James Hawthorne (April 17, 1913 – April 8, 2004), also known as James Hawthorne Bey and Chief Bey, was an American jazz percussionist and vocalist, a visual artist and folklorist of African traditions. He was also ordained in Nigeria as a Shango Priest.
Chief Bey | |
|---|---|
 | |
| Born | James Hawthorne Bey April 17, 1913 Yemassee, South Carolina |
| Died | April 8, 2004 (aged 90) Brooklyn, New York |
| Nationality | African American |
| Occupation(s) | Baritone opera singer Jazz and African drummer |
| Known for | Strong Paul Roberson voice, Singer in the original Musical Porgy & Bess along with his wife Louise Hawthorne: Soprano, Principle Drummer for Baba Olatunji, Bernice Johnson, Clark Center & Alvin Ailey Dance Studios. Principal musician for Broadway musical Timbuktu. Drummer for Trailblazer, Pearl Primus and Katherine Dunham. To name a few |
| Notable work | Completed CD/Albums: Chief Bey & Ife Olofi, Taboo Chief Bey and his Royal Household 1959, Congo Percussion 1960, Hamiet Bluiett Dangerous Suite. Daughter’s website below. |
| Website | www.africandanceaz.org |
Early life
editBorn James Hawthorne in Yemassee, South Carolina,[1][2] Bey moved with his family to Brooklyn and then to Harlem, where he began playing drums and singing in church choirs. He also served in both the Army and Navy and during World War II, and believed to have another daughter in Germany. He attended cosmetology school.[1]
Later life and career
editIn the 1950s, Chief Bey performed in an international tour of Porgy and Bess along with his wife Louise Hawthorne, starring Leontyne Price and Cab Calloway. He also began a busy recording career, performing with flautist Herbie Mann's At the Village Gate (1961), Art Blakey's The African Beat (1962), Ahmed Abdul-Malik's Sounds of Africa (New Jazz, 1961), as well as albums by Harry Belafonte, Miriam Makeba, Miriam Greaves and Pharoah Sanders, among others.
He took his stage name after joining the Moorish Science Temple of America, a Muslim sect whose practitioners often add the suffix "Bey" to their names. Then he taught the Shékéré, a West African gourd percussion instrument, at the Griot Institute at Intermediate School 246 in Brooklyn.[1] He performed on Baba Olatunji albums as a vocalist and played African drums and Percussion, Agbé/large Shékéré, Agogo/Bells. As a drum maker, he invented the No Whole Tension Technique of roping skin onto drums.
He worked with Count Basie, Duke Ellington, Nina Simone, Joffery Holder, Randy Weston, Reggie Workman, Sonny Morgan, Mongo Santa Maria, Eddie Palmeri, John Coltrane.
Personal life and death
editJames Hawthorne died in his Brooklyn home of stomach cancer at the age of 90.[1][3][4][5] His first wife passed 3 years before him, Louise Hawthorne, soprano opera singer traveled the world together, while she sang operas like Aida and Madame Butterfly leaving their 3 children, David, Denise and Carolyn with just their father. His youngest daughter Carolyn who’s on his last CD followed him in death.
His common law wife Barbara Kenyatta (born Barbara Ann Coleman in Harlem on June 9, 1944), was a priestess of Yémaya in the Yoruba religion. She collapsed and died four days later.[2]
Discography
editAs leader
edit- Children of the House of God (Mapleshade, 1997)[3]
As sideman
editWith Hamiet Bluiett
- Orchestra, Duo & Septet (Chiaroscuro, 1977)
- Dangerously Suite (Soul Note, 1981)
- Nali Kola (Soul Note, 1989)
- Bearer of the Holy Flame (Black Fire, 1994)
- Bluiett's Barbeque Band (Mapleshade, 1996)
- Live at Carlos 1 (Just a Memory, 1997)
- Live at Carlos 1: Another Night (Just a Memory, 1997)
- Live at Carlos 1: Last Night (Just a Memory, 1998)
With Babatunde Olatunji
- Zungo! (Columbia, 1961)
- High Life! (Columbia, 1963)
- Drums! Drums! Drums! (Roulette, 1964)
With others
- Ahmed Abdul-Malik, Sounds of Africa (New Jazz, 1962)
- Ray Barretto, Mysterious Instinct (Charlie Parker, 1962)
- Harry Belafonte & Miriam Makeba, An Evening with Belafonte/Makeba (RCA Victor, 1965)
- Art Blakey, The African Beat (Blue Note, 1962)
- Solomon Ilori, African High Life (Blue Note, 1963)
- Herbie Mann, Herbie Mann at the Village Gate (Atlantic, 1962)
- Herbie Mann, Herbie Mann Returns to the Village Gate (Atlantic, 1963)
- Miriam Makeba, Makeba Sings! (RCA Victor, 1965)
- Howard Roberts, Lord Shango (Bryan, 1975)
- Pharoah Sanders, Thembi (ABC Impulse!, 1971)
- Pharoah Sanders, Izipho Zam (My Gifts) (Strata-East, 1973)
- Warren Smith, Cats Are Stealing My $hit (Mapleshade, 1998)
- Guy Warren, Themes for African Drums (RCA Victor, 1959)
- Randy Weston, Khepera (Verve, 1998)
- Judd Woldin, Raisin (Columbia, 1973)
- World Saxophone Quartet, Metamorphosis (Elektra Nonesuch, 1991)
- World Saxophone Quartet, Selim Sivad. Tribute to Miles Davis with African Drums (Justin Time, 1998)
References
edit- ^ a b c d Associated Press. "Chief Bey, 91 Jazz Drummer." The New York Times, April 13, 2004. Retrieved October 28, 2016.
- ^ a b Jenkins, Todd S. "Chief Bey: Master of African drums." www.jazzhouse.org. Retrieved October 28, 2016.
- ^ a b Carlson, Russell. "Percussionist Chief Bey Dies." www.jazztimes.com, April 15, 2004.
- ^ Carlson, Russell. "Percussionist Chief Bey Dies". JazzTimes. Retrieved 2020-07-30.
- ^ "Chief Bey, 91, Jazz Drummer". The New York Times. Associated Press. 2004-04-13. ISSN 0362-4331. Retrieved 2020-07-30.
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