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Alexandre Montfort

Alexandre Montfort (12 May 1803 – 13 February 1856) was a French classical composer. His works included instrumental music, art songs and six operas. He was awarded the Prix de Rome in composition in 1830.[3]

Alexandre Montfort
Silhouette caricature of Alexandre Montfort (left) and Hector Berlioz (right) by Émile Signol[a]
Born(1803-05-12)12 May 1803
Paris, France
Died13 February 1856(1856-02-13) (aged 52)
Paris, France
OccupationClassical composer

Life and career

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Montfort was born in Paris, the son of a prominent antiquarian and numismatist. He studied at the Paris Conservatory under Fétis and Berton and in 1830 was awarded (jointly with Berlioz) the Prix de Rome in composition.[b] He stayed in Rome at the Villa Medici for two years and used the rest of his Prix de Rome bursary to travel and study in other parts of Italy and then in Germany. On his return to Paris in 1835 he made his debut as a composer with a series of instrumental overtures, piano music, and art songs.[4][5]

Montfort's first stage work was La chatte metamorphosée en femme, a three-act ballet which premiered at the Paris Opéra on 16 October 1837 with Fanny Elssler in the title role. Berlioz, who had attended the premiere, described the music as displaying "a smooth, elegant and graceful talent."[6] Five more stage works by Montfort were premiered between 1839 and 1855, all in the opéra comique genre. Of these, the most successful was the first, Polichinelle. Pieces from Polichinelle were also published separately and became popular as salon music.[4][7]

In January 1843 Montfort married Alexandrine Dacheux in a ceremony at the Église Saint-Roch with Adolphe Adam as the organist.[8] Alexandrine was the niece of François-Louis Crosnier, the director of the Théâtre de Opéra-Comique company from 1834 until 1845. As a wedding present, Eugène Scribe had promised a new libretto for Montfort. This was to become the three-act opéra comique La Charbonnière. Scribe had planned to finish the libretto by the time Montfort returned from his honeymoon, but did not even begin working on it until August of that year. According to Scribe La Charbonnière was based on an idea he and Mélesville had conceived twenty years earlier. He wrote to his friend Mahérault, "if ideas are like wine in bottles, then this one must now be excellent."[9] It was not a view shared by the critics when the opera finally premiered in 1845.[10][11]

After the relative failure of La Charbonnière and the change in management at the Opéra-Comique in 1845, Montfort produced no further stage works for the next eight years. During that period he supported himself by giving music lessons and working as a piano accompanist and organist. He returned to stage composition with his one-act L'Ombre d'Argentine in 1853. It was followed by another one-act opéra comique, Deucalion et Pyrrha, which premiered to critical success on 8 October 1855 with Ernest Mocker and Marie-Charlotte Lemercier in the title roles.[12] It was to be his last work. Four months later, Montfort died in Paris from typhoid fever at the age of 52. His funeral was held at the Église de la Madeleine.[13][14]

Stage works

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Notes

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  1. ^ This caricature was drawn in 1831 while Montfort, Berlioz and Signol were all living in the Villa Medici as winners of the Prix de Rome. Signol had won the 1830 Prix de Rome in painting.[1][2]
  2. ^ As no Grand Prize had been awarded for the 1829 Prix de Rome in composition, the Académie des Beaux-Arts decided to award two Grand Prizes in 1830. Berlioz received the "First Grand Prize". Montfort received the "Second Grand Prize". For a detailed account of the 1830 competition see: Bloom, Peter (1981). "Berlioz and the "Prix de Rome" of 1830". Journal of the American Musicological Society, vol. 34, no. 2, pp. 279–304 (subscription required).

References

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  1. ^ Jullien, Adolphe (1888). Hector Berlioz, sa vie et ses oeuvres, p. 334. Librairie de L'Art (in French)
  2. ^ Braam, Gunther (2003). The Portraits of Hector Berlioz, Part 1, p. 15. Bärenreiter. ISBN 3761816774
  3. ^ Fétis, François-Joseph (1864). "Montfort (Alexandre)". Biographie universelle des musiciens et bibliographie générale de la musique, vol. 6, p. 186. Firmin Didot frères, fils et Cie (in French)
  4. ^ a b Michaud, Louis Gabriel (1863). "Montfort (Alexandre)". Biographie universelle, vol. 20, p. 119. Desplaces (in French)
  5. ^ Fleury, Arthus (1839). "Théâtres de Paris". Le Monde dramatique, 2e Série, pp. 378–379 (in French)
  6. ^ Berlioz, Hector (22 October 1837) review of La chatte metamorphosée en femme in Revue et gazette musicale de Paris, republished in Katherine Kolb (ed.) (2015). Berlioz on Music: Selected Criticism 1824–1837, p. 273. Oxford University Press. ISBN 0190266708
  7. ^ Casaglia, Gherardo (2005). "Performances of works by Alexandre Montfort". L'Almanacco di Gherardo Casaglia (in Italian).
  8. ^ Blaze, Castil (22 January 1843). "La Part du Diable". La France Musicale, p. 26 (in French)
  9. ^ Bonnefon, Paul (1921). "Scribe sous la Monarchie de Juillet, d'après des documents inédits". Revue d'Histoire littéraire de la France, 28e Année, No 2, pp. 241–260. Retrieved via JSTOR 12 May 2017 (in French).
  10. ^ "M. M." (23 October 1845). "Foreign Intelligence". The Musical World, vol. 20, no. 43, p. 513
  11. ^ "A. M." (1845). "Chronique musicale". La Revue nouvelle, vol. 5, p. 381 (in French)
  12. ^ Camus, F. (9 October 1855). "Bulletin des Théâtres". Journal des débats, p. 2 (in French)
  13. ^ Vapereau, Gustave (1858). "Montfort (Alexandre)". Dictionnaire universel des contemporains, vol. 2, p. 1243. Hachette (in French)
  14. ^ S.n. (6 January 1856). "Nécrologie". La France Musicale, p. 61 (in French)
  15. ^ All entries in this list are sourced from Casaglia (2005)
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