Valentim da Fonseca e Silva (ca. 1745 – March 2, 1813), better known as Mestre Valentim, was a Brazilian sculptor and urban planner. Like Antonio Francisco Lisboa, also known as Aleijadinho, he is one of the most famous artists of colonial Brazil and was of mixed race. Mestre Valentim recounts details of his life in his testament.[1] He was born in Serro do Frio to Manoel da Fonseca e Silva, a white man, and Amatilde da Fonseca, a black woman. Although he never married, his relationship with Josefa Maria da Conceição resulted in a daughter named Joana. Although the details of his artistic training are up to debate, he may have traveled to Portugal with his family as a child.[2] By adulthood, he found himself living and working in Rio de Janeiro.
Valentim da Fonseca e Silva | |
|---|---|
 Bust of Mestre Valentim, Passeio Público, Rio de Janeiro | |
| Born | c. 1745 |
| Died | March 2, 1813 |
| Known for | Sculpture, architecture, urban planning |
| Style | Rococo |
Career
edit
He began his career as a sculptor, and numerous sculptural works within Rio de Janeiro's churches have been attributed to him. He was also instrumental in creating a foundry and in producing the first large-scale bronze cast sculptures made in Brazil.
Exceptional for an artist of color in colonial Brazil, Mestre Valentim became an architect. He received numerous commissions from the viceroy Dom Luiz de Vasconcelos e Souza. Also unusual for a colonial Brazilian artist is the fact that a portrait painted during his lifetime still exists today. João Francisco Muzzi's painting includes Mestre Valentim presenting architectural plans to the viceroy.
One of his most ambitious projects was the design of the Passeio Público of Rio de Janeiro, the first public park in Brazil. The sculptural works of the park include stylized entrance gates; two obelisks; statutes of Greek gods and Brazilian plants and animals; and several fountains. The park featured two pavilions containing paintings by Leandro Joaquim (1738–1798).[3][4][5] Unfortunately, most of Mestre Valentim's design has since been altered, many of the sculptures removed, and the pavilions eliminated.
Works
editIgreja de Nossa Senhora da Conceição e Boa Morte
Igreja da Ordem Terceira do Carmo
Igreja de São Francisco de Paula
Recolhimento de Nossa Senhora do Parto
References
edit- ^ Bonnet, Marcia (2009). Entre o Artifício e a Arte: pintores e entalhadores no Rio de Janeiro setecentista (PDF). Rio de Janeiro: Secretaria Municipal de Cultura. pp. 142–4.
- ^ Porto Alegre, Manoel A. (1898). "Iconographia Brazileira". Revista do Instituto Historico e Geographico do Brazil. 19: 370.
- ^ "Mestre Valentim". ENCICLOPÉDIA Itaú Cultural de Arte e Cultura Brasileira (in Portuguese). São Paulo: Itaú Cultural. 2016.
- ^ Lopes, Nei (2015). Dicionário escolar afro-brasileiro (in Portuguese). São Paulo: Selo Negro. p. 113. ISBN 9788587478955.
- ^ Pontual, Roberto (2016). "Fonseca e Silva, Valentim da". Grove Art Online. Oxford Art Online (in Portuguese). Oxford University Press.
Further reading
editEdward J. Sullivan, “The Black Hand: Notes on the African Presence in the Visual Arts of Brazil and the Caribbean,” in Joseph J. Rishel and Suzanne Stratton-Pruitt eds., The Arts of Latin America 1492-1820 (Philadelphia: Philadelphia Museum of Art, 2006), pp. 39–55.
Rachel Zimmerman, "Mestre Valentim, Passeio Publico, Rio de Janeiro," in Smarthistory, May 19, 2019, https://smarthistory.org/valentim-passeio-publico/.