Wikipedia

Carl Auböck

Carl Auböck (also spelled Auboeck) is the name of members of the Auböck family, who owned and managed the Vienna-based Werkstätte Carl Auböck. The workshop, which was part of the Austrian art movement called Wiener Werkstätte[1] and is known for its Modernist Design, has been run by Carl Auböck I, II, III, and IV for more than 120 years.[2]

Floor lamp with reversible shade (1950)
Hand drawn page from Carl Auböck catalogue (c. 1950)

Carl Auböck I

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Carl Auböck I or Karl Heinrich Auböck I was a goldsmith before he founded the family's workshop in 1906[3] at Bernardgasse as a bronze goods company.[2] Auböck's workshop was particularly noted for the manufacture of the "Weiner Bronzen".[3] These small, bronze figurines were popular collectibles in Austria until the early 20th century.[4] Auböck died in 1925.[5][6]

Carl Auböck II

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Carl Auböck II

Carl Auböck II (1900 – 1957) continued practising in the workshop of his father (CAI) and began to introduce design changes that led the company towards the direction of Modernist Design, for which the workshop would be known.[2] He first joined his father's workshop in 1925 after studying painting at the Vienna Academy of Fine Arts.[3] He also attended art courses at the Bauhaus1919-1921 under Johannes Itten,[2] a Swiss expressionist painter and designer. He became a leading figure of Austrian modernism.[7]

After World War II, he further expanded the workshop, which was supported by the design demands of the American occupying force.[3] Auböck adopted a strategy where a basic design had manifold varieties so that more than 500 new objects were produced in the workshop from 1946 to 1950.[3] These designs were influenced by Bauhaus modernism. His works on smaller household and office objects during this period made Auböck a cult hero among his contemporaries.[8]

In 1954, Auböck was awarded four gold medals during the Milan Triennale for designing a range of stylized metalware.[9] Aside from his metal ware designs, Auböck is also known for his watercolor paintings.

Carl Auböck III

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Möllersdorf church [de], the parish built by architect Carl Auböck III.

In his early years, Carl Auböck III (1924 – 1993) began collaborating with his father at the Werkstatte workshop. He began working as a Gürtler, which was part of the family's tradition.[6] Unlike his predecessors, however, he is also noted as an architect. He completed an architecture degree at the Vienna University of Technology. Auböck has designed private houses, apartments, public, and industrial buildings not just in Austria but around the world.[10] He was also an academic and the former president of the International Council of Societies of Industrial Design (ICSID).[11]

Auböck also studied 1951 at Massachusetts Institute of Technology where he met Ludwig Mies van der Rohe, Walter Gropius, Ray Eames, and Charles Eames.[3] These figures inspired Auböck to integrate American trends in the products designed at the workshop, making them more international and modern.[3] Under his direction, the workshop achieved international status and started collaborating with other design houses such as Hermès and Pierre Cardin.[12] Auböck has also designed for other companies such as Neuzeughammer Ambosswerke, Reichert, Tyrolia, Otto Groh, and Ostovics Tischkultur.[3] He taught industrial design at the University of Applied Arts Vienna in 1997 and served as the president of the Austrian Design Institute.[3]

Auböck III is also the father of Maria Auböck (1951), a noted Austrian landscape architect[13] and educator. She is known for architectural works completed with János Kárász[14] and as a president of the Central Association of Architects (ZV).[15]

Carl Auböck IV

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Carl Auböck IV (born 1954) was also trained as a metal craftsman at the Werkstatte and, like his father also a practicing architect.[16] Upon his father's death he managed the workshop with his mother Justine.[3] Today he runs the Werkstätte Carl Auböck, overseeing the development of new design concepts for a 500-piece collection. He supervises the Carl Auböck archive and collaborates over the years with designers such as Michael Anastassiades, Lee West, Petar Petrov, Aldo Bakker, and Formafantasma, among others.[citation needed]

References

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  1. ^ Asome, Carolyn (2019-03-30). "Home! The party house". The Times. ISSN 0140-0460. Retrieved 2019-11-18.
  2. ^ a b c d "Carl Auböck". Contemporum. Retrieved 2019-10-31.
  3. ^ a b c d e f g h i j Beyerle, Tulga; Hirschberger, Karin (2013). A Century of Austrian Design: 1900-2005. Basel: Birkhauser. p. 124. ISBN 9783034608893.
  4. ^ "Maharam Stories - Werkstätte Carl Auböck by". www.maharam.com. Retrieved 2019-11-07.
  5. ^ "The Workshop: Carl Auböck Designs 1930-1980, 13 October 2016 < Auctions | Wright: Auctions of Art and Design". Wright Auction. Retrieved 2019-11-07.
  6. ^ a b "Carl Auböck - Frank Landau: Designer / Artist". franklandau.com. Retrieved 2019-11-07.
  7. ^ Howells, Tom (2017-02-21). "Carl Auböck heads up a bountiful auction of 20th century design and art". Wallpaper*. Retrieved 2019-11-07.
  8. ^ Rozzo, Mark (2010-05-20). "Brass in Pocket | Carl Auböck's Exquisite Curios". T Magazine. Retrieved 2020-02-29.
  9. ^ Miller, Judith (2018). Miller's Mid-Century Modern: Living with Mid-Century Modern Design. London: Hachette UK. p. 197. ISBN 9781784724627.
  10. ^ Pendergast, Sara (1997-01-01). Contemporary Designers. St. James, MO: St. James Press. p. 35. ISBN 9781558621848.
  11. ^ Huppatz, D. J. (2018-02-22). Modern Asian Design. London: Bloomsbury Publishing. p. 169. ISBN 9781474296786.
  12. ^ "Carl Auböck". Avenue Road USA. Retrieved 2019-11-18.
  13. ^ red, noe ORF at/Agenturen (2020-02-05). "Menschheitserbe: Was soll bewahrt werden?". noe.ORF.at (in German). Retrieved 2020-02-29.
  14. ^ Richters, Denisa (October 3, 2019). "Mönchengladbach: So könnte die Hindenburgstraße aussehen". Westdeutsche Zeitung (in German). Retrieved 2019-11-18.
  15. ^ Czaja, Wojciech (October 28, 2019). "Die Stadt als Spongebob - derStandard.at". DER STANDARD (in Austrian German). Retrieved 2019-11-18.
  16. ^ Medford, Sarah (May 29, 2018). "The Family That Has Elevated Everyday Items to Art". The Wall Street Journal. Retrieved 2019-11-18.
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