The Film Portal

Man working with a movie projector in a movie theater, 1958
Man working with a movie projector in a movie theater, 1958

A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. (Full article...)

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Mike Bassett: England Manager is a 2001 British satirical mockumentary comedy film directed by Steve Barron and starring Ricky Tomlinson, Amanda Redman, Bradley Walsh, Dean Lennox Kelly and Geoff Bell. The film follows Mike Bassett, who is appointed England manager having only previous experience of managing in the English lower leagues, he is tasked with guiding the team to qualification for the upcoming World Cup in Brazil. Journalist Martin Bashir provides voice-over, and the film features satirical cameo appearances from prominent figures in sport and entertainment such as Pelé, Ronaldo, Gabby Logan and Atomic Kitten. Minimal use of on-field action is employed, with the focus centred on behind-the-scenes events in boardrooms and the locker room.

The film initially received mixed reviews, but since its release has gained popularity as a cult film among English football fans. The film was followed by a television series, Mike Bassett: Manager in 2005. In 2014, there were plans to bring Mike Bassett back to the big screen in a movie titled Mike Bassett: Interim Manager. However, the kickstarter project that was essential for raising funds for the film did not meet its target. (Portal:Film/Featured content)

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Lillian Gish
Lillian Gish
Credit: Bain News Service

Lillian Diana Gish (October 14, 1893 – February 27, 1993), was an American stage, screen and television actress whose film acting career spanned 75 years, from 1912 to 1987. She was a prominent film star of the 1910s and 1920s, particularly associated with the films of director D. W. Griffith, including her leading role in Griffith's seminal Birth of a Nation (1915).

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Zinta in 2018

Preity G. Zinta (pronounced [ˈpriːt̪i ˈzɪɳʈa]; born 31 January 1975) is an Indian actress and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se.. in 1998, followed by a role in Soldier in the same year. These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She established a career as a leading Hindi film actress of the decade with a variety of character types. Her roles, often deemed culturally defiant, along with her unconventional screen persona won her recognition and several accolades.

Following critically appreciated roles in Chori Chori Chupke Chupke (2001), Dil Chahta Hai (2001), Dil Hai Tumhaara (2002), and Armaan (2003), Zinta received the Filmfare Award for Best Actress for her performance in Kal Ho Naa Ho (2003). She starred in two consecutive annual top-grossing films in India, Koi... Mil Gaya (2003) and Veer-Zaara (2004), and was noted for her portrayal of independent, modern Indian women in Salaam Namaste (2005) and Kabhi Alvida Naa Kehna (2006), top-grossing productions in domestic and overseas markets. For her first international role in the Canadian drama Heaven on Earth (2008) she was awarded the Silver Hugo Award for Best Actress and nominated for the Genie Award for Best Actress. She followed this with a hiatus from acting work for several years, with intermittent appearances such as in her self-produced comeback film, Ishkq in Paris (2013), which failed to leave a mark. (Full article...)

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Robert Redford
Whereas money is a means to an end for a filmmaker, to the corporate mind money is the start. Right now, I think independent film is very confused, because there's excess pressure in the marketplace for entertainment to pay off. Entertainment has pervaded every system of information in our culture, and along with it comes the promise of money. So it's hard for artists not to keep half an eye on what works commercially as they go about realizing their visions. As a young filmmaker, you've got to deliver, and you've got to deliver fast these days; that wasn't the case twenty years ago.
Robert Redford, 1997

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