Charles Sebree (1914–1985) was an American painter and playwright[1] best known for his involvement in Chicago's black arts scene of the 1930s and 1940s.
Charles Sebree | |
|---|---|
 | |
| Born | 1914 Madisonville, Kentucky |
| Died | 1985 Washington, DC |
| Nationality | American |
| Alma mater | Chicago Art Institute and the Chicago School of Design |
Early life and education
editSebree spent his early childhood in White City, located in eastern Kentucky. In 1924, his mother moved to Chicago, Illinois, which exposed Sebree to a wide range of artistic influences.[2][3] One of his drawings as a young boy was bought by the Renaissance Society for twenty-five dollars and ended up being featured on their magazine cover.[4] After attending the Art Institute of Chicago, Sebree remained there and became involved with a group of artists centered in Chicago's South Side.
Career
editChicago's black arts movement came to rival the vibrancy seen in New York's Harlem Renaissance, and Sebree benefited from connections with artists such as Margaret Taylor-Burroughs and Eldzier Cortor, as well as the network of support created through affiliations with such institutions as the South Side Community Arts Center and the Art Institute.[5]
Sebree was very interested in the theater, working as a playwright, director, and set designer. His painted portraits tended primarily to feature performers, frequently harlequins and saltimbanques.[5][6] These works show a strong Modernist influence, specifically recalling the expressive faces and figures seen in the portraits of Picasso and Modigliani, while also referencing his interest in Byzantine icons.[6]
Between 1936 and 1938, Sebree worked for the New Deal's Works Progress Administration (WPA). In 1942, his career was briefly interrupted when he was drafted into World War II.[7] He was stationed at Camp Robert Smalls, a segregated section of the Great Lakes Naval Training base, north of Chicago. While there, he met the playwright Owen Dodson, who would become a close friend and artistic collaborator. Together, they produced several plays at Camp Smalls, including the “Ballad of Dorrie Miller,” which was dedicated to a black naval mess attendant who saved the lives of several of his shipmates at Pearl Harbor.[7]
After the war, Sebree moved to New York, where he once again found a community of artists, as he had in Chicago. His circle in New York included artists such as Billie Holiday and Billy Strayhorn. He was the recipient of a fellowship from the Julius Rosenwald Fund in 1945, and went on to co-write the successful 1954 Broadway musical, "Mrs. Patterson," which starred Eartha Kitt. Sebree moved to Washington, DC in the 1947, where he lived until his death from cancer in 1985.[3][7]
Works
editPlays[8]
- My Mother Came Crying Most Pitifully (1949)
- Mrs Patterson (1954)
- Dry August (1972)
References
edit- ^ Wrigley, Amanda (2 December 2014). "Mrs Patterson (BBC, 1956)". Screen Plays: Theatre Plays on British Television. Retrieved 21 February 2016.
- ^ Shine, Ted (1985). "Charles Sebree, Modernist". Black American Literature Forum. Contemporary Black Visual Artists Issue. 19 (1): 6–8. doi:10.2307/2904461. JSTOR 2904461.
- ^ a b "Charles Sebree". Essie Green Galleries. Retrieved 20 February 2016.
- ^ "Seebree, Charles 1914-1985". encyclopedia.com. Retrieved 31 March 2020.
- ^ a b "Narratives of African American Art and Identity: The David C. Driskell Collection". The Art Gallery at the University of Maryland. 1998. Archived from the original on 29 December 2013. Retrieved 20 February 2016.
- ^ a b "Head of a Woman, by Charles Sebree". SCAD Museum of Art. Savannah College of Art and Design. Archived from the original on 24 February 2016. Retrieved 20 February 2016.
- ^ a b c "Charles Sebree". Modernism in the New City: Chicago Artists, 1920-1950. Bernard Friedman. Archived from the original on 12 January 2016. Retrieved 20 February 2016.
- ^ "Charles Sebree". The Playwrights Database. doolee.com. Archived from the original on 7 March 2016. Retrieved 22 February 2016.