Caterina Angiola Pieroncini was a 17th-century Italian lace-maker, embroiderer and lady-in-waiting for the Grand Duchess Vittoria della Rovere.
Caterina Angiola Pieroncini | |
|---|---|
| Education | 18 months direction from Mademoiselle Alée in Paris |
| Occupation(s) | Lady-in-waiting, lacemaker |
| Years active | 1664-1667 |
| Employer | Vittoria della Rovere |
Career
edit
As a lady-in-waiting to the Grand Duchess Vittoria della Rovere (1622–1694) who was known for supporting her ladies in waiting,[1] Pieroncini was sent to Paris in 1664[2] to study needlework in order to make the latest designs, after which she returned to Florence.[3] While in Paris, Maria of Lorraine, the duchess of Switzerland, was her guardian.[2] Pieroncini studied under the direction of Mademoiselle Alée in Paris for eighteen months, during which she was paid 200 lire every two trimesters plus other costs of living.[1]
As a lace-maker, Pieroncini worked during a time when Venetian gros point needle lace was in vogue and was considered the highest quality lace. By the mid-century, French styles of bobbin lace and point de France needle lace became more popular.[3]
Retirement
editFollowing her service to the Grand Duchess, Pieronicini entered the convent on 17 July 1677 and took the same Suor Maria Vittoria during which time she continued to receive support from the Duchess, who lived at the same convent as a child.[1]
References
edit- ^ a b c Modesti, Adelina (2019-12-10). Women's Patronage and Gendered Cultural Networks in Early Modern Europe: Vittoria della Rovere, Grand Duchess of Tuscany. Routledge. ISBN 978-1-351-77811-4.
- ^ a b Pino, Ana Ágreda (2022). Vivir entre bastidores: bordado, mujer y domesticidad en la España de la Edad Moderna. Univeridad de Cantabria. p. 219. ISBN 9788419024084.
- ^ a b Modesti, Adelina. Jones, Tanja L. (ed.). Women Artists in the Early Modern Courts of Europe: c. 1450-1700. Amsterdam University Press. pp. 139–160. ISBN 978-90-485-4022-8.