Anjali Monteiro is a documentary filmmaker, media educator and researcher who lives in Mumbai.[1] She is currently Professor and Dean at the School of Media and Cultural Studies, Tata Institute of Social Sciences. Jointly with K.P. Jayasankar, she has made around thirty-five documentary films on various subjects.[2][3][4][5][6]

Anjali Monteiro
Anjali Monteiro
Born
Alma materSophia College for Women, Gokhale Institute of Politics and Economics
Occupation(s)Filmmaker, Educator, Curator
Years active1990 – present
SpouseK.P. Jayasankar
Websitewww.monteiro-jayasankar.com

Biography

edit

Anjali Monteiro was born in Pune, Maharashtra (on July 13). Her parents were Inocencio Gracias Monteiro, an army engineer and Sofia Cordeiro Monteiro, a school teacher, both from Goa. She completed her bachelor's degree in Psychology from Sophia College for Women, Bombay University in 1975 and her master's degree in Economics from Gokhale Institute of Politics and Economics, Pune University in 1977. She completed her Ph.D. in Sociology from Goa University and the Centre for the Study of Developing Societies, under the guidance of noted scholar Professor Ashis Nandy in 1994. She taught at the undergraduate level and then was involved in development communication work between 1979 and 1983 at the Xavier Institute of Communications, Mumbai. She married her colleague K.P. Jayasankar in 1989 and they have a daughter.[7][8][9][10][11]

Teaching

edit

Monteiro joined the Tata Institute of Social Sciences in 1983 and set up the Audio-Visual Unit, which is now the School of Media and Cultural Studies. Monteiro has been a visiting faculty at several media and design schools and Universities, in India and overseas, including University of California, Berkeley, University of Technology, Sydney, and Lahti Institute of Design, Finland, among others.

Research

edit

Monteiro's doctoral work, entitled State, Subject and the Text: The Construction of Meaning in Television, supervised by Prof. Ashis Nandy, involved an ethnographic study of television audience reception in a working-class neighbourhood in Goa, in the late 1980s. She currently writes in the broad area of media and cultural studies, with focus on documentary film, censorship, critical theory and issues of media representation.

Filmography

edit

(Co-directed with K.P. Jayasankar)

Year Title Length
2017 A Delicate Weave 62 minutes
2012 Farooq vs The State 25 minutes
2011 So Heddan So Hoddan 60 minutes
2009 Do Din ka Mela (A Two Day Fair) 60 minutes
2007 Our Family 56 minutes
2005 She Write 55 minutes
2003 Naata: The Bond 45 minutes
2001 Saacha (The Loom) 49 minutes
1997 YCP 1997 43 minutes
1995 Kahankar : Ahankar (Story Maker : Story Taker 38 minutes
1994 Identity: The Construction of Selfhood 20 minutes
1993 A Collective Exploration Of Ourselves, Our Bodies 23 minutes
1992 One Hundred Years Of Drought 21 minutes
1991 From the Diary of a Genetic Counsellor 30 minutes

Selected publications

edit
  • 2020 Anjali Monteiro, K.P. Jayasankar and Amit Rai, DigiNaka: Subaltern Politics and Digital Media in Post-Capitalist India, Orient Blackswan.[12]
  • 2018 Faiz Ullah, Anjali Monteiro and K.P. Jayasankar, DiverCity- Independent Documentary as an Alternate Narrative of the City, in Devasundaram, A.E. (ed) Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution, Routledge
  • 2016 K.P. Jayasankar and Anjali Monteiro, A Fly in The Curry: Independent Documentary in India, Sage, 2016. Won Special Mention 64th National Film Awards#Golden Lotus Award for best book on cinema category.
  • 2012 Anjali Monteiro and K.P. Jayasankar, Resisting Censorship in India, East Asia Forum Quarterly, Vol 4, No. 1.
  • 2010 Anjali Monteiro K.P. Jayasankar, A New Pair of Scissors- the Draft Cinematograph Bill, Economic and Political Weekly, July 17, 2010
  • 2009 K.P. Jayasankar and Anjali Monteiro, Jai Ho Shanghai: The Invisible Poor in Slumdog Millionaire, in Kaldor, Mary et al. (eds) Global Civil Society Yearbook of the London School of Economics, Sage, London
  • 2005 K.P. Jayasankar and Anjali Monteiro, Censorship ke Peeche Kya Hai, in Nalini Rajan (ed) Practising Journalism, Sage, London
  • 2003 K.P. Jayasankar and Anjali Monteiro, The Plot Thickens – A Cultural Studies Approach to Media Education in India, in Tony Lavender, Birgitte Tufte and Dafna Lemish (eds.) Global Trends in Media Education, Hampton Press.
  • 2001 K.P. Jayasankar and Anjali Monteiro, Documentary and Ethnographic Film, Elsevier Encyclopaedia of Social and Behavioural Sciences, Elsevier.
  • 2000 K.P. Jayasankar and Anjali Monteiro, Between the Normal and the Imaginary – The Spectator-self, the Other and Satellite Television in India, in Hagen, I and Wasko, J.(eds) Consuming Audiences: Production and Reception in Media Research, Hampton Press.
  • 1998 Anjali Monteiro, Official Television and Unofficial Fabrications of the Self: The Spectator as Subject in Nandy, Ashis (ed.), The Secret Politics of Our Desires, OUP.
  • 1993 K.P. Jayasankar and Anjali Monteiro, The Spectator-Indian – An Exploratory Study of the Reception of News, Cultural Studies 10 (1).

Awards and recognition

edit
  • 2013- Jayasankar's film Saacha (The Loom), co-directed with Anjali Monteiro was a part of the installation, Project Space: Word. Sound. Power. Tate Modern, London, as well as at Kochi-Muziris Biennale.
  • 2018 -Around 30 national and international awards to his films include Our Family.
  • 2008- Certificate of Merit and Special Mention of the Jury, at MIFF.
  • 2013- So Heddan So Hoddan won the Basil – Wright Award at RAI International Ethnographic Film Festival in
  • 2019- A Delicate Weave, which received the Jury's commendation, Intangible culture film prize, 16th Royal Anthropological Institute Festival at Bristol, UK.

References

edit
  1. ^ "A delicate weave of the musical traditions of communities from across Kutch". The Indian Express.
  2. ^ "Their hearts take over when the camera stops - The Hindu".
  3. ^ "Many realities, many worlds: Anjali Monteiro & KP Jayasankar at the Kochi Biennale 2018".
  4. ^ "Anjali Monteiro – The Conversation".
  5. ^ "A delicately woven musical journey | Kochi News - Times of India".
  6. ^ "Documenting the social fabric of Kutch - The Hindu".
  7. ^ "Many realities, many worlds: Anjali Monteiro & KP Jayasankar at the Kochi Biennale 2018".
  8. ^ "Documenting India - Frontline".
  9. ^ "Documenting concerns - The Hindu".
  10. ^ "Fakirani Jatts of Kachchh: Neither here nor there".
  11. ^ "Voicing social issues - The Hindu".
  12. ^ "Orient BlackSwan".
edit