Wikipedia

Amnesiac (album)

(Redirected from You and Whose Army?)

Amnesiac is the fifth studio album by the English rock band Radiohead, released on 30 May 2001 by EMI. It was recorded with the producer Nigel Godrich in the same sessions as Radiohead's previous album Kid A (2000). Radiohead split the work in two as they felt it was too dense for a double album. As with Kid A, Amnesiac incorporates influences from electronic music, 20th-century classical music, jazz and krautrock. The final track, "Life in a Glasshouse", is a collaboration with the jazz trumpeter Humphrey Lyttelton and his band.

Amnesiac
Studio album by
Radiohead
Released30 May 2001 (2001-05-30)
Recorded4 January 1999 – 18 April 2000
Studio
  • Guillaume Tell, Paris
  • Medley, Copenhagen
  • Radiohead studio, Oxfordshire
Genre
Length43:57
Label
Producer
Radiohead chronology
Kid A
(2000) 		Amnesiac
(2001) 		I Might Be Wrong: Live Recordings
(2001)
Singles from Amnesiac
  1. "Pyramid Song"
    Released: 16 May 2001
  2. "Knives Out"
    Released: 6 August 2001

After having released no singles for Kid A, Radiohead promoted Amnesiac with the singles "Pyramid Song" and "Knives Out", accompanied by music videos. Videos were also made for "Pulk/Pull Revolving Doors" and "Like Spinning Plates", and "I Might Be Wrong", which was released as a promotional single. In June 2001, Radiohead began the Amnesiac tour, incorporating their first North American tour in three years.

Amnesiac debuted at number one on the UK Albums Chart and number two on the US Billboard 200. By October 2008, it had sold over 900,000 copies worldwide. It is certified platinum in the UK, the US and Canada, and gold in Japan. It received positive reviews, though some critics felt it was too experimental or less cohesive than Kid A, or saw it as a collection of Kid A outtakes.

Amnesiac was named one of the year's best albums by numerous publications. It was nominated for the Mercury Prize and several Grammy Awards, winning for Best Recording Package for the special edition. "Pyramid Song" was named one of the best tracks of the decade by Rolling Stone, NME and Pitchfork, and Rolling Stone ranked Amnesiac number 320 in their 2012 list of the "500 Greatest Albums of All Time". Kid A Mnesia, an anniversary reissue compiling Kid A, Amnesiac and previously unreleased material, was released in 2021.

Recording

edit
See also: Kid A § Recording

Radiohead and the producer Nigel Godrich recorded Amnesiac during the same sessions as their previous album, Kid A, released in October 2000.[1] The sessions took place from January 1999 to mid-2000 in Guillaume Studios in Paris, Medley Studios in Copenhagen, and Radiohead's studio in Oxfordshire.[2][3] The drummer, Philip Selway, said the sessions had "two frames of mind ... a tension between our old approach of all being in a room playing together and the other extreme of manufacturing music in the studio. I think Amnesiac comes out stronger in the band-arrangement way."[4]

The sessions drew influence from electronic music, 20th-century classical music, jazz and krautrock, using synthesisers, ondes Martenot, drum machines, strings and brass.[1] The strings, arranged by the guitarist Jonny Greenwood, were performed by the Orchestra of St John's and recorded in Dorchester Abbey, a 12th-century church close to Radiohead's studio.[5][4]

Radiohead considered releasing the work as a double album, but felt it was too dense.[6] The singer, Thom Yorke, said Radiohead split it into two albums because "they cancel each other out as overall finished things" and came from "two different places". He felt Amnesiac offered a "different take" on Kid A and "a form of explanation".[7] The band members stressed that they saw Amnesiac not as a collection of Kid A B-sides or outtakes but an album in its own right.[8] Yorke said the title was inspired by a Gnostic belief that the trauma of birth erases memories of past lives, an idea he found fascinating.[4]

Tracks

edit
 
The jazz trumpeter Humphrey Lyttelton (pictured 2006) and his band performed on "Life in a Glasshouse".

"Pulk/Pull Revolving Doors" began as an attempt to record another song, "True Love Waits".[9] It features keyboard loops recorded during the OK Computer sessions;[9] Radiohead disabled the erase heads on the tape recorders so that the tape repeatedly recorded over itself, creating a "ghostly" tape loop,[10] and manipulated the results in Pro Tools.[11] Deciding that the arrangement did not fit "True Love Waits", Radiohead used it to create a new track.[9] Yorke added a spoken vocal and used the pitch-correcting software Auto-Tune to process it into melody. According to Yorke, Auto-Tune "desperately tries to search for the music in your speech, and produces notes at random. If you've assigned it a key, you've got music."[1] The "True Love Waits" version of "Pulk/Pull Revolving Doors" was eventually released on the 2021 compilation Kid A Mnesia.[12]

Radiohead also used Auto-Tune on "Packt Like Sardines in a Crushd Tin Box" to process Yorke's vocals and create a "nasal, depersonalised" sound.[1] For "You And Whose Army?", Radiohead attempted to capture the "soft, warm, proto-doowop sound" of the 1940s harmony group the Ink Spots. They muffled microphones with egg boxes and used the ondes Martenot's resonating palme diffuseur loudspeaker to treat the vocals.[1] Unlike many tracks from the sessions, the band recorded it live. The guitarist Ed O'Brien said: "We rehearsed it a bit, not too much, then just went in and did it. It's just us doing our thing as a band."[4]

According to a diary kept by O'Brien, "Knives Out" took over a year to complete, as Radiohead had been tempted to over-embellish it.[2] It was influenced by the guitar work of Johnny Marr of the Smiths.[13] Yorke said "Knives Out" did not depart from Radiohead's earlier style, and "survived because it was too good to miss".[14] "Dollars and Cents" was edited down from an eleven-minute jam, inspired by the krautrock band Can, who would record extensively and then edit their recordings.[1]

"Like Spinning Plates" was the result of an attempt to record another song, "I Will", on synthesiser.[15] Dismissing this recording as "dodgy Kraftwerk", Radiohead reversed it and created a new song. Yorke said: "I was in another room, heard the vocal melody coming backwards, and thought, 'That's miles better than the right way round', then spent the rest of the night trying to learn the melody."[1] Radiohead recorded "I Will" in a new arrangement for their next album, Hail to the Thief (2003).[16]

For the final track, "Life in a Glasshouse", Jonny Greenwood wrote to the jazz trumpeter Humphrey Lyttelton, explaining that Radiohead were "a bit stuck".[17] Lyttelton agreed to perform on the song with his band after his daughter showed him Radiohead's 1997 album OK Computer.[17] According to Lyttelton, Radiohead "didn't want it to sound like a slick studio production but a slightly exploratory thing of people playing as if they didn't have it all planned out in advance".[17] The recording session lasted seven hours, and left Lyttelton exhausted. "I detected some sort of eye-rolling at the start of the session, as if to say we were miles apart," he said. "They went through quite a few nervous breakdowns during the course of it all, just through trying to explain to us all what they wanted."[17]

Music and lyrics

edit

Amnesiac was described upon release as experimental rock,[18] electronica[19] and alternative rock,[20] with elements of jazz;[21] Simon Reynolds described the overall album as "sound[ing] very post-rock", in a similar fashion to Kid A.[1] Colin Greenwood said it contained "traditional Radiohead-type songs" alongside more experimental work,[22] and noted that in both albums, "the guitar becomes one more texture, difficult to separate from other textures".[10] The Atlantic contrasted it with "the surgical glint" of Kid A, with "swampy and foggy" arrangements and "uneasy" chords and rhythms.[21]

The first track, "Packt Like Sardines in a Crushd Tin Box", is an electronic song with synthesisers and metallic percussion.[21] "Pyramid Song", a swung ballad with piano and strings,[21] was inspired by the Charles Mingus song "Freedom".[23] Its lyrics were inspired by an exhibition of ancient Egyptian underworld art Yorke attended while the band was recording in Copenhagen[8] and ideas of cyclical time discussed by Stephen Hawking and Buddhism.[8] "Pulk/Pull Revolving Doors" is an abrasive electronic track.[24]

 
"Pyramid Song"
"Pyramid Song" features strings and an irregular rhythm
Problems playing this file? See media help.

Yorke said "You and Whose Army?" was "about someone who is elected into power by people and who then blatantly betrays them – just like Blair did".[23] The song builds slowly on piano, before reaching a climax in the final minute. According to O'Brien, "In the Radiohead of old, on OK Computer, that break would have lasted four minutes. We would have carried on 'Hey Jude'-style."[4]

"I Might Be Wrong" combines a "venomous" guitar riff with a "trance-like metallic beat". Colin Greenwood's bassline was inspired by the Chic bassist Bernard Edwards.[23] The lyrics were influenced by advice given to Yorke by his partner, Rachel Owen: "Be proud of what you've done. Don't look back and just carry on like nothing's happened. Just let the bad stuff go."[23] "Knives Out", described as the album's most conventional song,[25] features "drifting" guitar lines, "driving" percussion, a "wandering" bassline, "haunting" vocals and "eerie" lyrics.[26]

"Morning Bell/Amnesiac" is an alternative version of "Morning Bell" from Kid A; The Atlantic described it as a blend of "cosiness and nausea".[21] O'Brien said that Radiohead often record and abandon different versions of songs, but that this version was "strong enough to bear hearing again".[27] Yorke wrote that it was included "because it came from such a different place ... Because we only found it again by accident after having forgotten about it. Because it sounds like a recurring dream."[28] He said the lyrics for "Dollars and Cents" were "gibberish", but were inspired by the notion that "people are basically just pixels on a screen, unknowingly serving this higher power which is manipulative and destructive".[23]

 
Jonny Greenwood used the ondes Martenot, an early electronic instrument. Its resonating palme diffuseur loudspeaker (pictured centre) was used to treat the vocals on "You and Whose Army?".

"Hunting Bears" is a short instrumental on electric guitar and synthesiser.[29] "Life in a Glasshouse" features the Humphrey Lyttelton Band playing in the style of a New Orleans jazz funeral.[30] According to Lyttelton, the song starts with "ad-libbed, bluesy, minor-key meandering, then it gradually gets so that we're sort of playing real wild, primitive, New Orleans blues stuff".[17] The lyrics were inspired by a news story Yorke read of a celebrity's wife so harassed by paparazzi that she papered her windows with their photographs.[23]

Artwork and packaging

edit

The Amnesiac artwork was created by Yorke and the longtime Radiohead collaborator Stanley Donwood.[31] For inspiration, Donwood explored London taking notes, likening the city to the labyrinth of Greek mythology.[32] He scanned blank pages of old books and superimposed onto them photos of fireworks and Tokyo tower blocks, copies of Piranesi's Imaginary Prisons drawings, and lyrics and phrases printed by Yorke on a broken typewriter.[33]

The cover depicts a book cover with a weeping minotaur.[32] The minotaur, a motif of the Amnesiac artwork, represents the "maze" Yorke felt he had become lost in during his depression after OK Computer;[34] Donwood described it as a "tragic figure".[34] Figures included in the album booklet include faceless terrorists, self-serving politicians and corporate executives. Yorke said they represented "the abstracted, semi-comical, stupidly dark, false voices that battled us as we tried to work".[35]

For the special edition, Donwood designed a package with a hardback CD case in the style of a mislaid library book. He imagined that "someone made these pages in a book and it went into drawer in a desk and was forgotten about in the attic ... And visually and musically the album is about finding the book and opening the pages."[32] The special edition won a Grammy Award for Best Recording Package at the 44th Grammy Awards.[36]

Release

edit

Radiohead announced Amnesiac on their website in January 2001, three months after the release of Kid A.[37] It was released in Japan on 30 May by EMI,[38] in the UK on 4 June by Parlophone and in the US on 5 June by Capitol, both subsidiaries of EMI.[39] Amnesiac debuted at number one on the UK Albums Chart.[40] On the US Billboard 200, it debuted at number two, with sales of 231,000, surpassing the 207,000 first-week sales of Kid A.[41] It was certified gold by the Recording Industry Association of Japan for shipments of 100,000 copies across Japan.[42] By October 2008, Amnesiac had sold more than 900,000 copies worldwide.[43] In July 2013, it was certified platinum in the UK for sales of more than 300,000.[44]

Promotion

edit

Radiohead released no singles from Kid A, as Yorke wanted to avoid the stress of publicity he had struggled with on OK Computer. He regretted the choice, feeling it meant much of the early judgement of the album came from critics, and said Amnesiac would have more promotion.[45] "Pyramid Song" was released as a single in May,[46] followed by "Knives Out" in July,[47] backed by music videos.[4] Two videos were created for "I Might Be Wrong",[48] which was released as a radio-only single in June.[49]

Radiohead reworked "Pulk/Pull Revolving Doors" and "Like Spinning Plates" for a computer-animated video directed by Johnny Hardstaff. The video premiered on November 29, 2001, at an animation festival at the Centre For Contemporary Arts, Glasgow. It features imagery of killer whales swimming under UV light, a machine taking shape and conjoined babies spinning in a centrifuge.[50] The video received little airplay from MTV, who felt it was "of a sensitive nature" and would only broadcast it with a warning. Hardstaff said: "The irony is that you can't move on MTV for bland R&B and the empty boasts of 'artists' effectively fixated with their own flaccid showbiz cocks, but any piece of film with an ounce of real emotion isn't going to get seen."[48]

Tour

edit
 
Yorke in 2001

Radiohead first performed Amnesiac songs on the Kid A tour, which began in June 2000.[51] For live performance, they rearranged the electronic tracks using rock instrumentation.[52] For example, "Like Spinning Plates" was rearranged as a piano ballad.[53] On 10 June 2001, Radiohead recorded a concert for a special hour-long episode of the BBC show Later... with Jools Holland, including a performance of "Life in a Glasshouse" with the Humphrey Lyttelton Band.[40]

Radiohead began the Amnesiac tour on 18 June 2001, with their first North American tour in three years. It comprised performances in west coast amphitheatres in June, followed by performances in the east and midwest in August.[54] The openers were the Beta Band and Kid Koala.[55] Capitol avoided traditional promotion for the tour and instead disseminated information to Radiohead's large online fanbase.[56] Tickets sold out within minutes. The Observer described this as "the most sweeping conquest of America by a British group" since Beatlemania, succeeding where bands such as Oasis had failed.[56]

Radiohead hoped to tour the US using a custom-built tent as they had for the Kid A tour in Europe, but met opposition from Clear Channel Entertainment and Ticketmaster, which Yorke said had a monopoly on American live music. Radiohead considered abandoning touring in the US, but felt this would have been a defeat.[7] They instead chose unusual venues, such as Grant Park in Chicago and the bank of the Hudson River in New York.[7][56] The German DJ Christoph de Babalon supported them in Europe.[57] Recordings from the Kid A and Amnesiac tours were released on I Might Be Wrong: Live Recordings in November 2001.[29]

Reception

edit
Professional ratings
Aggregate scores
SourceRating
Metacritic75/100[58]
Review scores
SourceRating
AllMusic     [59]
Entertainment WeeklyC+[60]
The Guardian     [61]
Los Angeles Times    [62]
NME8/10[63]
Pitchfork9.0/10[64]
Q     [65]
Rolling Stone     [66]
The Rolling Stone Album Guide     [67]
Spin7/10[68]

After Radiohead's previous album, Kid A, had divided listeners, many hoped Amnesiac would return to their earlier rock sound.[69][64] The Guardian titled its review "Relax: it's nothing like Kid A".[69] However, Rolling Stone saw Amnesiac as a further distancing from Radiohead's earlier style,[66] and Pitchfork found that it was nothing like their 1995 album The Bends.[64] Stylus wrote that although Amnesiac was "slightly more straightforward" than Kid A, it "solidified the postmillennial model of Radiohead: less songs and more atmosphere, more eclectic and electronic, more paranoid, more threatening, more sublime".[70] Yorke felt Amnesiac was no more accessible than Kid A and would have elicited the same reactions had it been released first.[7] In 2020, the Guardian wrote that "the impenetrable Amnesiac debunked industry rumours that Radiohead were primed for a bankable comeback".[71]

On the review aggregate site Metacritic, Amnesiac has a rating of 75 out of 100 based on 25 reviews, indicating "generally favourable reviews".[58] Robert Hilburn of the Los Angeles Times felt that Amnesiac, compared to Kid A, was "a richer, more engaging record, its austerity and troubled vision enriched by a rousing of the human spirit".[62] The Guardian critic Alexis Petridis, who had disliked Kid A, felt that Amnesiac returned Radiohead to "their role as the world's most intriguing and innovative major rock band ... [It] strikes a cunning and rewarding balance between experimentation and quality control. It's hardly easy to digest but nor is it impossible to swallow."[69] He criticised the electronic tracks "Pulk/Pull Revolving Doors" and "Like Spinning Plates" as self-indulgent, but praised the album's "haunting musical shifts and unconventional melodies".[69] The Guardian named it "CD of the week".[69] Stylus wrote that it was "an excellent disc", but was not as "exploratory or interesting" as Kid A.[70]

Some dismissed Amnesiac as a collection of Kid A outtakes.[72] The Pitchfork founder, Ryan Schreiber, wrote that its "questionable sequencing ... does little to hush the argument that the record is merely a thinly veiled B-sides compilation".[64] Another Pitchfork writer, Scott Plagenhoef, felt the sequencing worked by creating tension, heightening the power of the more experimental tracks.[72] However, he felt the more conventional marketing created a sense of "ordinariness" compared to Kid A and the impression that Radiohead had bowed to pressure from their record label.[72]

Some critics felt Amnesiac was less cohesive than Kid A. The AllMusic critic Stephen Thomas Erlewine wrote that it "often plays as a hodgepodge", and that both albums "clearly derive from the same source and have the same flaws ... The division only makes the two records seem unfocused, even if the best of both records is quite stunning."[59] Another AllMusic critic, Sam Samuelson, said Amnesiac was a "thrown-together" release that might have been better packaged with the live album I Might Be Wrong as a "complete Kid A sessions package".[73] Schreiber, however, felt the "highlights were undeniably worth the wait, and easily overcome its occasional patchiness".[64]

Legacy

edit

Reviewing the 2009 reissue of Amnesiac for Pitchfork, Plagenhoef wrote: "More than Kid A – and maybe more than any other LP of its time – Amnesiac is the kickoff of a messy, rewarding era ... disconnected, self-aware, tense, eclectic, head-turning – an overload of good ideas inhibited by rules, restrictions, and conventional wisdom."[72] Writing about Amnesiac for its 20th anniversary in 2021, The Atlantic wrote that it might be Radiohead's best work: "Listening to it 20 years after its release, the album's grumpy wisdom — its dignity in the face of dread — feels more moving than ever."[21] In 2024, Consequence wrote that Amnesiac was less universal than OK Computer and less focused and cohesive than Kid A, but was a "rosetta stone for understanding Radiohead as a whole", with its combination of ballads, rock, electronica and strings.[24]

Accolades

edit

Amnesiac was nominated for the 2001 Mercury Music Prize, losing to PJ Harvey's Stories from the City, Stories from the Sea, for which Yorke provided guest vocals.[74] It was the fourth consecutive Radiohead album nominated for a Grammy Award for Best Alternative Music Album,[75] and the special edition won a Grammy Award for Best Recording Package at the 44th Grammy Awards.[36]

Q,[76] The Wire,[77] Rolling Stone,[78] Kludge,[79] Pazz and Jop[80] and Alternative Press[81] named Amnesiac one of the best albums of 2001. In 2005, Stylus named it the best album of the preceding five years.[70] In 2009, Pitchfork ranked Amnesiac the 34th-best album of the 2000s[82] and Rolling Stone ranked it the 25th.[83] It is included in the 2005 book 1001 Albums You Must Hear Before You Die,[84] and number 320 in the 2012 edition of Rolling Stone's "500 Greatest Albums of All Time" list.[85] "Pyramid Song" was ranked among the best tracks of the decade by Rolling Stone,[86] NME[87] and Pitchfork.[88]

Reissues

edit

Radiohead left EMI after their contract ended in 2003.[89] In 2007, EMI released Radiohead Box Set, a compilation of albums recorded while Radiohead were signed to EMI, including Amnesiac.[89] After a period of being out of print on vinyl, Amnesiac was reissued as a double LP on 19 August 2008 as part of the "From the Capitol Vaults" series, along with other Radiohead albums.[90]

On 25 August, EMI reissued Amnesiac in a two-CD "Collector's Edition" and a "Special Collector's Edition" containing an additional DVD. The first CD contains the original studio album; the second CD collects B-sides from Amnesiac singles and live performances; the DVD contains music videos and a live television performance. Radiohead had no input into the reissues and the music was not remastered.[91] The EMI reissues were discontinued after Radiohead's back catalogue was transferred to XL Recordings in 2016.[92] In May 2016, XL reissued Radiohead's back catalogue on vinyl, including Amnesiac.[93]

An early demo of "Life in a Glasshouse", performed by Yorke on acoustic guitar, was released on the 2019 compilation MiniDiscs [Hacked].[94] On November 5, 2021, Radiohead released Kid A Mnesia, an anniversary reissue compiling Kid A and Amnesiac. It includes a third album, Kid Amnesiae, comprising previously unreleased material from the sessions.[95] Radiohead promoted the reissue with two digital singles, the previously unreleased tracks "If You Say the Word" and "Follow Me Around".[96] Kid A Mnesia Exhibition, an interactive experience with music and artwork from the albums, was released on 18 November for PlayStation 5, macOS and Windows.[97]

Track listing

edit

All tracks are written by Radiohead

Amnesiac track listing
No.TitleLength
1."Packt Like Sardines in a Crushd Tin Box"4:00
2."Pyramid Song"4:49
3."Pulk/Pull Revolving Doors"4:07
4."You and Whose Army?"3:11
5."I Might Be Wrong"4:54
6."Knives Out"4:15
7."Morning Bell/Amnesiac"3:14
8."Dollars and Cents"4:52
9."Hunting Bears"2:01
10."Like Spinning Plates"3:57
11."Life in a Glasshouse"4:31
Total length:43:57

Personnel

edit

Adapted from the Amnesiac liner notes.[98]

Radiohead

edit

Additional musicians

edit

Technical personnel

edit
  • Nigel Godrich – production, engineering
  • Radiohead – production
  • Dan Grech-Marguerat – engineering (track 11)
  • Gerard Navarro – engineering assistance
  • Graeme Stewart – engineering assistance
  • Bob Ludwig – mastering

Artwork

edit

Charts

edit

Certifications

edit
Sales certifications for Amnesiac
Region Certification Certified units/sales
Argentina (CAPIF)[126] Gold 20,000^
Australia (ARIA)[127] Gold 35,000^
Belgium (BEA)[128] Gold 25,000*
Canada (Music Canada)[129] Platinum 100,000^
France (SNEP)[130] Gold 100,000*
Japan (RIAJ)[131] Gold 100,000^
United Kingdom (BPI)[44] Platinum 331,000[132]
United States (RIAA)[134] Gold 1,020,000[133]
Summaries
Europe (IFPI)[135] Platinum 1,000,000*

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

References

edit
  1. ^ a b c d e f g h Reynolds, Simon (July 2001). "Walking on thin ice". The Wire. Retrieved 10 March 2024.
  2. ^ a b O'Brien, Ed (22 July 1999). "Ed's Diary". Archived from the original on 13 April 2007. Retrieved 19 May 2007.
  3. ^ Cavanagh, David (October 2000). "I Can See the Monsters". Q.
  4. ^ a b c d e f Fricke, David (24 May 2001). "Radiohead warm up with Amnesiac". Rolling Stone. Archived from the original on 15 July 2014. Retrieved 14 July 2014.
  5. ^ "Radiohead Revealed: The Inside Story of the Year's Most Important Album". Melody Maker. 29 March 2000. Archived from the original on 11 July 2007. Retrieved 18 March 2007.
  6. ^ Yago, Gideon (18 July 2001). "Played in Full". MTV. Archived from the original on 11 March 2008. Retrieved 14 July 2014.
  7. ^ a b c d Kot, Greg (31 July 2001). "It's difficult justifying being a rock band". Chicago Tribune. Archived from the original on 12 December 2013. Retrieved 27 March 2012.
  8. ^ a b c Greenwood, Colin; O'Brien, Ed (25 January 2001). "Interview with Ed & Colin". Ground Zero (Interview). Interviewed by Chris Douridas. KCRW.
  9. ^ a b c Reed, Ryan (28 September 2021). "In limbo: a primer for Radiohead's unheard Kid A Mnesia songs". Ultimate Classic Rock. Retrieved 13 January 2022.
  10. ^ a b Eshun, Kodwo (2002). "The A-Z of Radiohead". Culture Lab. Archived from the original on 3 July 2001. Retrieved 1 April 2012.
  11. ^ Sterner, Daniel (2019). "Talk: Thom Yorke". Elektronauts. Retrieved 12 April 2021.
  12. ^ DeVille, Chris (5 November 2021). "Stream Radiohead's Kid Amnesiae featuring previously unreleased tracks from the Kid A & Amnesiac sessions". Stereogum. Retrieved 22 February 2022.
  13. ^ Mojo. May 2004
  14. ^ Kot, Greg (31 July 2001). "'It's difficult justifying being a rock band'". Chicago Tribune. Retrieved 16 July 2023.
  15. ^ Robinson, John (10 May 2003). "'Bagpuss, Ex-Lax and the angriest song we've ever written'". NME.
  16. ^ "Radiohead Hail to the Thief – Interview CD" (Interview). 2003. Promotional interview CD sent to British music press.
  17. ^ a b c d e Reynolds, Simon (April 2001). "Radiohead recruit new member". Q. Archived from the original on 24 November 2010. Retrieved 27 March 2012.
  18. ^ Kot, Greg (3 June 2001). "Test patterns". Chicago Tribune. Archived from the original on 12 November 2013. Retrieved 12 November 2013.
  19. ^ "Radiohead Amnesiac Review". BBC Music. Archived from the original on 25 September 2015. Retrieved 20 February 2015.
  20. ^ Lapatine, Scott (3 June 2011). "Amnesiac Turns 10! Hear Covers of Every Track ..." Stereogum. Archived from the original on 12 November 2013. Retrieved 12 November 2013.
  21. ^ a b c d e f Kornhaber, Spencer (4 June 2021). "The 2001 album that captured modern dread". The Atlantic. Retrieved 4 June 2021.
  22. ^ vanHorn, Teri (23 February 2001). "Radiohead's Amnesiac Fills in Kid A Picture". MTV. Archived from the original on 16 July 2014. Retrieved 14 July 2014.
  23. ^ a b c d e f Kent, Nick (June 2001). "Happy now?". Mojo. Archived from the original on 6 February 2012. Retrieved 27 March 2012.
  24. ^ a b Krueger, Jonah (30 October 2024). "Amnesiac is the key to Radiohead's discography: album review". Consequence. Retrieved 2 November 2024.
  25. ^ Merryweather, David (24 July 2001). "Single Review: Radiohead – Knives Out". Drowned in Sound. Archived from the original on 8 May 2019. Retrieved 10 August 2018.
  26. ^ "Tricks or Treats: Radiohead – "Knives Out"". Consequence of Sound. 7 October 2010. Archived from the original on 10 August 2018. Retrieved 10 August 2018.
  27. ^ "Planet Sound", Channel 4 Teletext, 19 May 2001
  28. ^ "Spin With a Grin". Radiohead. Archived from the original on 15 February 2003. Retrieved 1 April 2012.
  29. ^ a b Marianne Tatom Letts (8 November 2010). Radiohead and the Resistant Concept Album: How to Disappear Completely. Indiana University Press. pp. 156–167. ISBN 978-0-253-00491-8. Archived from the original on 26 December 2016.
  30. ^ "The chairman – Humphrey Lyttelton". BBC. 31 January 2001. Archived from the original on 14 April 2009. Retrieved 1 April 2011.
  31. ^ Goodman, Elizabeth (12 June 2006). "Radiohead's Secret Weapon". Rolling Stone. Archived from the original on 3 March 2018. Retrieved 3 March 2018.
  32. ^ a b c Pricco, Evan (3 September 2010). "A Stanley Donwood Interview". Juxtapox.com. Archived from the original on 11 December 2010. Retrieved 1 April 2012.
  33. ^ Donwood, Stanley (2019). There Will Be No Quiet. Thames & Hudson. p. 79. ISBN 9781419737244.
  34. ^ a b Vozick-Levinson, Simon (3 November 2021). "'Some sort of future, even if it's a nightmare': Thom Yorke on the visual secrets of Kid A and Amnesiac". Rolling Stone. Retrieved 3 November 2021.
  35. ^ Donwood, Stanley; Yorke, Thom (4 November 2021). "'We had a fierce anger and suspicion': Thom Yorke and Stanley Donwood on Radiohead's Kid A and Amnesiac". The Guardian. Retrieved 13 March 2022.
  36. ^ a b "2001 Grammy Award Winners". Grammy.com. Archived from the original on 23 September 2012. Retrieved 1 May 2011.
  37. ^ Saraceno, Christina (4 January 2001). "Radiohead Reveal New Album Details". Rolling Stone. Archived from the original on 9 January 2019. Retrieved 8 January 2019.
  38. ^ Nakamoto, Koji (May 2001). "Radiohead". Buzz (in Japanese). pp. 14–15.
  39. ^ Randall, Mac (2011). Exit Music: The Radiohead Story: The Radiohead Story (3rd ed.). London, England: Omnibus Press. p. 283. ISBN 978-0-85712-695-5.
  40. ^ a b "Radiohead album topples Shaggy". BBC News. 10 June 2001. Retrieved 4 October 2021.
  41. ^ Martens, Todd (14 June 2001). "Staind Fends Off Radiohead, St. Lunatics at No.1". Billboard. Archived from the original on 6 June 2013. Retrieved 8 July 2013.
  42. ^ "RIAJ > The Record > July 2001 > Page 8 > Certified Awards (May 2001)" (PDF). Recording Industry Association of Japan (in Japanese). Archived (PDF) from the original on 28 September 2013. Retrieved 21 August 2013.
  43. ^ Michaels, Sean (16 October 2008). "'In Rainbows outsells last two Radiohead albums'". The Guardian. Archived from the original on 28 February 2014. Retrieved 19 April 2013.
  44. ^ a b "British album certifications – Radiohead – Amnesiac". British Phonographic Industry.
  45. ^ Archive-Sorelle-Saidman. "Radiohead Plan Singles, Videos For Amnesiac, Yorke Says". MTV News. Archived from the original on 25 April 2019. Retrieved 25 April 2019.
  46. ^ Kessler, Ted (12 September 2005). "Radiohead: Pyramid Song: This is our favourite Radiohead single in recent memory ..." NME. Archived from the original on 17 October 2007. Retrieved 22 April 2007.
  47. ^ Merryweather, David (24 July 2021). "Single Review: Radiohead – Knives Out". Drowned in Sound. Archived from the original on 8 May 2019. Retrieved 10 August 2018.
  48. ^ a b Sherburne, Philip (May 2003). "Sound and vision: Radiohead reinvents the music video". RES. RES Media Group: 53.
  49. ^ Rose, Phil (2019). Radiohead: Music for a Global Future. Rowman & Littlefield. p. 116. ISBN 978-1442279292.
  50. ^ "Cel mates". NME. 30 November 2001. Retrieved 11 September 2021.
  51. ^ Oldham, James (24 June 2000). "Radiohead – Their Stupendous Return". NME. Archived from the original on 11 March 2016. Retrieved 15 May 2007.
  52. ^ Fricke, David (27 June 2003). "Bitter prophet: Thom Yorke on Hail to the Thief". Rolling Stone. Archived from the original on 18 March 2017. Retrieved 15 April 2017.
  53. ^ LeMay, Matt (17 December 2001). "Radiohead: I Might Be Wrong: Live Recordings". Pitchfork. Retrieved 19 March 2012.
  54. ^ Pakvis, Peter (21 June 2001). "Radiohead take Amnesiac on tour". Rolling Stone. Archived from the original on 17 May 2014. Retrieved 27 July 2014.
  55. ^ Pareles, Jon (9 August 2001). "Rock review: singing of loners but playing to the crowd". The New York Times. ISSN 0362-4331. Retrieved 28 February 2024.
  56. ^ a b c "How Radiohead took America by stealth". The Observer. 19 August 2001. ISSN 0029-7712. Retrieved 16 July 2023.
  57. ^ Ross, Alex (20 August 2001). "The Rest Is Noise: The Searchers: Radiohead's unquiet revolution". The New Yorker. Archived from the original on 14 February 2008. Retrieved 2016-08-02.{{cite magazine}}: CS1 maint: bot: original URL status unknown (link)
  58. ^ a b "Reviews for Amnesiac by Radiohead". Metacritic. Archived from the original on 22 October 2012. Retrieved 30 November 2011.
  59. ^ a b Erlewine, Stephen Thomas. "Amnesiac – Radiohead". AllMusic. Archived from the original on 23 November 2021. Retrieved 23 November 2021.
  60. ^ Browne, David (8 June 2001). "Amnesiac". Entertainment Weekly. Archived from the original on 28 October 2020. Retrieved 23 May 2012.
  61. ^ Thomson, Graeme (1 June 2001). "Relax: it's nothing like Kid A". The Guardian. London. ISSN 0261-3077. OCLC 60623878. Archived from the original on 15 July 2014. Retrieved 4 October 2011.
  62. ^ a b Hilburn, Robert (3 June 2001). "Traditional Radiohead Meets More Spirited Electronica". Los Angeles Times. Archived from the original on 27 November 2015. Retrieved 26 November 2015.
  63. ^ Segal, Victoria (30 May 2001). "Radiohead : Amnesiac". NME. Archived from the original on 4 March 2016. Retrieved 22 July 2014.
  64. ^ a b c d e Schreiber, Ryan (4 June 2001). "Radiohead: Amnesiac". Pitchfork. Archived from the original on 17 December 2016. Retrieved 18 March 2017.
  65. ^ Eccleston, Danny (July 2001). "No Kidding". Q. No. 178. p. 118.
  66. ^ a b Pareles, Jon (29 May 2001). "Amnesiac". Rolling Stone. Archived from the original on 19 June 2013. Retrieved 7 February 2013.
  67. ^ Sheffield, Rob (2004). "Radiohead". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 671–72. ISBN 0-7432-0169-8.
  68. ^ Frere-Jones, Sasha (July 2001). "Bangers and Mash". Spin. Vol. 17, no. 7. pp. 123–24. ISSN 0886-3032. Archived from the original on 27 December 2016. Retrieved 23 July 2014.
  69. ^ a b c d e Petridis, Alexis (1 July 2001). "CD of the week: Radiohead: Amnesiac". The Guardian. Archived from the original on 11 November 2018. Retrieved 11 November 2018.
  70. ^ a b c Powell, Mike (18 January 2005). "The Top 50 albums, 2000–2005". Stylus Magazine. Archived from the original on 6 March 2005. Retrieved 1 April 2007.
  71. ^ Monroe, Jazz (23 January 2020). "Radiohead's 40 greatest songs – ranked!". The Guardian. ISSN 0261-3077. Retrieved 24 January 2020.
  72. ^ a b c d Plagenhoef, Scott (26 August 2009). "Radiohead: Amnesiac: Special Collectors Edition". Pitchfork. Archived from the original on 5 June 2012. Retrieved 2 June 2012.
  73. ^ Amnesiac at AllMusic
  74. ^ "PJ Harvey wins Mercury prize – after witnessing Pentagon attack". The Guardian. 12 September 2001. Archived from the original on 25 August 2013. Retrieved 26 November 2011.
  75. ^ Basham, David (24 January 2002). "Got Charts? Creed, Eminem, No Doubt, 'NSYNC Have Something in Common". MTV News. Archived from the original on 3 April 2010. Retrieved 26 November 2011.
  76. ^ "The Best 50 Albums of 2001". Q. December 2001. pp. 60–65.
  77. ^ "2001 Rewind: 50 Records of the Year". The Wire. No. 215. London. January 2002. p. 40. Archived from the original on 11 July 2018. Retrieved 23 July 2018 – via Exact Editions.(subscription required)
  78. ^ "Rolling Stone (USA) End Of Year Lists". Rocklist. Archived from the original on 23 July 2010. Retrieved 21 July 2014.
  79. ^ Perez, Arturo. "Top 10 Albums of 2001". Kludge. Archived from the original on 22 July 2004. Retrieved 24 November 2015.
  80. ^ "Pazz & Jop 2001: Album Winners". The Village Voice. Archived from the original on 2 December 2013. Retrieved 7 October 2007.
  81. ^ "A.P. CRITICS POLL: THE 25 BEST ALBUMS OF 2001". Alternative Press (#163). February 2002.
  82. ^ "The Top 200 Albums of the 2000s: 50–21". Pitchfork. 1 October 2009. Archived from the original on 16 October 2009. Retrieved 2 June 2012.
  83. ^ "Radiohead, 'Amnesiac'". Rolling Stone. 18 July 2011. Archived from the original on 28 February 2014. Retrieved 21 March 2014.
  84. ^ Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.
  85. ^ "500 Greatest Albums of All Time: Radiohead, 'Amnesiac'". Rolling Stone. Archived from the original on 4 June 2012. Retrieved 2 May 2012.
  86. ^ "Mary J. Blige, 'Family Affair' - 100 Best Songs of the 2000s". Rolling Stone. 17 June 2011. Archived from the original on 23 April 2015. Retrieved 8 May 2015.
  87. ^ "150 Best Tracks Of The Past 15 Years". NME. 6 October 2011. Archived from the original on 29 June 2015. Retrieved 8 May 2015.
  88. ^ "The Top 500 Tracks of the 2000s: 100-51". Pitchfork. 19 August 2009. Archived from the original on 22 August 2009. Retrieved 11 August 2012.
  89. ^ a b Nestruck, Kelly (8 November 2007). "EMI stab Radiohead in the back catalogue". The Guardian. London. Retrieved 22 November 2007.
  90. ^ "Coldplay, Radiohead to be reissued on vinyl". NME. 10 July 2008. Archived from the original on 16 February 2012. Retrieved 2 November 2011.
  91. ^ McCarthy, Sean (18 December 2009). "The Best Re-Issues of 2009: 18: Radiohead: Pablo Honey / The Bends / OK Computer / Kid A / Amnesiac / Hail to the Thief". PopMatters. Archived from the original on 20 December 2009. Retrieved 29 August 2011.
  92. ^ Christman, Ed (4 April 2016). "Radiohead's Early Catalog Moves From Warner Bros. to XL". Billboard. Retrieved 6 May 2017.
  93. ^ Spice, Anton (6 May 2016). "Radiohead to reissue entire catalogue on vinyl". The Vinyl Factory. Archived from the original on 26 August 2016. Retrieved 6 May 2017.
  94. ^ Larson, Jeremy D; Greene, Jayson (12 June 2019). "The best, weirdest, and most revealing moments on Radiohead's OK Computer sessions leak". Pitchfork. Retrieved 12 June 2019.
  95. ^ Trendell, Andrew (4 November 2021). "Radiohead – Kid Amnesiae review: a haunting secret history of two classic records". NME. Retrieved 4 November 2021.
  96. ^ Martoccio, Angie (1 November 2021). "Radiohead's 'Follow Me Around' is a holy grail for fans. 20 years later, it's here". Rolling Stone. Retrieved 1 November 2021.
  97. ^ Tarantola, A. (9 September 2021). "Radiohead and Epic Games team up for a virtual Kid A Mnesia exhibit". Engadget. Retrieved 10 September 2021.
  98. ^ Amnesiac (booklet). Radiohead. Parlophone. 2001.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  99. ^ "Australiancharts.com – Radiohead – Amnesiac". Hung Medien.
  100. ^ "Austriancharts.at – Radiohead – Amnesiac" (in German). Hung Medien.
  101. ^ "Ultratop.be – Radiohead – Amnesiac" (in Dutch). Hung Medien.
  102. ^ "Ultratop.be – Radiohead – Amnesiac" (in French). Hung Medien.
  103. ^ "Radiohead Chart History (Canadian Albums)". Billboard.
  104. ^ "Danishcharts.dk – Radiohead – Amnesiac". Hung Medien.
  105. ^ "Dutchcharts.nl – Radiohead – Amnesiac" (in Dutch). Hung Medien.
  106. ^ "Radiohead: Amnesiac" (in Finnish). Musiikkituottajat – IFPI Finland.
  107. ^ "Lescharts.com – Radiohead – Amnesiac". Hung Medien.
  108. ^ "Offiziellecharts.de – Radiohead – Amnesiac" (in German). GfK Entertainment Charts.
  109. ^ "Album Top 40 slágerlista – 2001. 25. hét" (in Hungarian). MAHASZ. Retrieved November 26, 2021.
  110. ^ "Top 75 Artist Album, Week Ending 7 June 2001". GfK Chart-Track. Archived from the original on 2 May 2018. Retrieved 4 August 2022.
  111. ^ "Italiancharts.com – Radiohead – Amnesiac". Hung Medien.
  112. ^ "Charts.nz – Radiohead – Amnesiac". Hung Medien.
  113. ^ "Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry.
  114. ^ "Official Scottish Albums Chart Top 100". Official Charts Company.
  115. ^ Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
  116. ^ "Swedishcharts.com – Radiohead – Amnesiac". Hung Medien.
  117. ^ "Swisscharts.com – Radiohead – Amnesiac". Hung Medien.
  118. ^ "Official Albums Chart Top 100". Official Charts Company.
  119. ^ "Radiohead Chart History (Billboard 200)". Billboard.
  120. ^ "Rapports Annuels 2001". Ultratop. Retrieved 15 January 2021.
  121. ^ "Canada's Top 200 Albums of 2001 (based on sales)". Jam!. Archived from the original on 12 December 2003. Retrieved 26 March 2022.
  122. ^ "Jaaroverzichten – Album 2001". dutchcharts.nl. Retrieved 15 January 2021.
  123. ^ "Top de l'année Top Albums 2001" (in French). SNEP. Retrieved 15 January 2021.
  124. ^ "End of Year Album Chart Top 100 – 2001". Official Charts Company. Retrieved 17 August 2020.
  125. ^ "Billboard 200 - 2001 Year-end charts". Billboard. Retrieved 1 June 2020.
  126. ^ "Discos de oro y platino" (in Spanish). Cámara Argentina de Productores de Fonogramas y Videogramas. Archived from the original on 6 July 2011. Retrieved 24 April 2018.
  127. ^ "ARIA Charts – Accreditations – 2001 Albums" (PDF). Australian Recording Industry Association.
  128. ^ "Ultratop − Goud en Platina – albums 2001". Ultratop. Hung Medien.
  129. ^ "Canadian album certifications – Radiohead – Amnesiac". Music Canada.
  130. ^ "French album certifications – Radiohead – Amnesiac" (in French). Syndicat National de l'Édition Phonographique. Retrieved 25 August 2022.
  131. ^ "Japanese album certifications – レディオヘッド – アムニージアック" (in Japanese). Recording Industry Association of Japan. Retrieved 5 October 2019. Select 2001年5月 on the drop-down menu
  132. ^ "Albums turning 20 years old in 2021". Official Charts. Retrieved 2 January 2023.
  133. ^ DeSantis, Nick (10 May 2016). "Radiohead's Digital Album Sales, Visualized". Forbes. Archived from the original on 22 February 2019. Retrieved 29 August 2018.
  134. ^ "American album certifications – Radiohead – Amnesiac". Recording Industry Association of America.
  135. ^ "IFPI Platinum Europe Awards – 2010". International Federation of the Phonographic Industry. Retrieved 4 July 2019.
edit
Retrieved from "https://en.wikipedia.org/w/index.php?title=Amnesiac_(album)&oldid=1258848673"