Vincenzo Pasquale Angelo Petrocelli (6 July 1823 – 2 February 1896)[2] was a Neapolitan artist. Petrocelli was born in Cervaro in the Kingdom of the Two Sicilies (now in Lazio). He studied under Domenico Morelli, and was active as a painter from about 1850.[2] He was principally a history painter, but also painted portraits and genre scenes.[2] His sons Achille and Arturo were both painters.
Vincenzo Petrocelli | |
|---|---|
| Born | Vincenzo Pasquale Angelo Petrocelli 6 July 1823 |
| Died | 2 February 1896 Naples, Italy |
| Nationality | Neapolitan |
| Known for | historical themes |
Life
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Petrocelli was born in Cervaro in the Kingdom of the Two Sicilies (now in the Province of Frosinone in Lazio). His father died when he was young.[3]: 371 From 1837[4] or about 1841[3]: 371 he studied at the Reale Istituto di Belle Arti in Naples, where he made copies of Old Masters and painted literary and historical subjects.[4]
His debut came at the Royal Bourbon Exhibition of 1839. He participated again on several occasions, notably in 1841 (The Death of Galeazzo Sforza), 1848 (Isabella of Florence) and 1851 (A Family of Neophytes Surprised by the Praetorian Guard). Over the next decade, he would focus more on genre scenes.
From 1862 until his death, he was a regular contributor to exhibitions at the "Society for the Promotion of the Fine Arts". After 1873, he also exhibited in Genoa and Milan.[4] His largest showing came in 1877 at the National Exhibition in Naples, which was visited by King Victor Emmanuel II. Shortly after, he and several others were chosen to create a series of frescoes at the Temple of San Francesco in Gaeta; designed many years before by his former fellow student, Domenico Morelli. The project was never completed.
His sons Achille and Arturo both became genre painters. Among his pupils was Francesco Tito. In Italy, his works may be seen at the Museo di Capodimonte and the museum in the Royal Palace of Caserta.
He was a capable copyist of Old Master paintings; one of his works was sold in Milan as a Rubens.[5]: 47
Petrocelli died in Naples.[2] Vincenzo Gemito made a terracotta bust of him in about 1869.[6]
Museum
edit- Frescoes in the Temple of San Francesco in Gaeta together with Domenico Morelli.
- Collections of the House of Savoy.
- Hermitage Museum, Saint Petersburg.[7]
- Museum of Caserta.[8]
- Museum of Capodimonte.[9]
- Gallery of the Royal Palace of Naples.
References
edit- ^ Petrocelli, Vincenzo Pasquale (1825-1896): Portrait of Young Prince Nikolai B. Yusupov (1827-1891). St. Petersburg: Hermitage Museum. Accessed December 2023.
- ^ a b c d Petrocelli, Vincenzo Pasquale Angelo. Benezit Dictionary of Artists. Oxford Art Online. Oxford: Oxford University Press. Accessed January 2016. (subscription required)
- ^ a b Angelo De Gubernatis (editor) (1889). Dizionario degli artisti italiani viventi: pittori, scultori e architetti (in Italian). Firenze: Coi tipi dei successori Le Monnier.
- ^ a b c Petrocelli Vincenzo (in Italian). Viareggio: Istituto Matteucci. Accessed December 2023.
- ^ Primo Levi (1906). Domenico Morelli, nella vita e nell'arte (in Italian). Roma; Torino: Casa editrice nazionale Roux e Viarengo.
- ^ Emanuela Bianchi (2000). Gemito, Vincenzo (in Italian). Dizionario Biografico degli Italiani, volume 53. Roma: Istituto dell'Enciclopedia Italiana. Accessed January 2016.
- ^ Vincenzo Petrocelli, Hermitage Museum. Portrait of young Duke N.B. Yusupov, 1851, Italy, 64.5 cm × 47.5 cm (25.4 in × 18.7 in), entered the Hermitage in 1946; transferred from the Museum of Ethnography of the Peoples of the USSR
- ^ Vincenzo Petrocelli, Reggia di Caserta. Bice in the Castle of Rosato, 1860, Italy, 89 cm × 102 cm (35 in × 40 in).
- ^ Vincenzo Petrocelli, Museo di Capodimonte. Devotees in prayer, 1849, Italy
Further reading
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- Domenico Maggiore, Arte e artisti dell'Ottocento napolitano e scuola di Posillipo: biografie di pittori, incisori, scultori e architetti. Supplemento alla storia dell'arte italiana, Maggiore, 1955
- Giuseppe Luigi Marini, Il Valore dei dipinti italiani dell'Ottocento e del primo Novecento: l'analisi critica, storica ed economica, Allemandi, 2001, ISBN 88-422-1051-X
- Roberto Rinaldi, Pittori a Napoli nell'Ottocento, Libri & libri, 2001