Bernard Galais (30 January 1921 – 14 August 2009) was a French classical harpist and composer.[1]
His work, which is highly stylistically independent, reflects the multiple influences of his own career: soloist at the Paris Opera, and the French Republican Guard Band. He also left many transcriptions and recorded recitals in the 1970s.[2]
Life
editYouth
editGalais was born on 20 January 1921 in Le Havre. His mother introduced him to music, with solfège and piano.[3]
In 1934, Galais joined Marcel Tournier's class,[3] Grand prix de Rome (1909) and composer, who entrusted him to Pierre Jamet in 1936.
Career
editDuring the Second World War, his career was divided between the Paris Opera (he later became first harp soloist) and the Orchestre de la Société des concerts du Conservatoire, where he remained for about twenty years.
In 1946, he became solo harpist in the French Republican Guard Band.[3] He will also be a soloist at the Concerts Colonne (from 1967).
He occasionally replaced Pierre Jamet at the Conservatoire de Paris, touring extensively (France, England, Japan), performing under the baton of Conductor such as Karl Münchinger, Pierre Dervaux, René Leibowitz and Robert Blot.
He succeeded Pierre Jamet within the "Quintette instrumental de Paris".[4]
His 80th birthday is celebrated at the International Association of Harpists and Friends of the Harp[3] by the performance of several of his pieces during a concert exclusively dedicated to him, with students from all over France.
Catalogue
editFor harp solo
edit- 20 petits préludes (Harposphère, 1990)
- 6 petites pièces (Billaudot, 1995)
- 8 morceaux en 2 recueils (Harposphère, 1988)
- 12 études mélodiques (Billaudot, 2000)
- Rêverie (Combre, 1996)
- Quatrain (Combre, 1996)
- Au bord du lac (Combre, 1996)
- Ponctuation (Harposphère, 1988)
- Mister Piroët (Harposphère, 1992)
For harp ensembles
edit- Paysages II (International Music Diffusion, 1994)
- Petite suite médiévale (Harposphère, 1995)
- Dialogue (International Music Diffusion, 1994)
- Défilé (Harposphère, 1995)
Harp with other instruments
edit- Barcarolle (Harposphère, 1995),
- Nocturne (International Music Diffusion, 1994)
- Sérénade, sicilienne, finale (Harposphère, 1996)
- Musique révolutionnaire pour harpe révolutionnaire (Harposphère, 1989)
- Final pour une fête (Harposphère, 1990)
Transcriptions
editGalais transcribed works such as Handel's concerto in B flat by reorchestrating it and giving it a cadence for Marielle Nordmann.
He also transcribed sonatas by François-Joseph Naderman[5] the Divertimento No 2 by Paul Arma, the Nocturne in E major by Glinka and he composed cadenzas for the concertos in G minor and B flat major by Krumpholz.
Discography
edit- 1970: Trois siècles de harpe - three vinyls in a box set, Vega
- 1970: Bernard Galais, série de transcriptions pour la harpe, Vega.[5]
References
edit- ^ Bibliography included in the box of 3 vinyls Trois siècles de harpe, Vega, 1970
- ^ Michel Bosc (August 2017). Bernard Galais, la discrétion faite harpe (in French). Paris: Lulu.com. p. 60. ISBN 978-0-244-90744-0.
- ^ a b c d "En 2010, hommage à Bernard GALAIS (1921-2009) -". Les Journées de la Harpe (Martinique, Guadeloupe, Guyane) (in French). Association internationale des amis de la harpe. 8 April 2011. Retrieved 28 December 2018.
- ^ Interview of Bernard Galais by Marie-Claire Jamet, bulletin 38 PE 00 (2000) de l'Association internationale des harpistes et amis de la harpe.
- ^ a b "Bernard Galais". BNF.FR. 6 February 2017. Retrieved 28 December 2018.
