Virgínia Rodrigues (born Salvador, Bahia, March 31, 1964) is a Brazilian singer.[1] Her music has an influence of classical music, samba, and jazz, and her lyrics reference Candomblé and Umbanda entities.
Biography
editVirgínia Rodrigues was born in Salvador, Bahia on March 31, 1964. She had started her career by singing in both Catholic and Protestant church choirs. In 1997, she was invited by the director Márcio Meirelles to participate in the play Bye Bye Pelô, alongside the Bando de Teatro Olodum. During rehearsals, she discovered by Caetano Veloso.[2]
Her first album Sol Negro (1997) was produced by Celso Fonseca and had arrangements by Eduardo Souto Neto, and the participation of Djavan, Gilberto Gil, and Milton Nascimento. It was released on the Rykodisc label and was well received in the United States and Europe. The Times of London described Rodrigues as "... The new diva of Brazilian music".[citation needed] The album also received good reviews in Le Monde and the magazine Rolling Stone.[citation needed]
Rodrigues second album, Nós (2000), paid homage to the blocos afros of Salvador, featuring songs of Ilê Aiyê, Olodum, Timbalada, Araketu and Afreketê.[2] This album was also well received, with reviews in The New York Times[3] and All-Music Guide.[4]
Her third album, Mares Profundos (2003),[2][5] was released on the German label Deutsche Grammophon and features 11 African-sambas composed between 1962 and 1966 by guitarist Baden Powell and poet Vinicius de Moraes. The program closes with samba "Lapinha" (Baden-Paulo Cesar Pinheiro).
Her fourth album, Recomeço (2008) was released by Biscoito Fino and features poetry by Chico Buarque.
Rodrigues regularly appears at festivals of jazz and world music throughout the world, participating in several world tours. Former U.S. president Bill Clinton once said that she was the singer who he liked best in the world and mentioned her in his memoir My Life.[citation needed]
Discography
edit- Albums
- Sol Negro (1997)
- Nós (2000)
- Mares Profundos (2003)
- Recomeço (2008)
- Mama Kalunga (2015)
- Cada Voz E Uma Mulher (2019)
- Contributing artist
Filmography
edit| † | Denotes films that have not yet been released |
| Year | Title | Role | Language | Note |
|---|---|---|---|---|
| 1996 | Tieta of Agreste | Cantora | Brazil Film | [6][7] |
| 2001 | Drums and Gods | A Tristeza | ||
| 2003 | Gregório de Mattos | Cantora de Rua | Biographical Film. | |
| 2007 | Ó Paí, Ó | Bioncetão | ||
| 2014 | O Casamento de Gorete | Como Raimunda | [8] | |
| 2019 | Mahira | Action thriller |
References
edit- ^ Guzman, Isaac (March 30, 2001). "Two From Brazil's New Wave - New York Daily News". Daily News. Archived from the original on June 16, 2012. Retrieved 17 September 2011.
- ^ a b c "Virgínia Rodrigues". Dicionário Cravo Albin da Música Popular Brasileira (in Brazilian Portuguese).
- ^ Strauss, Neil (2000-03-23). "THE POP LIFE; Subtlety Instead Of a Samba Suite". The New York Times. ISSN 0362-4331. Archived from the original on 2015-05-27. Retrieved 2024-03-29.
- ^ Cook, Stephen. "Nos - Virginia Rodrigues | Album | AllMusic". AllMusic. Archived from the original on 2012-07-14. Retrieved 2024-03-29.
- ^ "Virgínia Rodrigues". IMMuB.
- ^ Sandra Brennan (2016). "Tieta of Agreste". Movies & TV Dept. The New York Times. Archived from the original on 7 March 2016. Retrieved 7 October 2015.
- ^ Philip Galinsky (16 December 2013). Maracatu Atomico: Tradition, Modernity, and Postmodernity in the Mangue Movement and the "New Music Scene" of Recife, Pernambuco, Brazil. Taylor & Francis. p. 101. ISBN 978-1-136-71728-4.
- ^ "O Casamento de Gorete". IMDb.
External links
edit- Listen
- Virginia Rodrigues Matrix Page
- Michael Church, "Virginia Rodrigues: The diva of the favelas", The Independent, 12 March 2004.
 | This article about a Brazilian singer is a stub. You can help Wikipedia by expanding it. |