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Chen Xiayu (July 8, 1917 - January 3, 2000) was a Taiwanese sculptor. He was born in Longjing Village, Dajia County, Taichū Prefecture (now Longjing District, Taichung City). He studied sculpture under Fujii Hiroyuki, who encouraged him to participate in the New Cultural Exhibition (formerly the Imperial Exhibition), where he was selected for three consecutive years and obtained the "no inspection" (exempt from review) qualification. He was a founding member of the Taiyang Art Association Sculpture Department, a Provincial Art Exhibition judge, and a teacher at Taichung Normal School. He later withdrew from the association and resigned from his teaching position and judgeship. He continued to create until he was over 80 years old. He died of heart failure in 2000 at the age of 82. [1][2]
Life
editChen Xiayu was born in Longjing Village, Taichung in 1917. He has shown artistic talent since childhood. At the age of eight, he entered Dali Public School. While studying at Tamkang Middle School, he was exposed to photography. Due to excessive practice, he became ill and had to drop out of school and go home to recuperate. However, he still asked his third uncle, who was studying in mainland Japan, to buy him a camera. At 17, he studied photography with his third uncle in Japan. For some reason, he could not enter a photography school but became an apprentice in a photo studio. Later, due to physical discomfort, he returned to Taiwan to recuperate. At this time, his uncle brought back a grandfather statue commissioned by sculptor Hori Shinji from Japan, which inspired Chen Xiayu's determination to study sculpture in Japan.[3]
In 1935, he went to Japan again. With the introduction of Chen Houei-kuen, he became a student of Tetsuya Mizutani (1876-1943), a professor of sculpture at Tokyo School of Fine Arts. Because Tetsuya Mizutani focused on basic sculpture education, Chen Xiayu only learned basic skills such as sharpening carving knives or helping his teacher make portraits during his one-year study. He thought being unable to create independently was contrary to the purpose of coming to Japan, so he entered the studio of Kooyu Fujii (1882-1958), a member of the Imperial Academy of Arts, who mainly created human bodies.[4]
Fujii believed that the most important thing about sculpture was to constantly observe, experience, and explore, which influenced Chen Xiayu's future creations. When Chen Xiayu was in Fujii's studio from 1938 to 1940, his works "Naked Woman" (1938), "Hair" (1939), and "After Bath" (1940) were selected for the "Japan Fine Arts Exhibition." As a result, he was exempted from review in 1941, becoming the only sculptor in Taiwan to receive this honor at the time. In the same year, his "Seated Statue" was selected for the "Sculptors Association Exhibition," where he received the "Association Award" and was recommended to become a member. In 1941, he also became one of the founding members of the Sculpture Department of the Taiyang Art Association.[5]
After returning to Taiwan from Japan in 1946, he taught at Taichung Normal School and served as a judge for the "Taiwan Provincial Art Exhibition." After the February 28 Incident, from 1947 to 1949, he successively withdrew from the Taiyang Art Association Sculpture Department, resigned from his teaching position and his position as a judge, and devoted himself to creation. His creative subjects include human sculptures, portraits, and holy Buddha statues. [2]
Style
editChen Xiayu studied under Kooyu Fujii from 1936 to 1943 and inherited the spirit-based sculptural connotation emphasized by Kosuke Fujii's "Exhibition School." He idealized his thoughts and spirit through the forms created in his works. His creations focused on The well-balanced beauty of texture and bones, showing simplicity, simplicity, and aesthetic qualities. The depiction of facial expressions introduces spiritual connotations. [6]
In the later period of creation, Chen Xiayu no longer deliberately emphasized the sharpening of the body and reduced the clarity of the body outline in creation, pursuing the tranquility and essence of life inwardly. The work emphasizes the movement and inner strength of the object. [6]
Awards
edit- 1938 Shinbun Exhibition (formerly Imperial Exhibition) "Naked Woman" was selected
- 1939 Shinbun Exhibition (formerly Imperial Exhibition) "Hair" was selected
- 1940 Shinbun Exhibition (formerly Imperial Exhibition) "After Bath" was selected
- 1941-1945 Imperial Exhibition No Inspection (Exempt from Review) Qualification
- 1941 Work "Seated Statue" was chosen for the Japan Sculptors Association Exhibition and won the Association Award[7]
Exhibition
edit- 1945: "Nude No. 1", the first Japan Exhibition and Brazil International Exhibition
- 1979: Sculpture Exhibition, Taichung
- 1981: "Three Bull Reliefs," "Reclining Woman," "Seated Woman," Pacific Art Exhibition, Japan
- 1997: Chen Xiayu's Works Exhibition, Taipei Eslite Gallery[7]
References
edit- ^ "CHEN Hsia-yu 陳夏雨 – 誠品畫廊" [Chen Xiayu – Eslite Gallery]. www.eslitegallery.com. Retrieved 2024-11-18.
- ^ a b 臺中市美術家資料館 (2024-11-18). "臺中市美術家資料館" [Taichung Artists Archive]. 臺中市美術家資料館. Retrieved 2024-11-18.
- ^ "陈夏雨经历" [Chen Xiayu's experience] (PDF). p. 271.
- ^ "臺灣資深藝術家影音紀錄片" [Taiwanese senior artist audio and video documentaries].
- ^ "2013《台灣創意人物誌．捌》雕塑家 by 大觀視覺顧問 - Issuu" [2013 "Taiwan Creative Figures Chronicle." 8》Sculptor by Daguan Visual Consultant - Issuu]. issuu.com. 2020-02-10. Retrieved 2024-11-18.
- ^ a b "超越写实的艺术世界──陈夏雨雕塑艺术". www.360doc.com. Retrieved 2024-11-18.
- ^ a b 雪芳, 廖. 完美‧心象‧陳夏雨 [Perfect‧Image‧Chen Xiayu] (in Chinese). 雄獅美術. ISBN 9789574740390.