Antoine Christopher A. F. Cassar (born 1978 in London)[1] is a Maltese poet and translator. His book-length poem Erbgħin Jum (Forty Days, Ede, 2017) was awarded the National Book Prize in 2018, and shortlisted for the European Poet of Freedom award, based in Gdańsk, Poland. Passaport, a protest poem about borders nested inside a love poem to humanity as a naturally migrating species, has been published in over a dozen languages, and adapted for the theatre in Europe, the Americas and Australia. In September 2009, his multilingual poem Merħba was the Grand Prize winner of the United Planet Writing Contest.[2]
Antoine Cassar | |
|---|---|
.jpg) .Antoine Cassar (2023) | |
| Born | 1978 (age 45–46) Camden, London, United Kingdom |
| Occupation | Poet, translator |
| Nationality | Maltese |
| Citizenship | Malta, United Kingdom |
| Period | 2007-present |
| Genre | Poetry |
| Notable works | Mużajk, Passaport, Forty Days |
Personal life
editCassar was born in London to Maltese parents. He lived in Spain, Italy, and Luxembourg.[3]
Works
editCassar's work deals with themes of language, maps and borders.[4]
Passport (2009) is a poem published in a mock-passport form addressing themes of migration and nationhood. It was translated into nine languages, with proceeds donated to refugee charities around the world.[3][5]
Mosaics poems
editCassar's mużajki or mosaics poems[6] combine a minimum of five languages, mainly English, French, Italian, Maltese and Spanish, often in the form of a Petrarchan sonnet. These poems, the first series of which was published in July 2007 in the anthology Ħbula Stirati (Tightropes),[7] engage in the braiding of words and sounds in the different languages used whilst maintaining a coherent rhythm and logical poetic sequence. Among the main themes explored by the mosaics are the vanity and futility of life, love unrequited or fulfilled, the absurdity of colonialism and its after-effects, and the at once exhilarating and disorienting feeling of variety itself.[8] The following is a stanza from his sonnet C'est la vie[9]
| Original Run, rabbit, run, run, run, from the womb to the tomb, |
English translation Run, rabbit, run, run, run, from the womb to the tomb, |
As Marija Grech explains, "…the deeper significance of these poems may be said to lie not simply in the more traditional meaning of the individual words or verses, but more specifically in the play with sound that the movement from one language to another generates and exploits. As the poet explains, 'the mosaics are designed not so much to be read but to be heard'." Cassar, on an interview,[10] describes the meaning of the "multiple levels" on his poetry: "How often does one read or listen to a poem and understand it completely? In my reading experience, I find that if a poem offers all its connotation, undertones and beauty at one go, its taste will soon be forgotten… The multiple levels of a poem should pique and stir the readers' curiosity, slowly but surely bringing them deeper into the text."
See also
edit- Modern Macaronic literature
- (in Italian) Poesia multilingue
References
edit- ^ "UK Birth Records". Retrieved 11 September 2018.
- ^ unitedplanet.org
- ^ a b Barekat, Houman (25 April 2018). "Dancing Doubles". Times Literary Supplement. Archived from the original on 2019-11-06. Retrieved 6 November 2019.
- ^ "Meet an Award-Winning Maltese Poet: Walking Through Memories with Antoine Cassar". The London Book Fair. Archived from the original on 2019-11-06. Retrieved 6 November 2019.
- ^ "Passaport - The Author". Passaport. Archived from the original on 2013-03-25. Retrieved 6 November 2019.
- ^ Marija Grech, "Mosaics: A symphony of multilingual poetry", The Daily Star (Kuwait), 2007
- ^ Cassar on Ħbula Stirati
- ^ Mużajk website
- ^ "Antoine Cassar, "Mosaics — Multilingual Sonnets"". Archived from the original on 2008-02-13. Retrieved 2008-02-26.
- ^ Marija Grech, ibidem