Étude No. 10 (Villa-Lobos)

Heitor Villa-Lobos's Étude No. 10, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.

History

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The autograph manuscript of Etude No. 10 is dated 1929, Paris.[1]

Structure

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The piece is in B minor and is marked Très animé – un peu animé – vif.[2]

Analysis

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Étude No. 10 is a study in technique that presents great challenges to the player. It is in ternary form (ABA), but the return of the opening material is transformed into dance-like rhythmic cells. An unusual technical feature is the use of the right-hand little finger.[3]

References

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Cited sources

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  • Santos, Turibio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Ford and Graham Wade. Gurtnacloona, Bantry: Wise Owl Music.
  • Villa-Lobos, sua obra. 1989. Third edition. Rio de Janeiro: MinC-SPHAN/Pró-Memória, Museu Villa-Lobos. Online edition, 2009

Further reading

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  • Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk).