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Electric sitar

(Redirected from Coral sitar)

An electric sitar is a type of electric string instrument designed to mimic the sound of the sitar, a traditional musical instrument of India. Depending on the manufacturer and model, these instruments bear varying degrees of resemblance to the traditional sitar. Most resemble the electric guitar in the style of the body and headstock, though some have a body shaped to resemble that of the sitar (such as a model made by Danelectro).

Star's Electric Sitar,[1] a copy of
Coral/Danelectro Electric Sitar 3S19[2]
Danelectro company promotional photo of Coral Electric Sitar co-creator Vincent Bell.

History

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The instrument was developed in the early 1960s by session guitarist Vinnie Bell in partnership with Danelectro and released under the brandname Coral™ in 1967.[3] At the time, many western musical groups began to use the sitar, which is generally considered a difficult instrument to learn.[4] By contrast, the electric sitar, with its standard guitar fretboard and tuning, is a more familiar fret arrangement for a guitarist to play. The twangy sitar-like tone comes from a carefully designed and contoured bridge surface adding the necessary buzz to the guitar strings.

Configuration

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In addition to the six playing strings, most electric sitars have sympathetic strings, typically located on the left side of the instrument (though some do not have these). These strings have their own pickups (typically lipstick pickups are used for both sets of strings), and are usually tuned with a harp wrench (a difficult process). A unique type of bridge, a "buzz bridge", developed by Vinnie Bell, helps give the instrument its distinctive sound. Some electric sitars have drone strings in lieu of sympathetic strings. A few models, such as the Jerry Jones "Baby" sitar, lack both sympathetic and drone strings, while still retaining the distinctive buzz bridge.

The "sympathetic" strings on most electric sitars do not resonate strongly enough to match the effect of an acoustic sitar. There are resonant chambers in the solid-body instruments that have Masonite tops, however it is not enough to excite the 13 strings into true sympathy. The strings are tensioned over two rosewood bridges with fret material as saddles so the sound is more like an autoharp than a sitar.

Versions of the electric sitar were also developed mainly in India. These are smaller-sized sitars that resemble a traditional sitar, and are tuned the same way.

Usage

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Because the tonal quality and playing technique differ significantly from that of the sitar, it is typically used in rock, jazz, and fusion styles. Notable early hit singles featuring electric sitar include Eric Burdon and the Animals' "Monterey", Joe South's "Games People Play", the Supremes' "No Matter What Sign You Are" (on which the electric sitar was played by Eddie Willis), Stevie Wonder's "Signed, Sealed, Delivered", B. J. Thomas' "Hooked on a Feeling" (played by Reggie Young), the Spinners' "It's a Shame", and the Box Tops' "Cry Like a Baby", as well as some sides by the Stylistics and the Delfonics.

Other artists who have featured the electric sitar in their recordings include:[citation needed]

Although George Harrison is generally credited with introducing the sitar into popular Western music, there is no evidence that he ever played an electric sitar.

On his award-winning 1969 instrumental rendition of the Joe South tune "Games People Play", saxophonist King Curtis teamed with guitarist Duane Allman on the electric sitar (Allman also played slide guitar). This recording was included on the Allman compilation An Anthology.

The 1971 album Somethin' Else recorded by Danny Davis and the Nashville Brass prominently featured an electric sitar, a first for the country music industry. The instrument provided accompaniment on such songs as "Snowbird", "Rose Garden", "Are You from Dixie?", and others.

Harry Chapin's original version of "Cat's in the Cradle" features the electric sitar.

On ABBA's 1979 recording of "I Have A Dream" the refrain is played on an electric sitar. However the recording for the 2008 movie version of "Mamma Mia" featured a bouzouki.[7]

The 1992 album Bloody Kisses by Type O Negative used a J.K. Sengupta concert sitar in the song "Can't Lose You" played by Paul Bento from the band Carnivore.

Brian Wilson's Imagination features electric sitar on "Sunshine" and "Happy Days" and played by Brent Rowan.

Glass Hammer guitarist Kamran Alan Shikoh performed electric sitar in the band's song from 2009 to his departure in 2018.

In 2010, MGMT released their album Congratulations, where the electric sitar was played on many tracks by lead singer and guitarist Andrew VanWyngarden.

Blues musician Buddy Guy played, among other guitars, a Coral electric sitar in shows on his 2010 tour. He used an electric sitar on two songs off his 2008 album Skin Deep, the Playing for Change re-recording of the title track[8] and the Beatles cover "I've Got a Feeling" from his 2022 studio album The Blues Don't Lie.

The 2014 album Black Messiah by American neo-soul singer D'Angelo and backing band The Vanguard, features use of the electric sitar on tracks such as "Another Life" and "The Charade".

The 2015 song "Multi-Love" by Unknown Mortal Orchestra makes use of the electric sitar.

See also

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References

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  1. ^ "Star's Electric Sitar". Quest International Ltd. Retrieved 2017-11-25.
  2. ^ "The Worlds First Electric Sitar". Danelectro Bellzouki, Hawaiian Lapsteel, and The Electric Sitar. Retrieved 2017-11-25. {{cite book}}: |work= ignored (help)
  3. ^ US A bridge for stringed musical instruments of the guitar or sitar type having a relatively wide upper surface which is contacted linearly by the strings, the bridge having a front to rear convexly arcuate upper surface and being angularly adjustable by rocking and then locking the bridge in a desired position. The rocking adjustment of the bridge effectively shifts the position of contact by the strings axially of the instrument in accordance with requirements of dimensional guitar characteristics. 3422715, Gambella, Vincent & Daniel, Nathan, "Bridge Construction in Guitar-like Instruments", issued 1969 
  4. ^ HypWax (December 14, 1998). "Odd Pop: Pop Sitar". Hyp Records.
  5. ^ "Elvis Presley Recording Sessions".
  6. ^ "Elvis Presley Recording Sessions".
  7. ^ "ABBA Omnibus - Questions & answers".
  8. ^ "Buddy Guy: Playing for Change's New Song Features Blues Legend". Peoplemag. Retrieved 2023-09-02.
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