Beyond the Pale (Brave Old World album)

Beyond the Pale is an album by the klezmer band Brave Old World, released in 1994.[2][3] The album title refers to the Pale of Settlement.[4]

Beyond the Pale
Studio album by
Released1994
GenreKlezmer
LabelRounder[1]
ProducerFrank Dostal
Brave Old World chronology
Klezmer Music
(1990)
Beyond the Pale
(1994)
Blood Oranges
(1999)

Production

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The album was produced by Frank Dostal.[5] It contains original songs as well as interpretations of traditional Yiddish songs.[6] Founding member Joel Rubin departed the band prior to the recording sessions.[7] The opening and closing tracks, about the fall of the Berlin Wall, were written in 1990.[8][9]

"Rufn Di Kinder Aheym" ("Calling the Children Home") was inspired by the New Orleans cornetist Buddy Bolden.[10] A cimbalom was employed on "Yismekhu".[11] "Di Sapozhkelekh" used the Misheberak scale.[3] Leon Schwartz taught the band a few of Beyond the Pale's songs.[12]

Critical reception

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Professional ratings
Review scores
SourceRating
AllMusic     [13]
MusicHound World: The Essential Album Guide     [5]

The Globe and Mail wrote that "the dance tunes are as irresistible as ever, but the underlying spirit is not chutzpah or even nostalgia so much as a deep sadness and urgent compassion."[14] The Washington Post concluded that "much of the recording might be described as a meditation on the art of playing klezmer music in the Berlin of the 1990s, and the mixed feelings such an experience would necessarily call up."[15]

AllMusic called the album "appropriately reflective klezmer from Germany, where even the high-spirited freylekhs have a somber edge and Kurt Bjorling's probing clarinet is part accusatory finger, part triumph of intellect and love over will."[13]

Track listing

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No.TitleLength
1."Berlin Overture" 
2."Brave Old Hora" 
3."Basarabye" 
4."Big Train" 
5."Waltz Roman à Clef" 
6."Borsht" 
7."Oy, di Dreydlekh" 
8."Di Sapozhkelekh" 
9."Yismekhu" 
10."A Tish-Nign" 
11."Bobover Wedding March" 
12."Rufn di Kinder Aheym" 
13."Doina Extravaganza" 
14."Berlin 1990" 

References

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  1. ^ Strom, Yale (April 19, 2011). The Book of Klezmer: The History, the Music, the Folklore. Chicago Review Press.
  2. ^ Wood, Abigail (April 8, 2016). And We're All Brothers: Singing in Yiddish in Contemporary North America. Routledge.
  3. ^ a b Ran, Amalia; Morad, Moshe (January 12, 2016). Mazal Tov, Amigos! Jews and Popular Music in the Americas. Brill.
  4. ^ Rogovoy, Seth (January 1, 2000). The Essential Klezmer: A Music Lover's Guide to Jewish Roots and Soul Music, from the Old World to the Jazz Age to the Downtown Avant-garde. Algonquin Books.
  5. ^ a b MusicHound World: The Essential Album Guide. Visible Ink Press. 2000. p. 113.
  6. ^ American Klezmer: Its Roots and Offshoots. University of California Press. August 19, 2002.
  7. ^ Davidow, Ari (Fall 1995). "Klezmer! — Beyond the Pale by Brave Old World". Whole Earth Review. No. 87. p. 92.
  8. ^ Dempsey, Dale (June 9, 1996). "Klezmer Music: Jewish Genre Given Rebirth in Germany". Dayton Daily News. p. 1C.
  9. ^ Mills, Kathleen (July 5, 1996). "Brave Old World works to transform tradition". The Herald-Times.
  10. ^ Kreiswirth, Sandra (April 11, 1997). "A Touch of Klez – An Eastern European tradition puts down strong roots in America". Daily Breeze. p. K22.
  11. ^ Baade, Christina L. (Summer 1998). "Jewzak and Heavy Shtetl: Constructing Ethnic Identity and Asserting Authenticity in the New-Klezmer Movement". Monatshefte. 90 (2). University of Wisconsin Press: 210.
  12. ^ World Music: Latin and North America, Caribbean, India, Asia and Pacific. Rough Guides Ltd. 1999. p. 590.
  13. ^ a b "Beyond the Pale". AllMusic.
  14. ^ Bernstein, Tamara (22 July 1994). "Recordings". The Globe and Mail. p. C1.
  15. ^ Page, Tim (9 June 1996). "Klezmer: Revival of the Traditionalists". The Washington Post. p. G1.