Baseera Khan (born 1980) is an American visual artist who uses material, form, and color to express non-verbal concepts in sculpture, installation, painting, performance, and photography.
Baseera Khan | |
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Born | Baseera Khan 1980 Denton, Texas, US |
Education | University of North Texas Cornell University |
Known for | Installation art Mixed media |
Awards | The Exhibit: Finding the Next Great Artist (2023) |
Khan uses they/them pronouns.[1][2][3] Their work discusses the political circumstances of their identity as a queer Muslim and "as a feminist, and as a brown Indian-Afghani".[4] They are based in New York City.
Early life and education
editKhan was born in 1980 in Denton, Texas.[5][6] They were raised in Denton by working class, Muslim parents who lived in near-isolation because of the threat of deportation.[7] Their parents emigrated from Bangalore, India to the United States before they were born.[4]
They received a B.F.A. in drawing/painting and sociology from the University of North Texas in 2005, and an M.F.A. from the Cornell University College of Architecture, Art and Planning in 2012.[8] In 2014, they completed the Skowhegan School of Painting and Sculpture program.[9]
Career
editKhan is a conceptual artist who uses a variety of mediums to "visualize patterns and repetitions of exile and kinship shaped by economic, social, and political changes in local and global environments, with special interests in decolonization processes".[10]
In December 2016, Khan was listed by Artnet, the art market website, as one of "14 Emerging Women Artists to Watch for 2017".[11]
Khan's first solo exhibition in New York was at the Participant Inc gallery space in 2017.[12] The exhibition, titled "iamuslima", was named after the eponymous term that Khan had Nike stitch on a pair of sneakers as a way of protesting Nike Inc.'s refusal to allow the words "Islam" or "Muslim" on its customizable sneaker models.[12][13]
In 2018, Khan was an artist in residence at Pioneer Works in Red Hook, Brooklyn.[14] Other residencies and fellowships include an artist residency at Abrons Arts Center (2016–17), an International Travel Fellowship to Jerusalem/Ramallah through Apexart (2015) and a Process Space artist residency at the Lower Manhattan Cultural Council (2015).[15]
Khan staged their first solo museum exhibition, "Baseera Khan: I Am an Archive," in 2021 at the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art. Presented as part of the annual UOVO Prize for emerging Brooklyn-based artists, the exhibition explored themes of Muslim-American identity and the body as a place of shared history.[16]
In 2022, Khan was commissioned to create a series of sculptures based on the form of a Corinthian column – albeit one that seems to have been toppled and wrapped in handmade silk rugs from Kashmir – for Meta’s Manhattan office complex in the historic James A. Farley Building.[17]
In 2023, Khan was the winner of The Exhibit: Finding the Next Great Artist, a reality TV series that aired on MTV and the Smithsonian Channel.[18] Following the series finale, Khan's final winning commission, The Liberator (2022), was installed in the Hirshhorn Museum and Sculpture Garden in Washington, D.C., from May to July 2023. The work, a mixed media figurative sculpture made from a 3D-printed model of the artist's body and plexiglass, was partly inspired by an 18th-century Buddhist statue, Naro Dakini, in the collection of the National Museum of Asian Art.[19]
Exhibitions
edit- 2015: Walk with Me, Critical Practices Inc., New York, New York
- 2015: Of Gentle Birth, Brooklyn Arts Council, Brooklyn, New York
- 2016: BRIC Biennial, Weeksville Heritage Center, Brooklyn, New York[10]
- 2016: SKOWHEGANPerforms, Socrates Sculpture Park, New York, New York
- 2016: Subject to Capital, Abrons Art Center, New York, New York
- 2017: Standard Forms, curated by Christian Camacho-Light, Art Galleries at The Berrie Center for Performing and Visual Arts, Ramapo College of New Jersey, New Jersey[20]
- 2017: Ritual, Aspen Art Museum, Aspen, Colorado
- 2017: Other Romances, curated by Em Rooney, Rachel Uffner Gallery, New York, NY[21]
- 2017: Sessions, Whitney Museum of American Art, New York, New York
- 2017: Fatal Love, Queens Museum, Queens, New York
- 2017: Iamuslima, Participant Inc. Gallery, New York, New York[10]
- 2018: How to see in the dark, curated by Christian Camacho-Light, Cuchifritos, New York, New York[22]
- 2018: Not for Everybody, curated by Allie Tepper, Simone Subal Gallery, New York, New York
- 2018: Long, Winding Journeys: Contemporary Art and the Islamic Tradition, Katonah Museum of Art, Katonah, New York
- 2018: SEED, Paul Kasmin Gallery, New York, New York
- 2018: Carry Over: New Voices from the Global African Diaspora, Smack Mellon, Brooklyn, New York
- 2018: Mane n' Tail, Luminary, St. Louis, MO
- 2018: ROYGBIV, Kate Werble Gallery, New York, New York
- 2018: I am no bird..., ltd Los Angeles, California
- 2018: In Practice: Another Echo, SculptureCenter, New York, New York
- 2018: Long, Winding Journeys: Contemporary Art and the Islamic Tradition, Katonah Museum of Art, Katonah, New York
- 2018: LOVE 2018: Purple Hearts, LeRoy Neiman Gallery at Columbia University, New York
- 2018: Hyphen American, Gallery 102, George Washington University, Washington, D.C.
- 2018: iamuslima, Colorado Springs Fine Arts Center at Colorado College, Colorado
- 2019: snake skin, Simone Subal Gallery, New York, 2019 [23]
- 2021: I Am an Archive, Brooklyn Museum, New York[16]
- 2023: Cloak and Dagger, De La Cruz Art Gallery, Georgetown University, Washington D.C.
References
edit- ^ "This Labor Day, These Workers Are Trying to Stay Afloat". The New York Times. 4 September 2020. ISSN 0362-4331. Retrieved 11 April 2023.
- ^ "Baseera Khan Opens a Solo Exhibition at Moody Center for the Arts". OutSmart Magazine. 1 May 2022. Retrieved 11 April 2023.
- ^ Abrams, Bill (30 April 2021). "Made in America: Baseera Khan at Lux Art Institute". Ranch & Coast Magazine. Retrieved 11 April 2023.
- ^ a b Jane Ursula Harris (26 May 2017). "Baseera Khan". Art in America. Retrieved 21 March 2022.
- ^ "Baseera Khan". Muslims in Brooklyn Website. Retrieved 11 April 2023.
- ^ "Baseera Khan: I Am an Archive". Brooklyn Museum. 2021. Retrieved 11 April 2023.
- ^ "Baseera Khan". Rema Hort Mann Foundation. Archived from the original on 5 March 2018. Retrieved 4 March 2018.
- ^ "Baseera Khan". Abrons Arts Center. Archived from the original on 5 March 2018. Retrieved 4 March 2018.
- ^ "Baseera Khan (A '14)". Skowhegan School of Painting & Sculpture. Archived from the original on 5 March 2018. Retrieved 4 March 2018.
- ^ a b c "Study Sessions: Baseera Khan". Whitney Museum of American Art. Archived from the original on 5 March 2018. Retrieved 4 March 2018.
- ^ Sarah Cascone (21 December 2016). "14 Emerging Women Artists to Watch in 2017". Artnet. Retrieved 21 March 2022.
- ^ a b "Baseera Khan". Art in America. 26 May 2017. Retrieved 1 March 2019.
- ^ "iamuslima". Baseera Khan Studios. Retrieved 1 March 2019.
- Kasem, Yasmine Kasem, (2019) "Jihad of Bitter Petals: Queering Identity and Material through Unraveling and Struggle", masters thesis, University Of California San Diego - ^ "Baseera Khan". Pioneer Works. 10 July 2018. Retrieved 1 March 2019.
- ^ "Baseera Khan". Baseera Khan. Retrieved 1 March 2019.
- ^ a b "Baseera Khan: I Am an Archive". www.brooklynmuseum.org. Retrieved 15 March 2024.
- ^ Benjamin Sutton (24 August 2022), https://www.theartnewspaper.com/2022/08/24/meta-new-york-office-art-commissions [Meta puts analogue art front and centre in sprawling new Manhattan office] The Art Newspaper.
- ^ Roger, Catlin (3 March 2023). "Behind the Scenes of the New Reality Series, 'The Exhibit'". The Smithsonian. Washington DC. Retrieved 3 March 2023.
- ^ Chen, Min (1 May 2023). "Artist Baseera Khan's Sculpture That Won Them the Top Prize on Reality Show 'The Exhibit' Will Go on View at the Hirshhorn". Artnet. Retrieved 6 May 2023.
- ^ Standard Forms
- ^ Other Romances
- ^ How to see in the dark
- ^ Anania, Billy (4 December 2019). "Baseera Khan's Vivid, Anti-Imperialist Odes". Hyperallergic. Retrieved 13 August 2020.
- Gilbert, Alan (2019). "Baseera Khan: snake skin". The Brooklyn Rail. Retrieved 10 November 2020.
See also
edit- Blacklock, Naomi (2019). "Baseera Khan" (PDF). Conjuring Alterity: Refiguring The Witch and the Female Scream in Contemporary Art (PhD). Faculty of Creative Industries Queensland University of Technology. pp. 78–84. Retrieved 5 December 2020.