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Alesis is an American company that designs and markets electronic musical instruments, audio processors, mixers, amplifiers, audio interfaces, recording equipment, drum machines, professional audio, and electronic percussion products. Based in Cumberland, Rhode Island, Alesis is an inMusic Brands company.
Company type | Subsidiary |
---|---|
Industry | Electronics |
Founded | 1984 |
Headquarters | , United States |
Key people | Jack O'Donnell (president and CEO) |
Products | Musical instruments, audio/video, electronics, computer-related products, pro audio, music recording equipment |
Parent | inMusic Brands |
Website | www |
History
editEarly years
editAlesis Studio Electronics was founded in Hollywood in 1984 by MXR co-founder Keith Elliott Barr.[1] Leveraging his ability to design custom integrated circuits, Barr's company was able to introduce technologically advanced products at prices within the realm of most project studios. Alesis' first product was the XT Reverb. Introduced in 1985, the XT Reverb was an all-digital reverb that carried an unprecedented low price of $799. Barr recruited Russell Palmer as Operations Manager and Robert Wilson (Vice Chairman) to handle international sales so that Barr could continue to focus on engineering.
In 1986, Alesis produced the first 16-bit professional effects processor priced below $1000, the MIDIverb, which had a 12-bit A/D converter and MIDI control. It was joined later in the year by the Microverb, which lacked MIDI but had a 16-bit A/D converter.[2] After enlisting the expertise of Fast Forward Designs, co-founded by veteran Oberheim Electronics designers Marcus Ryle and Michel Doidic (who went on to found Line 6), Alesis introduced the MMT8 hardware sequencer and the very successful HR-16 drum machine in 1987.[3] The HR-16 was employed on the English industrial metal band Godflesh's first few releases;[4] Loudwire called it "the most devastating drum machine ever employed".[5]
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Microverb II (1988)
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HR-16 (modified)
The Alesis ADAT
editAt the 1991 Winter NAMM Show, Alesis introduced the ADAT digital tape recorder. Alesis created the File Streaming Technology (FST) proprietary disk file system for their ADAT HD24 recorder.[6] Each ADAT could record 8 tracks of 16-bit audio on an S-VHS videocassette tape, and up to 16 ADATs could be connected together to record 128 tracks of audio simultaneously. With the same digital resolution as an Audio CD and a price that was a fraction of the other digital recording solutions for home recording at the time, the ADAT was a tremendous success,[7] and its impact on the recording industry has been recognized by induction to the Technical Excellence & Creativity (TEC)nology Hall of Fame.[8]
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Alesis ADAT XT
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Little Remote Control (LRC) ADAT XT Controller
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Alesis ADAT HD24
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Big Remote Control (BRC) ADAT Master Controller
Boom and bankruptcy
editFor the next ten years, Alesis created a wide variety of products such as the QuadraSynth synthesizer, D4 and DM5 drum modules,[9] and Monitor One studio monitors. In 1997, Alesis Semiconductor was formed, again taking advantage of Barr's custom integrated circuits to produce and market chips for the audio industry. A series of chips was introduced that ranged from digital signal processors for audio effects to analog-to-digital and digital-to-analog converters.
By 2001, however, the company's business suffered as market trends changed, and on April 27 of that year, Alesis filed for Chapter 11 bankruptcy. In the subsequent restructuring, Jack O'Donnell acquired the company.
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Alesis Quadrasynth
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DM5 with Surge Cymbal
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M1 Active
After 2001
editUnder O'Donnell's direction, Alesis expanded into new product categories such as mixers, portable PA speakers, and other recording equipment while continuing to produce Alesis legacy products like the SR-16 drum machine.
Alesis founder Keith Barr died of an apparent heart attack on August 24, 2010, at age 60.[3] In 2012 Alesis became part of the newly created inMusic Brands group of companies.[10]
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Multimix8
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SR-16
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PerformancePad
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AirFX
Target market
editAlesis is known for budget equipment but has produced high-end and innovative gear such as the Alesis Fusion music production workstation, the Andromeda A6 analog synthesizer, the Ion virtual analog modeling synthesizer or the Ion-based Micron.
Alesis developed equipment for recording studios during the 1990s.
Alesis models
edit- Quadrasynth & Quadrasynth Plus synthesizer keyboards[permanent dead link ]
- Andromeda A6 polyphonic analog synthesizer
- Fusion 6HD, 8HD synthesizer workstation keyboard
- ION analog modeling synthesizer
- Recital, 61 & Pro stage pianos
- Virtue stage piano
- Concert stage piano
- Prestige & Prestige Artist stage pianos.
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Alesis QS8
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Alesis Andromeda
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Alesis Fusion
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Alesis Ion
See also
editReferences
edit- ^ Home & Studio Recording (UK) September 1986 issue p11 – interview with Keith Barr
- ^ White, Paul (December 1986). "Alesis Microverb (MT Dec 1986)". Music Technology (Dec 1986): 34.
- ^ a b Petersen, George (August 2010). "In Memoriam: Keith Barr 1949-2010". Mix Magazine Online. Archived from the original on July 9, 2012. Retrieved July 29, 2018.
- ^ Cimarusti, Luca (April 8, 2014). "Artist on Artist: Justin Broadrick of Godflesh Talks to Producer Sanford Parker". Chicago Reader. Archived from the original on December 14, 2017. Retrieved July 25, 2018.
- ^ DiVita, Joe. "Top 25 Industrial Rock + Metal Bands of All Time". Loudwire. Archived from the original on July 26, 2018. Retrieved July 25, 2018.
- ^ White, Paul. "Alesis HD24". www.soundonsound.com. Sound on Sound. Retrieved August 16, 2020.
- ^ Yelton, Geary. "Gear Geek: Alesis ADAT". Electronic Musician. Future plc. Retrieved January 8, 2019.
- ^ 1991 Alesis ADAT, TECnology Hall of Fame, Mix Magazine Online| http://mixonline.com/TECnology-Hall-of-Fame/alesis-dat-multitrack-090106 Archived July 14, 2011, at the Wayback Machine
- ^ "Alesis DM5". Sound On Sound. February 1996. Archived from the original on June 6, 2015.
- ^ "About inMusic and Jack O'Donnell". Retrieved June 21, 2023.
Further reading
edit- "Retro: Alesis HR-16". Future Music. No. 54. Future Publishing. March 1997. p. 55. ISSN 0967-0378. OCLC 1032779031.