Charles Lynn Mead is an American singer, songwriter, guitarist, producer, and musical director. He is a founding member of the country rock band BR5-49. Mead has performed and recorded as a solo artist since 2009 and acted as musical director/supervisor for the Broadway musical Million Dollar Quartet since 2006. He also served as musical supervisor/director for the television miniseries Sun Records.
Chuck Mead | |
|---|---|
| Birth name | Charles Lynn Mead |
| Born | December 22, 1960 |
| Instrument | Guitar |
| Years active | 1990s–present |
| Formerly of | BR5-49 |
| Website | chuckmead |
Early life
editMead was born in Nevada, Missouri, on December 22, 1960, but was raised in Kansas.[1] He lived in what was then mostly rural Overland Park until 1970, when his school teacher father and bank teller mother moved him and his sister to Lawrence, Kansas. He graduated from South Jr. High School and Lawrence High School, then briefly attended the University of Kansas.
First bands
editIn 1973, Mead joined his family's country and western band, The Wynes Country Rhythm Band (later called The Family Tree). He played drums and sang early rock 'n roll songs by the likes of Chuck Berry, Elvis Presley, and Carl Perkins. The band, consisting of Mead's uncle, mother, grandfather, and father, performed at dances and programs throughout Missouri and Kansas until 1980.[2]
In his later teens, Mead switched from drums to guitar, and over the next decade, formed several rock 'n' roll bands with various musician friends around Lawrence, Kansas. Most notable was the Homestead Grays, which between 1986 and 1990, released two records: "Big Hits" and "El Supremo." After they broke up in 1992, Mead formed a duo with future BR5-49 drummer Shaw Wilson, called Dos Cojones, before moving to Nashville in 1993.[1]
BR5-49
editMead moved to Nashville in 1993, and soon landed a job playing as a solo singer/songwriter in the front window of Tootsie's Orchid Lounge, a club in a dilapidated a strip known as Lower Broadway. It was there he met singer/songwriter Gary Bennett, who was playing at a western store/tavern down the block called The Rhinestone, later to become Robert's Western Wear, then Robert's Western World.[3] The two teamed up in April 1994 to form the nucleus of BR5-49. They played Wednesday - Saturday nights at Robert's, and were joined by drummer Shaw Wilson later that year, along with bassist Bones Becker and Mark Ude (known as Tex Austin) on saxophone. The band had no name until a truck driver who was a Robert's regular gave them $50 to buy posters to advertise their shows. They came up with the name BR5-49 after remembering a skit on the famous country music television show Hee Haw.[4] BR5-49 became known for their non-stop four-hour-plus sets playing classic country, rockabilly, rock 'n' roll, and a slew of original material. As word spread of the entertaining, energetic band, crowds began packing Robert's.[5]
In March 1995, Becker and Ute were replaced by "Smilin'" Jay McDowell (upright bass) and Don Herron (steel guitar, fiddle, and mandolin), solidifying the lineup. The buzz continued to grow, and lines formed around the block with people waiting to get inside. Suddenly, what had been a forgotten part of Nashville became the place to be. The attention brought to "Lower Broad" by BR5-49 spawned a renaissance for the neighborhood, which is now the top destination for Nashville's booming tourism industry.[6][7]
During Fan Fair (now known as CMA Music Fest) 1995, Billboard magazine editor Timothy White saw the band play, and vowed to "put them on the cover" of the publication, which, in fact, he did.[8] As a result, the band signed a record deal the next month with Arista Records in Nashville.[9] After releasing an EP ("Live From Robert's"), their self-titled debut record came out in September 1996. Between 1996 and 2001, the band recorded and released five albums—four for Arista, and one for Sony's Lucky Dog imprint—and toured worldwide at festivals, clubs, and theaters. The group was nominated for a Grammy Award three times (1996, 1997, and 1999)[10][11] and won the Country Music Association Award for International Touring Act of The Year in 1997.[12]
Solo work
editIn 2009, Mead released his first solo album, Journeyman's Wager, produced by Ray Kennedy, on his own Grassy Knoll Records label.[13][14]
Back At The Quonset Hut, released in 2011 on Ramseur Records, is a collection of classic country and rockabilly songs recorded at the newly revitalized "Quonset Hut" studio on Nashville's Music Row. That record also included a short documentary film about the studio.[15]
2014 saw the release of Free State Serenade[13] on the newly formed Plowboy Records. A quasi-conceptual work, the songs on the record are an homage to Mead's home state of Kansas.[16]
In 2019, Mead released Close to Home, an album he recorded in Memphis. According to Rolling Stone, the album's title track mixes "a groove that's part T. Rex stomp and part outlaw country swagger".[17]
In 2020, in the midst of the COVID-19 pandemic, Mead wrote and recorded "I Ain't Been Nowhere", a parody based upon the Hank Snow song "I've Been Everywhere" made famous by Johnny Cash. The original song features a list of different cities sung rapid-fire; Mead changed it to locations within the confines of his own home.[18]
Producer
editIn 2002 and 2003, Mead teamed up with longtime Nashville studio musician Dave Roe to produce tribute records to Johnny Cash (Dressed in Black: A Tribute to Johnny Cash) and Waylon Jennings (Lonesome, On'ry and Mean) for the Dualtone record label,[1] featuring artists such as Guy Clark, Raul Malo, Carlene Carter, Norah Jones, John Doe and many others. He has also co-produced Back At The Quonset Hut with Michael Janas and Free State Serenade with Joe Pisapia.
Musical theater
editSince 2006, Mead has served as the Musical Supervisor[13]/Director for the Tony Award-winning Broadway musical Million Dollar Quartet. In this capacity he crafted the musical arrangements for the Chicago, Broadway, West End, and Broadway Across America national tour productions.[19]
Television
editIn 2016, Mead produced and supervised the music for the CMT television program Sun Records.[20]
References
edit- ^ a b c Deming, Mark. "Artist Biography: Chuck Mead". Allmusic.
- ^ Netherland, Tom (July 4, 2019). "Center Stage: A look at Chuck Mead and His Grassy Knoll Boys". Bristol Herald Courier.
- ^ Gleason, Holly (11 September 2015). "Chuck Mead". East Nashvillian.
- ^ Huey, Steve. "Artist Biography: BR5-49". Allmusic.
- ^ Ross, Bryan. "BR549 wows crowd at 'Honky Tonkin' event". Tennessean. Retrieved 6 January 2021.
- ^ Himes, Geoffrey (17 January 1997). "BR5-49: A Hip Hillbilly Code". The Washington Post. Retrieved 22 August 2020.
- ^ Rouda, Bill (2004). Nashville's Lower Broad : the street that music made. Washington, DC: Smithsonian Books. ISBN 978-1588340948.
- ^ Bessman, Jim (15 July 1995). "Dial BR5-49 For Alternate Country". Billboard. Nielsen Business Media, Inc. p. 1.
- ^ Flippo, Chet (30 September 1995). "Twain Dominates Canadian Awards; BR-549 Signed To Arista, Finally". Billboard. Nielsen Business Media, Inc. p. 30.
- ^ "Chuck Mead". Grammy Awards.
- ^ "BR5-49". Grammy Awards.
- ^ "April 7 - Chuck Mead". Bedrock66.
- ^ a b c "Chuck Mead". Grand Ole Opry.
- ^ "Former BR549 frontman Chuck Mead makes good on Journeyman's Wager". www.nashvillescene.com. 7 May 2009.
- ^ Friskics-Warren, Bill (27 February 2012). "Chuck Mead's 'Back at the Quonset Hut': Reviving country from '50s and '60s". Washington Post. ISSN 0190-8286. Retrieved 13 January 2018.
- ^ "Album premiere: Chuck Mead's 'Free State Serenade'". USA Today. 25 February 2014. Retrieved 13 January 2018.
- ^ Freeman, John. "Hear Chuck Mead's Cosmic New Song 'Close to Home'". Rolling Stone. Retrieved 23 August 2020.
- ^ Hudak, Joseph (29 April 2020). "Hear Chuck Mead's Quirky Quarantine Anthem 'I Ain't Been Nowhere'". Rolling Stone. Retrieved 23 August 2020.
- ^ Hurt, Edd (May 2014). "BR549 vet Chuck Mead helps re-create the Million Dollar Quartet, when four music titans made history by accident". Nashville Scene.
- ^ Paulson, Dave (23 February 2017). "CMT's 'Sun Records' finds its groove with Chuck Mead". The Tennessean.