Comics and Conflict: Patriotism and Propaganda from World War II through Operation Iraqi Freedom is a book created by American academic Cord A. Scott and published by the Naval Institute Press in 2014.[1][2] Scott has stated that the book's basis lay in a 2011 dissertation he wrote for college, as well as his own early interest in comics.[3] He also noted that the book and dissertation was also influenced by a comment made by a comic book store owner after the events of the September 11 attacks, when the owner noted that the character of Captain America was "being brought back to fight terrorism."[3]
Author | Cord A. Scott |
---|---|
Language | English |
Publisher | Naval Institute Press |
Publication date | 2014 |
Publication place | United States |
Media type | |
Pages | 198 |
ISBN | 9781612514772 |
OCLC | 859385275 |
Summary
editIn the book, Scott examines how illustrations and comics were used as a form of propaganda and a way to express patriotism. He highlights specific comic books such as Captain America as examples of this and how they have been used from the World War II era to modern day.
Reception
editComics and Conflict has been reviewed by outlets such as History: Reviews of New Books, American Historical Review, and the Military Review.[4][5][6] The Journal of American History noted that the work "almost exactly repeats" Scott's 2011 dissertation “Comics and Conflict: War and Patriotically Themed Comics in American Cultural History” and "includes the same seven chapters and each of their subsections, in the same order and using the same words."[7] Reviewing for Media, War, & Conflict, Kees Ribbens wrote that "The historical overview presented by Scott illustrates how US war comics during and immediately after WWII were overwhelmingly patriotic with only a few publishers avoiding glorification of war or challenging government views."[8]
References
edit- ^ "Pritzker Military Museum & Library".
- ^ Gilbert, Christopher J. (2018). Scott, Cord A.; Knopf, Christina M.; Chute, Hillary L. (eds.). "War Comics". Rhetoric and Public Affairs. 21 (2): 343–358. doi:10.14321/rhetpublaffa.21.2.0343. JSTOR 10.14321/rhetpublaffa.21.2.0343. S2CID 201776361.
- ^ a b "Comic Books & War: An Interview With Dr. Cord A. Scott". Center for International Maritime Security. 2016-05-06. Retrieved 2018-07-06.
- ^ Brewer, Susan (2016). "Comics and Conflict: Patriotism and Propaganda from WWII through Operation Iraqi Freedom". History: Reviews of New Books. 44 (3): 86–87. doi:10.1080/03612759.2016.1094021. S2CID 148388731.
- ^ H., Barnhill, John (2015-09-01). "Comics and Conflict: Patriotism and Propaganda from WWII through Operation Iraqi Freedom". Military Review. 95 (5). ISSN 0026-4148.
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: CS1 maint: multiple names: authors list (link) - ^ Wright, Bradford (2015). "Review of Comics and Conflict: Patriotism and Propaganda from WWII through Operation Iraqi Freedom". The American Historical Review. 120 (5): 1919–1920. doi:10.1093/ahr/120.5.1919. JSTOR 43697153.
- ^ "Comics and Conflict: Patriotism and Propaganda from WWII through Operation Iraqi Freedom". Journal of American History. 102 (2): 595–596. 2015-08-26. doi:10.1093/jahist/jav439. ISSN 0021-8723.
- ^ Ribbens, Kees (2018-05-29). "Book review: The Algerian War in French-Language Comics: Postcolonial Memory, History, and Subjectivity Comics and Conflict: Patriotism and Propaganda from WWII through Operation Iraqi Freedom Comics and the World Wars: A Cultural Record and Dan Ellin and Adam Sheriff, Comics, the Holocaust and Hiroshima". Media, War & Conflict. 11 (2): 282–286. doi:10.1177/1750635218776138. ISSN 1750-6352.