Alexandra Pierce (February 21, 1934 – February 1, 2021) was an American composer,[1] pianist, music theorist,[2] movement educator, author,[3] and Emerita Research Professor of Music and Movement at the University of Redlands.[4]
Biography
editBorn and raised in Philadelphia, her family later moved to Washington, D.C., where she studied piano with contemporary music specialist, Margaret Tolson. She received a Bachelor of Music, Phi Beta Kappa (1955), from the University of Michigan, where she majored in piano performance and medieval history; a Master of Music in piano performance from the New England Conservatory of Music (1958); a Master of Arts in music history from Harvard University (1959); and a Ph.D. in music theory and composition from Brandeis University (1968), where her teachers included composers Irving Fine and Harold Shapero. Her dissertation, written at Brandeis, is entitled The Analysis of Rhythm in Tonal Music.[5]
Pierce taught from 1968 to 2001 at the University of Redlands, where she was Professor of Music and Movement, and where she integrated movement research with the teaching of music theory, piano, and with her own composing. Prior to her arrival in Redlands, she taught at MIT and Antioch College.
Her book, Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation (Indiana University Press), was published in 2007.[3] She and Roger Pierce have co-authored two books on enhancing human movement: Expressive Movement: Posture and Action in Daily Life, Sports, and the Performing Arts (Da Capo Press, 1989)[6] and Generous Movement (Center of Balance Press, 1991).
Her music is published by Subito Music[7] (formerly by Seesaw Music), as well as by Sisra Publications,[8] Media Press,[9] and Hildegard Music.[10] Some of her scores are held in the Fleisher Collection at the Free Library of Philadelphia.[11] The tone poem Behemoth (1976) has been recorded by the Lansdowne Symphony Orchestra, conducted by Reuben Blundell.[12][13] Her Symphony No. 2, Dances on the Face of the Deep, completed in 1988 was recorded by the Koszalin State Philharmonic Orchestra conducted by Szymon Kawalla on the Vienna Modern Masters label.
Pierce died on February 1, 2021, at the age of 86.[11]
Selected works
editOrchestral
edit- Behemoth, in five short movements (1976)
- Dances On The Face Of the Deep, Symphony No. 2 (1988)
- Short Suite Overture (1995)
String quartets
edit- Outcrops and Upshots, String Quartet No. 2 (1994)
- Four Movements for String Quartet (1987) (rev. 1996)
Winds
editFlute
edit- Dark Zephyrs, flute and piano (2007)
- Tributaries, flute and piano (1999)
- Escaped Exotics, solo flute (1985)
- A Common Chase, flute and marimba (1980)
Clarinet
edit- 7 Line Drawings, solo B-flat clarinet (nos. 6 and 7 are for B-flat bass clarinet) (1993)
- After Dubuffet's 'Limbour as a Crustacean,' B-flat clarinet and percussion (one player: snare, 3 tom-toms, marimba) (1979)
- Job 22:28, for two B-flat clarinets (1978)
- Buffalo Bill, for B-flat clarinet, friend (piano and spoken poetry), and tape (poem by e e cummings) (1978)
- Three Pieces for B-flat Clarinet and Piano (1977)
- Sargasso
- Norwich Chorale
- Arabesque
Oboe, English horn, alto saxophone
edit- Song and Dance, oboe and piano (1997)
- Suite for English Horn and Piano (1996, rev 2000), arr. for Alto Saxophone and Piano (1999)
- Set of Three, oboe and piano (1995)
- Calliope Dances, oboe and piano (1991)
French horn, tuba, mixed chamber winds
edit- Bible Bestiary, tuba and speaker (Sparrow & Cockroach, poems by Roger Pierce) (1997)
- Dialogues for Horn and Cello (1996)
- Never No Summer, Two Movements for Five Winds, flute, oboe, clarinet, bass clarinet, trombone (1985)
Percussion
edit- Moretti Music, vibraphone (1995)
- Traces in Movement, violin, piano, and percussion (one player: I. tenor drum and snare; wood block; II. triangles, tambourine; III. Snare, temple blocks, xylophone (1993)
- Calypso of Ogygie, marimba (1990)
- After Dubuffet's 'Limbour as a Crustacean,' B-flat clarinet and percussion (one player: snare, 3 tom-toms, marimba) (1979)
- Fool's Gold, vibraphone (1978)
- The Great Horned Owl, 4-1/2 octave marimba (kelon) (1977)
Piano
edit- Capriccio and Rhapsody (2003)
- Intimations, Suite for Piano (2001)
- Rings of Saturn (2000)
- Upslope, Suite for Piano (1998)
- Keener's Way (1997)
- Four Done Deals (1994)
- the spirits that lend strength are invisible (1990)
- Mixed Nocturne & Toccata (1989)
- Heart of the Beast (1988)
- Ballad and Ostinato (1985)
- The Lost River, Sevier (1978)
- Transverse Process (1976)
Piano, four hands
edit- Sweeney among the Nightingales and Danse Micawber (1975)
Prepared piano
edit- Seven Waltzes for Emily Dickinson (1980)
- Popo Agie (1979)
- Six Sentient Waltzes (1979).
- Variations 7 (1978)
- Dry Rot (1977)
- Blending Stumps (1976)
- Orb (1976)
- Spectres (with five easy eraser preparations) (1975)
- Greycastle (1974)
Strings (guitar, harp, violin, violoncello)
editGuitar
edit- Serenade (1979)
Harp
edit- Caryatid II (1991)
- Caryatid I (1990)
- Maola (1977)
Violin
edit- Set of Six, three movements for violin and percussion (one player: timpani, marimba, xylophone), three for violin solo (1994)
- Traces in Movement, percussion (wood, metal, wood), violin, and piano (1993)
Violin and viola
edit- A Red, Red Rose, duo for violin and viola on a poem of Robert Burns (2008)
- My Luv (2010)
Cello
edit- Landforms, three movements for solo cello (2004)
- Dialogues for Horn and Cello (1996)
- Cambodian Dancer, cello and piano (1983)
Voice, solo
edit- Bible Bestiary: Sparrow & Cockroach, speaker and tuba (poems by Roger Pierce) (1997, arr. for speaker and piano in 2001)
- Psalm 100, soprano and piano (King James trans., also for low voice and piano) (1993)
- Three Songs on Poems by Christina Rossetti and Emily Dickinson, high voice and piano; low voice and harp (1993)
- Barbr'y Allen, low voice and piano; freely based on the traditional text and tune (1992)
- Seven Settings of Poems by William Blake, from Songs of Experience and Songs of Innocence), unaccompanied voice (1990)
- Spring and Fall: To a Young Child, low voice and piano (poem by Gerard Manley Hopkins) (1985)
Books
editBooks by Alexandra Pierce
edit- Deepening Musical Performance through Movement: the Theory and Practice of Embodied Interpretation (Indiana University Press, 2009) ISBN 9780253349330 According to WorldCat, the book is held in 373 libraries [14]
- Spanning: Essays on Music Theory, Performance and Movement (Center of Balance Press, 1983)
Books by Alexandra Pierce and Roger Pierce
edit- Expressive Movement: Posture and Action in Daily Life, Sports and the Performing Arts (Perseus Books, NY, 1989)> According to WorldCat, the book is held in 2823 libraries [15]
- Generous Movement, a Practical Guide to Balance in Action (Center of Balance Press, 1991) ISBN 978-1879970007
References
edit- ^ "Subito Music Online Store". Archived from the original on 2011-08-28. Retrieved 2013-01-14.
- ^ Pierce, Alexandra (1983). Spanning: Essays on music theory, performance, and movement. Center of Balance Press. ISBN 9781879970014.
- ^ a b "Indiana University Press". Indiana University Press. Retrieved Mar 24, 2020.
- ^ "University of Redlands - Alexandra Pierce - 2004". Archived from the original on 2014-10-28. Retrieved 2013-01-14.
- ^ Pierce, Anne Alexandra (Mar 24, 1968). The analysis of rhythm in tonal music. OCLC 427374831. Retrieved Mar 24, 2020 – via Open WorldCat.
- ^ Pierce, Alexandra; Pierce, Roger (2002-09-12). Expressive Movement: Posture and Action in Daily Life, Sports, and the Performing Arts. Hachette Books. ISBN 9780786747597.
- ^ "Subito Music Corporation - A leader in the concert music industry publishing the finest quality music with excellent service". www.subitomusic.com. Retrieved Mar 24, 2020.
- ^ "Arsis Press Composers". www.instantweb.com. Retrieved Mar 24, 2020.
- ^ "Music by Alexandra Pierce :: CD's and Books :: Media Press - Publishers of Contemporary Music Since 1969". Archived from the original on 2016-03-03. Retrieved 2013-01-14.
- ^ "Hildegard Publishing - Music by Women Composers". www.hildegard.com. Retrieved Mar 24, 2020.
- ^ a b Smith, Kile. Fleisher Discoveries: Alexandra Pierce, Creator of a World, 5 August 2021
- ^ 'American Discoveries', New Focus FCR286 (2021), reviewed at MusicWeb International
- ^ Fleischer Discoveries podcast, August 2021
- ^ Pierce, Alexandra (Mar 24, 2007). Deepening musical performance through movement: the theory and practice of embodied interpretation. Indiana University Press. OCLC 85851443. Retrieved Mar 24, 2020 – via Open WorldCat.
- ^ Pierce, Alexandra; Pierce, Roger (Mar 24, 1989). Expressive movement: posture and action in daily life, sports, and the performing arts. Plenum Press. OCLC 18463207. Retrieved Mar 24, 2020 – via Open WorldCat.