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Beya Gille Gacha (born 1990) is a sculptor. Her work is in the collections of the World Bank and the Smithsonian National Museum of African Art.[1]
Beya Gille Gacha | |
|---|---|
| Born | 1990 Paris, France |
| Nationality | French |
| Education | École du Louvre |
| Known for | Sculpture, Beading |
| Notable work | Beaded figurative sculptures |
| Movement | Contemporary art |
Biography
editGacha was born in Paris to a Cameroonian mother and French father. She studied at the École du Louvre before leaving in 2013 to found NÉFE, an artist collective.[citation needed]
She combines plastic arts, including draftsmanship, with writing. Today, beading the surfaces of figurative sculptures serves as the artist's trademark. For her, drawing upon the longstanding practice of the Cameroon grasslands of encasing carved figures and domestic objects with glass beads traded, sometimes traced from as far as the Czech Republic, speaks to both her Bamileke heritage and the longstanding trade of beads that unites Africa with Europe and Asia. For the artist, beading figures and body parts illuminates underrepresented global connections while offering a humanistic focus that draws the eye to and focuses attention on individual human value and personal experience.[2][3][4]
Her work has been featured in exhibitions in Dakar, Marrakech, Paris, Rome, and Stockholm, and can be found in the collection of the World Bank and the Smithsonian National Museum of African Art.[1]
References
edit- ^ a b National Museum of African Art. "Beya Gille Gacha". africa.si.edu. Retrieved 19 March 2022.
- ^ Ehonian, Virginie (3 June 2017). "Autopsie d'un art nouveau: 3 questions à l'artiste Beya Gille Gacha". Retrieved 19 March 2022.
- ^ L'Agence à PAris. "Beya Gille Gacha" (PDF). L'agence à Paris. Retrieved 24 March 2019.
- ^ Castiglio, Kelly (8 December 2018). "Beya Gille Gacha and the Art of Perlage". Archived from the original on 15 May 2019. Retrieved 24 May 2019.