Chandrarekha Dhadwal (born 15 April 1951, also known as Rekha Dhadwal) is a writer from Himachal Pradesh, India. She is noted for her short stories, poems, novels, and ghazals in Hindi and Pahadi.[1][2][3][4]
Chandrarekha Dhadwal | |
---|---|
Born | Dharamshala | 15 April 1951
Occupation(s) | Writer, poet, novelist, retired lecturer |
Notable work | Akkhar-Akkhar Jugnu Samay Mere Anuroop Hua Seevanein Udhadti Hui |
Personal life
editDhadwal was born in Dharamshala. She taught Hindi for 34 years, and retired as senior lecturer and the head of Hindi department at the Government College in Dharamshala.[5][6][7]
Works
editDhadwal's ouvre is highly regarded for its nuanced portrayal of the struggles and difficulties faced by women in hill societies, as well as their innate power. Her work is noted for its pithy and witty sentences, as embodied in the following two-liner by her: "On a heated pan/by sprinkling water/the woman cooking roti/learns the art of living".[8]
Shriniwas Joshi notices a "stream of feminist activism" in Zaroorat Bhar Suvidha (2016), Dhadwal's first anthology of poems in Hindi. He writes that in these poems, Dhadwal revolts against patriarchal privileges and biases of men, and the lack of alternatives in social roles for women, other than being housewives.[9]
Samay Mere Anuroop Hua and Seevanein Udhadti Hui
editDhadwal's novel Samay Mere Anuroop Hua and her anthology of short stories Seevanein Udhadti Hui both came out in 2019, and often received critical appreciation together. Shriniwas Joshi considers both works as feminist in nature. He characterizes her position in these two works as being that a woman should not follow the rut of tradition, but must educate herself, be robust, and individual. He compares Dhadwal's writing to Mary Ellmann's Thinking About Women and Germaine Greer's The Female Eunuch.[5] Kamlananda Jha of the Aligarh Muslim University positively appraises Samay Mere Anuroop Hua for its complex, multi-layered, and uplifting portrayal of female psychology.[10] Of the short story collection, Jha says that Dhadwal develops a compelling narrative style, where her prose frequently becomes poetry, blurring the boundaries between the two genres. A lot gets conveyed through bare, unfinished sentences. But this style never becomes overwhelmingly dramatic, and allows Dhadwal to have a dialogue with the reader through her story.[11] Suraj Paliwal observes a rare sensitivity in Samay Mere Anuroop Hua portrayal of the alienation and lack of consideration faced by women growing up in Indian families, as well as a distinct personal voice in Dhadwal's short story collection.[12] Abdul Bismillah deems the novel to be the modern version of Premchand's celebrated novel Nirmala.[13] The novelist Gyan Ranjan considers the novel to be a realistic depiction of contemporary middle-class Indian households.[13] The poet Namita Singh remarks that in Seevanein Udhardti Hui, Dhadwal locates human values squarely between deep sensitivity and inner contradictions.[13]
Recognition
edit- Regarded as a well-known author and poet in Himachal Pradesh, Dhadwal has regularly spoken at literary festivals and book festivals in Dharamshala and Shimla.[14][15][16][17][18]
- In 2009, Dhadwal's poems were featured among others in an anthology of representative poetry from Himachal Pradesh, by the Sahitya Akademi, India's national academy of letters.[19]
- In 2016, Dhadwal was awarded the Pahadi Sahitya Puraskar by the Government of Himachal Pradesh.[20]
Select bibliography
edit- Dhadwal, Chandrarekha. 2015. Akkhar-Akkhar Jugnu (in Pahadi). Des Sangeet Prakashan, Dharamshala.
- Dhadwal, Chandrarekha. 2016. Zaroorat Bhar Suvidha (in Hindi). Antika Prakashan, Ghaziabad.
- Dhadwal, Chandrarekha. 2019. Samay Mere Anuroop Hua (in Hindi). Antika Prakashan, Ghaziabad.
- Dhadwal, Chandrarekha. 2019. Seevanein Udhati Huin (in Hindi). Antika Prakashan, Ghaziabad.
- Dhadwal, Chandrarekha. 2022. Aag (in Hindi). Antika Prakashan, Ghaziabad.
References
edit- ^ "चंद्र रेखा ढडवाल - Gadya Kosh - हिन्दी कहानियाँ, लेख, लघुकथाएँ, निबन्ध, नाटक, कहानी, गद्य, आलोचना, उपन्यास, बाल कथाएँ, प्रेरक कथाएँ, गद्य कोश". gadyakosh.org (in Hindi). Retrieved 2024-08-26.
- ^ "All Products - Chandrarekha Dhadwal". Rekhta Books. Retrieved 2024-08-26.
- ^ "Pankaj Bisht ke yogdan ka mulyankan". Janchowk (in Hindi). February 19, 2020.
- ^ "हिमाचल की समकालीन गज़ल- द्विजेन्द्र द्विज का आलेख". www.abhivyakti-hindi.org (in Hindi). Retrieved 2024-08-26.
- ^ a b Joshi, Shriniwas (May 25, 2019). "A woman who speaks of women". The Tribune.
- ^ "चंद्र रेखा ढडवाल / परिचय - कविता कोश". kavitakosh.org (in Hindi). Retrieved 2024-08-26.
- ^ "Self Appraisal Report Submitted to NAAC by the Govt. College of Teacher Education, Dharamshala" (PDF). gctedharamshala.ac.in. 2014.
- ^ Vidyanidhi (2021). "हिमाचल के विशेष सन्दर्भ में स्त्री विमर्श". Divya Himachal (in Hindi).
- ^ Joshi, Shriniwas (December 6, 2016). "A poetry book that highlights few choices for women". The Tribune.
- ^ Dhadwal, Chandrarekha (2019). "Critical note by Kamlananda Jha". Samay Mere Anuroop Hua (in Hindi). Antika Prakashan.
- ^ Jha, Kamlanand (April–June 2019). "प्रेम और पाखण्ड को नापति कहानियाँ". Baya (in Hindi): 30–31.
- ^ Paliwal, Suraj (2022). Ikkisvi sadi ka doosraa dashak aur Hindi upanyas (in Hindi). New Delhi: Vani Prakashan. p. 14. ISBN 978-93-5518-852-6.
- ^ a b c "इस वर्ष महिला साहित्यकारों ने सृजन को दी नयी ऊँचाई". Divya Himachal (in Hindi). December 29, 2019.
- ^ "Dharamshala Book Fair" (PDF). NBT Newsletter. 31 (7). July 2013.
- ^ "Iss baar gaiety ke pustak mele mein Himachal ke lekhakon ki kitaben bani aakarshak". Dainik Bhaskar. 2018.
- ^ "Sahityakaron ka azadi ke vishay mein yogdan". Jaagran. November 15, 2011.
- ^ Aggarwal, Sanjay (March 25, 2022). "Made aware of literature in Kavi Sammelan" (PDF). Yugmarg.
- ^ Mohan, Lalit (April 8, 2023). "Dharamshala Literature Fest concludes". The Tribune.
- ^ Guleri, Pratyush, ed. (2009). Pratinidhi Himachali Kavya Sankalan (in Hindi). New Delhi: Sahitya Akademi.
- ^ "Samay par diye jaane chaahiye saahitya ke agle puraskaar - Jairam". Amar Ujala (in Hindi). January 29, 2022.