Wikipedia

Cosi (film)

(Redirected from Così (film))
This article is about the film. For the play by Louis Nowra, see Così.

Cosi is a 1996 Australian comedy-drama film directed by Mark Joffe. Louis Nowra wrote both the screenplay and the 1992 play it was originally based on.

Cosi
Theatrical film poster
Directed byMark Joffe
Screenplay byLouis Nowra
Based onCosì
by Louis Nowra
Produced by
  • Richard Brennan
  • Timothy White
Starring
CinematographyEllery Ryan
Edited byNicholas Beauman
Music byStephen Endelman
Production
companies
Distributed byRoadshow Entertainment
Release date
  • 28 March 1996 (1996-03-28)
Running time
100 minutes
CountryAustralia
LanguageEnglish
BudgetA$3.5 million[1]
Box officeA$2,896,980 (Australia)

The story is loosely based on Nowra's own experience at producing Trial by Jury at Plenty Mental Hospital in suburban Melbourne in 1971.[2]

Plot

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Lewis Riley, lacking direction, has difficulty holding down a job. He applies for a job as a director/drama teacher at a mental hospital, where he is expected to produce a variety show aimed at the inmates’ abilities. During auditions, manic-depressive Roy overwhelms the pushover Lewis, with Roy selecting the six cast members: Ruth, a suicidal woman whose rendition of “I’m So Excited” is dejected; Cherry, a woman prone to false claims of sexual harassment who lusts after Lewis; Julie, a recovering drug addict, the only one who can actually sing; Doug, a cat-burning pyromaniac; Henry, who is completely submissive to Roy; and Zac, an accordion player who aspires to play Ride of the Valkyries wearing a horned Viking helmet.

Roy bullies Lewis into directing a production of the Mozart opera Così fan tutte, despite its being elaborate, in Italian, and requiring operatic voices. Errol, a male nurse, suggests to Lewis the way to do it—have the “actors” act out the storyline in translation, set to a background recording of the opera. Lewis grows resourceful in “herding cats”, dealing with the idiosyncrasies of each patient, while developing a genuine attachment for each. Doug burns down the theater, leading to Lewis getting fired. Nevertheless, the patients plead with Lewis to carry on with the project secretly. Lewis agrees to do so, without pay, also taking on acting in Doug’s role, since Doug is now in a locked ward. The patients work together to clean up and transform an old laundry on the hospital premises into a suitable theater and rehearse furtively at night. They must also pretend to rehearse for a variety show during the day under the supervision of an administrator.

The theme of Così fan tutte--two friends make a bet as to whether each of their beloveds will stay faithful to them if they approach them in disguise as a test--is explored in Lewis’s personal life. Lewis’s relationship with his law student girlfriend Lucy, already under pressure, is strained by a friend, Nick. Nick proposes a $50 bet that Lucy will not remain faithful to Lewis. Although Lewis rejects the bet, Nick proceeds behind his back.

Lewis’s own fidelity is tested when he is attracted to Julie; they kiss, but Lewis immediately draws a boundary. Doug escapes from the locked ward and comes looking for Lewis at home. When Doug alarms Lucy in the bathtub, Nick is the only one there to protect her. Lewis arrives in time to note Lucy’s scantily-clad state and Nick by her side. After calming everyone down, Nick takes Doug back to the hospital. Doug cunningly convinces the hospital attendant that Lewis is the escaped inmate; Lewis is sedated and locked in the ward instead. The next morning, Errol, who has been looking the other way on the Cosi production, finds Doug and has Lewis released.

On the night of the play, Lucy initially chooses to attend a Legal Aid ball, with Nick as substitute escort, rather than attend the play. A bitter Lewis hands Lucy a $50 bill and tells her to give it to Nick.

At the last moment, Roy has stage fright and will not get out of bed. Lewis pushes Roy, reminding him of his passion for the production. Instead of a variety show, the audience—including dignitaries—is surprised by an imaginative and charming production of Così fan tutte. When Henry freezes, Julie performs a show-stopping rendition of Stand By Me. At mid-production, Lucy goes backstage to let Lewis know she has decided his production is important. Nick has explained to her the meaning behind the $50. Lewis accepts her assurance that she has not cheated on him. When Nick turns up, Lewis ends their friendship. Julie informs Lewis that she is being discharged from the hospital, and Lewis offers his continuing friendship. The cast gathers around Lewis to express their appreciation for his commitment to them. Lewis commits to come back next year for another production.

At the end of the credits, Zac appears, wearing a horned Viking helmet, playing Ride of the Valkyries.

Cast

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Mendelsohn, Otto and Wenham reprised their roles from the original 1992 stage production.

Production

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Cosi was directed by Mark Joffe and produced by Richard Brennan and Timothy White. The film underwent pre-production in November 1994-January 1995. Shooting took place between January and March 1995, followed by post-production between March and September 1995. The film had a budget of $3.5 million and was filmed in and around Sydney's Rozelle Hospital.

Bruno Lawrence was originally cast in the role of Errol, the security guard, but during shooting he was taken to the hospital suffering from chest pains and was diagnosed with inoperable lung cancer. Colin Friels took over the role of Errol. Lawrence died a few months later, on 10 June 1995. The closing credits of Cosi include an onscreen dedication to Lawrence.

Critical reception

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In 1996, Cosi was the 3rd most popular Australian film at the Australian Box Office. As at 2010, Cosi ranked 71 on the list of Top 100 Australian feature films of all time as compiled by Screen Australia.[3]

David Stratton, writing in Variety, described Cosi as "fast, funny and cleverly acted".[4] He also said it was "warm, generous, sentimental and expert entertainment."[4] The curator at Australian Screen Online said it "has a likeable humour, appealing characters and a compassionate heart. It's not really about mental illness so much as a tribute to the healing power of performance, and the theatre in general."[5]

Not all reviews were positive. James Berardinelli described Cosi as "a half-baked amalgamation of A Midwinter's Tale and Shine, and doesn't excel as either a comedy or a drama."[6] Cinephilia described Cosi as "a concatenation of caricatures in a predictable story of plucky determination and treacly redemption."[7]

Accolades

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Award Category Subject Result
AACTA Awards
(1996 AFI Awards) 		Best Adapted Screenplay Louis Nowra Won
Best Supporting Actor Barry Otto Nominated
Best Editing Nicholas Beauman Nominated

Box office

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Cosi grossed $2,896,980 at the box office in Australia.[8]

Although Cosi was the first Australian film to receive major pre-production investment by Miramax, it did not fare well critically or commercially in America, screening for less than two weeks between 11 and 24 April 1997.

See also

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References

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  1. ^ "Production Survey", Cinema Papers, March 1995, p. 60
  2. ^ Cosi, AustLit (subscription required)
  3. ^ Top 100 Australian feature films of all time Archived 8 April 2010 at the Wayback Machine
  4. ^ a b Stratton, David (25 March 1996). "Cosi". Variety. Retrieved 22 August 2010.
  5. ^ Byrnes, Paul. "Cosi 1996". Australian Screen. Retrieved 22 August 2010.
  6. ^ Cosi, A Film Review by James Berardinelli
  7. ^ Cosi, Cinephilia
  8. ^ ""Film Victoria – Australian Films at the Australian Box Office"" (PDF). Archived from the original (PDF) on 18 February 2011. Retrieved 28 October 2010.

Further reading

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  • Gillard, Garry (2001) H231 Australian Cinema: Unit Information and Study Guide. Perth, Murdoch University Press, p. 65.
  • Malone, P. "Cosi" – Review in Cinema Papers, No. 109, April 1996, p. 41.
  • O'Dometer, M. Cosi – review, 1996
  • O'Regan, T. (1996) Australian National Cinema, New York/London, Routledge.[page needed]
  • Smith, M. "Running the Gamut" in Cinema Papers, No. 109, April 1996, p. 6.
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