Clifford Ricardo Joseph (June 23, 1922 – November 8, 2020) was a Panama-born American artist, art therapist and activist.[1]
Cliff Joseph | |
---|---|
Born | Clifford Ricardo Joseph June 23, 1922 Panama City |
Died | November 8, 2020 (98) Chicago |
Education | Pratt Institute |
Known for | painting, art therapy, activism |
Early life
editCliff Joseph was born in 1922 in Panama City.[a] At the time, his father was employed in the construction of the Panama Canal.[1] His parents emigrated to the United States the following year, settling in Harlem, New York.[2] Joseph enrolled in the army, and served overseas in a field artillery unit.[1][3] Following WWII, he studied at the Pratt Institute in New York, receiving a degree in illustration in 1952;[1][4] he later taught art therapy at Pratt.[5] He also attended the Turtle Bay School of Therapy.[6]
Art and activism
editIn 1968, he co-founded the Black Emergency Cultural Coalition (BECC) with Benny Andrews, Henri Ghent, Reggie Gammon, Mahler Ryde and Edward Taylor. Faith Ringgold was also a member of BECC.[7] Its goal was to bring attention to the lack of representation of Black artists in New York City galleries and museums.[8] The founding and mission of the group came in response to the Metropolitan Museum of Art's presentation of the exhibition Harlem on My Mind, which included no Black artists.[1][9] BECC protested the show, leading to a rebuke of the museum from the mayor of New York City, as well as a public apology from the Metropolitan Museum itself.[1]
Joseph and BECC went on to protest at the Whitney Museum of American Art exhibition Contemporary Black Artists in America, for which the Whitney had hired a White curator.[1][10] 15 Black artists pulled out of the exhibition the day it was to open. In response to the Whitney exhibition, Joseph remarked that it was essential for Black art to be curated by someone "whose wisdom, strength and depth of sensitivity regarding black art is drawn from the well of his [sic] own black experience".[11] As co-chair of the BECC with Benny Andrews, Joseph went on to organize a rebuttal exhibition, titled Rebuttal to Whitney Museum Exhibition,[1] held at the Acts of Art Gallery in Manhattan.[12] Joseph and Andrews also requested that the Whitney postpone its exhibition in order for consultation with BECC and "other community representatives" to take place.[11] The Whitney rejected their offer.[11]
According to a 1978 profile, Joseph's art practice "ma[de] racism, war, and sexism his principal pictorial concerns".[13] One study links him to the Black Arts Movement.[14] Joseph strongly opposed the Vietnam War. Paintings including Isaiah II:4 (1964) and The Playpen (1967) reject both the war in Vietnam and war in general.[15]
During the 1971 Attica Prison uprising, Joseph and Andrews presented a letter to Governor Nelson Rockefeller suggesting a variety of cultural activities and art-based therapies for prisoners.[16]
Art therapy
editJoseph was among the first African Americans to join the professional practice of art therapy,[17] and is considered to have made a significant contribution to the practice.[18] Joseph was the first African American to join the American Art Therapy Association.[3] As of 1982, he practiced art therapy at Lincoln Hospital[16] and was on staff at the Albert Einstein College of Medicine.[19]
Publications
edit- Harris, Jay; Joseph, Cliff (1973). Murals of the Mind: Image of a Psychiatric Community. New York: International Universities Press. ISBN 0-8236-3490-6. OCLC 623262.
- Joseph, Cliff (1997). "Reflections on the Inescapable Political Dimensions of Art and Life". In Farris-Dufrene, Phoebe M. (ed.). Voices of Color: Art and Society in the Americas. Atlantic Highlands, New Jersey: Humanities Press. pp. 46–54. ISBN 9780391039919. OCLC 1036917184.
Notes
edit- ^ Joseph's birth year is occasionally cited as 1927.
References
edit- ^ a b c d e f g h Vadukul, Alex (4 December 2020). "Cliff Joseph, Artist, Activist and Therapist, Dies at 98". The New York Times.
- ^ "SEASONED CITIZEN | The Crusader Newspaper Group". 16 February 2017.
- ^ a b "Cliff Joseph, fighter for Black artists and champion of Pathfinder Mural – The Militant". themilitant.com.
- ^ Stepney, Stella A. (3 July 2019). "Visionary Architects of Color in Art Therapy: Georgette Powell, Cliff Joseph, Lucille Venture, and Charles Anderson". Art Therapy. 36 (3): 115–121. doi:10.1080/07421656.2019.1649545. ISSN 0742-1656. S2CID 204719569.
- ^ Fine 1982, pp. 206–207.
- ^ Fine 1982, p. 206.
- ^ Wallace 2015, p. 6.
- ^ Mjagkij, Nina (16 December 2003). Organizing Black America: An Encyclopedia of African American Associations. Routledge. ISBN 978-1-135-58122-0.
- ^ "Biographical/Historical Information". Black Emergency Cultural Coalition records, 1971-1984. New York Public Library Archives.
- ^ "Oral history interview with Cliff Joseph, 1972". www.aaa.si.edu.
- ^ a b c Wallace 2015, p. 22.
- ^ Marks, Claude (1984). World Artists 1980-1990: An H.W. Wilson Biographical Dictionary. H.W. Wilson. ISBN 978-0-8242-0707-6.
- ^ Lewis, Samella S. (1978). Art: African American. New York: Harcourt Brace Jovanovich. p. 148. ISBN 0155034103. OCLC 1148029684.
- ^ Zellman, Michael David (1987). 300 Years of American Art. Secaucus, New Jersey: Wellfleet Press. p. 387. ISBN 1-55521-172-0. OCLC 17346556.
- ^ Thomas, C. David (1991). As Seen by Both Sides: American and Vietnamese Artists Look at the War. Boston: Indochina Arts Project; University of Massachusetts Press. pp. 44–45. ISBN 0-87023-744-6. OCLC 22892702.
- ^ a b Fine 1982, p. 207.
- ^ Riley-Hiscox, Anna (1996). "Interview--Cliff Joseph: Art Therapist, Pioneer, Artist". Art Therapy: Journal of the American Art Therapy Association. 14 (4): 273–78. doi:10.1080/07421656.1987.10759297.
- ^ "Art Therapy: Journal of the American Art Therapy Association". The Association. 2004.
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(help) - ^ Vadukul, Alex. "Artist, activist and therapist Cliff Joseph dead 98". The Philadelphia Tribune. Retrieved 2020-12-15.
Sources
edit- Fine, Elsa Honig (1982). The Afro-American Artist: A Search for Identity. New York: Hacker Art Books. ISBN 9780878172870. OCLC 1145793678.
- Wallace, Caroline V. (2015). "Exhibiting Authenticity: The Black Emergency Cultural Coalition's Protests of the Whitney Museum of American Art, 1968–71". Art Journal. 74 (2): 5–23. doi:10.1080/00043249.2015.1095535. ISSN 0004-3249. JSTOR 43967616. S2CID 191163065.