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The Clermont-Ferrand International Short Film Festival (French: Festival international du court métrage de Clermont-Ferrand) is an international film festival dedicated to short films held annually in Clermont-Ferrand, France.[1]
Location | Clermont-Ferrand, France. |
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Founded | 1979 |
Founded by | Antoine Lopez, Georges Bollon, Jean-Luc Mathion |
Most recent | February 2–10, 2024 |
Hosted by | Sauve qui peut le court métrage |
Website | clermont-filmfest |
History
editIn 1979, a Short Film Week was organised by the Clermont-Ferrand University Film Society.
The festival founders then created the collective “Sauve qui peut le court métrage” (roughly translatable as “Short Film: S.O.S!”) in 1981.[2]
In 1982, the Festival became competitive, with a jury attributing awards to films selected from the recent French short film production. International films were shown in special programs highlighting a particular theme, genre, country or region of the world. The audience was also presented with tributes to the great short film makers of the past and present.[3]
In 1986, the first Clermont-Ferrand Short Film Market was organized, with the intention to raise the economic profile of the short films. The market contains a video library for French and foreign television buyers, distributors and festival programmers to view all of the films in competition, as well as the films out of competition, that were submitted for consideration.[4]
The Festival
editClermont has been the biggest short film festival for 40 years, the essential meeting place for spectators, professionals, youngsters and school children. It's the second largest Festival in France after Cannes Film Festival, with more than 160,000 admissions for its 2023 event. It brings around €11m per year in additional economic spend to the region.[5]
Audiences has a choice of 600 films, across all sections, and the three competitions (national, international and Lab). The programming team receives each year short films submissions between March and October. In 2024, 9400 films from various continents, including nearly 2000 French productions, were submitted.[6]
Discoveries
editThe festival has revealed many directors who then launched their film career successfully, for example:
- Cédric Klapisch, winner of the Special Jury Prize in 1987 for In Transit (his graduation film), then again the Special Jury Prize in 1990 for I am moving
- Jean-Pierre Jeunet, winner of the Audience Award and Press Award in 1990 for Bullshit
- Jan Kounen, Prize winning research in 1994 for Vibroboy
- Erick Zonca, Grand Prix in 1995 for Eternal
- Shawn Christensen, winner of the 2012 International Audience Award for Curfew, went on to win the Oscar for Best Live Action Short Film at the 85th Academy Awards
- The short film Logorama which won the Oscar for best short film at the 82nd Academy Awards
References
edit- ^ "Highlights of the Clermont-Ferrand International Short Film Festival | Brattle Theatre". The Brattle Theatre. Archived from the original on 2013-04-03. Retrieved 2012-11-18.
- ^ Tabrizi, Shaida (2014). "International Film in Clermont-Ferrand, France". World Literature Today. 88 (3–4): 128. doi:10.7588/worllitetoda.88.3-4.0128.
- ^ "Clermont ISFF | Festival du Court Métrage de Clermont-Ferrand | 28 Jan. > 5 Fév. 2022". Archived from the original on 2017-10-27. Retrieved 2012-11-18.
- ^ "Short Film Market, the Clermont-Ferrand International Short Film Festival | Discover in Clermont-Ferrand - Eurostar". Eurostar. Archived from the original on 2013-01-23. Retrieved 2012-11-18.
- ^ Leffler, Rebecca (24 November 2023). "Clermont-Ferrand short film festival reduces 2024 programme after budget cuts". screendaily.com.
- ^ "Clermont-Ferrand International Short Film Festival reveals 2024 Lineup". Filmindustry.network. Retrieved 2024-02-04.
Further reading
edit- Boyce, Laurence (16 May 2023). "Future of Clermont-Ferrand short film festival under threat after budget cut". screendaily.com. Archived from the original on 2023-05-21.
- Felando, Cynthia (2016). "Teaching Short Films: Strategies, Possibilities, and Resources" (PDF). The Projector: A Journal on Film, Media, and Culture. 16 (2): 36–43.
External links
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