Cheek by Jowl is a 2009 collection of eight essays and talks written by American author Ursula K. Le Guin, published by Aqueduct Press. The book focuses on the analysis and significance of imaginative literature, particularly in the realms of fantasy and young adult fiction. Le Guin delves into the various facets of fantasy literature, reflecting on its importance in fostering empathy, critical thinking, and moral development.[1][2][3]
Overview
editIn Cheek by Jowl, Le Guin examines the role of fantasy literature in shaping our understanding of ourselves and the world around us. She argues that it is a vital tool for exploring the human condition and addressing real-world issues in thought-provoking ways, contrary to the common perception of fantasy as an escapist genre.[4] The collection of essays covers a range of topics, including world-building, language, and the subversion of traditional tropes.[5][6][7]
Le Guin also discusses the works of notable authors in the field, such as J.R.R. Tolkien, Philip Pullman, and Diana Wynne Jones, and assesses their contributions to the genre. Through her analysis, Le Guin highlights the value of engaging with literature that challenges assumptions and expands horizons.[6][3]
Themes
editSome of the key themes explored in Cheek by Jowl include:
- The role of fantasy in promoting critical thinking and emotional growth: Le Guin emphasizes the importance of fantasy stories in challenging readers to question preconceived notions and develop a more nuanced understanding of the world.[8]
- World-building and language: The book investigates the importance of creating immersive and believable worlds in fantasy literature, as well as the role of language in shaping our understanding of these worlds. Le Guin also considers how different authors approach these aspects in their work.[8]
- The intersection of fantasy and other genres: Le Guin discusses the ways in which fantasy literature intersects with other genres, such as science fiction, fairy tales, and mythology, and how these intersections enrich the storytelling experience.[8]
- The influence of cultural and social context: Cheek by Jowl recognizes that fantasy literature is shaped by the cultural and social contexts in which it is produced, and encourages readers to consider these contexts when engaging with the stories.[8]
- Celebrating diversity in fantasy literature: Le Guin highlights the importance of diverse voices and perspectives in the genre and champions the work of authors who challenge traditional norms and expectations.[8]
See also
editReferences
edit- ^ "Cheek by Jowl". www.gumshoereview.com. Retrieved 2023-05-02.
- ^ "Cheek by Jowl by Ursula K. Le Guin". www.publishersweekly.com. Retrieved 2023-05-02.
- ^ a b Oziewicz, Marek (2011). "Cheek by Jowl: Talks and Essays on How and Why Fantasy Matters. Ursula K. Le Guin. Seattle: Aqueduct Press, 2009. 149 pages. USD $16.00 (softcover)". International Research in Children's Literature. 4 (2): 252–254. doi:10.3366/ircl.2011.0030. ISSN 1755-6198.
- ^ Ha, Thu-Huong (2018-01-24). "Ursula K. Le Guin knew that a great story doesn't need a takeaway". Quartz. Retrieved 2023-05-02.
- ^ Bratman, David. "Cheek by Jowl Review". www.mythsoc.org. Retrieved 2023-05-02.
- ^ a b Cockrell, Amanda (2011-01-01). "Le Guin, Ursula K. Cheek by Jowl: Talks and Essays on How and Why Fantasy Matters". Journal of the Fantastic in the Arts. 22 (1): 108–111.
- ^ Nymeth. "Cheek by Jowl by Ursula K. Le Guin". Retrieved 2023-05-02.
- ^ a b c d e June 2010, Paul Kincaid Issue: 28 (2010-07-02). "Cheek by Jowl by Ursula K Le Guin and Imagination/Space by Gwyneth Jones". Strange Horizons. Retrieved 2023-05-02.
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External links
editCheek By Jowl on Goodreads