‘The Perfect Gift: Pre-modern Screens Sent Abroad’, Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, ed. G. P. A. Levine, A. M. Watsky, and G. Weisenfeld (Princeton, 2013), pp. 203–17
- S. Sanabrais: ‘From Byōbu to Biombo: The Transformation of the Japanese Folding Screen in Colonial Mexico’, A. Hist., vol.38(4) (Fall 2015), pp. 778–91
https://www.jstor.org/stable/23014851
- Freud's Mexico: Into the Wilds of Psychoanalysis (Cambridge, Mass.: MIT Press, 2010). Max Schur, Freud: Living and Dying (New York: International Universities Press, 1972), p. 547.
- 2 This reference contains 2 citations:
- Lynn Gamwell, "A Collector Analyses Collecting: Sigmund Freud on the Passion to Possess," Excavations and Their Objects: Freud's Collection of Antiquity, ed. Stephen Barker (Albany: State University of New York Press, 1996), pp. 1-12.
- Lynn Gamwell, Sigmund Freud and Art (London: Thames and Hudson, 1989).
"Moctezuma II’s headdress was first mentioned in a European inventory in 1596, when it was acquired by Austrian Archduke Ferdinand II von Tyrol. It was listed there as a “Moorish hat”. It was likely an object sent from Mesoamerica to Europe by Spanish conquistador Hernán Cortés, but it is unknown whether it actually belonged to Moctezuma II himself. In the late nineteenth century, Austria established its first Museum of Natural History, with geologist Ferdinand von Hochstetter as its director. While searching for objects to display in the new museum, von Hochstetter found the headdress in Ambras Castle, Archduke Ferdinand’s former residence in Innsbruck, Austria. Since then, the headdress has been displayed in the ethnology museum in Vienna (now called the Weltmuseum Wien)." - *find actual citation for this info
file:///Users/caryscorrenti/Downloads/The_Inbetweenness_of_the_Vitrine_Three_p.pdf - this paper could be helpful
"When the brother of Charles V, Ferdinand, married, he received the Headdress of Moctezuma II. In time, the art collections of the Habsburg Monarchy were placed in state museums, and now the famous headdress is housed in the Museum of Ethnology in Vienna, together with a feathered fan and the Ahuitzotl Shield, also known as a "Chīmalli". There is a replica of the headdress in the National Museum of Anthropology of Mexico City." - there's a picture of the replica in the paper
Weltmuseum Wein - why do they have it to begin with?
"In 2010, Mexico and Austria began a research project to evaluate the headdress's condition and the possibility of loaning it to Mexico. The project included cleaning the headdress and studying how to control vibrations that might damage it during transport. The project concluded that the headdress is too fragile to transport."
https://www.weltmuseumwien.at/fileadmin/user_upload/PT_Azteken_Federkopfschmuck_engl.pdf
Couldn't be transported because it was deemed too fragile - no zero-vibration technology yet