The Gabonese people have forged since the independence of the country, in 1960, their own culture which is neither the traditional culture of the different ethnic groups which compose it, nor modern Western culture. It is a culture in movement, a mixture of diversity and common traits, bringing together the most diverse beliefs and practices.
Music
editGabonese music is little-known in comparison with regional giants like the Democratic Republic of the Congo and Cameroon. The country boasts an array of folk styles, as well as pop stars like Patience Dabany and Annie-Flore Batchiellilys, a Gabonese singer and renowned live performer.
Dabany's albums, though recorded in Los Angeles, have a distinctively Gabonese element and are popular throughout Francophone Africa. Other major musicians include Pierre-Claver Akendengue (considered a master-poet), "the veteran" Mack Joss, Vickos Ekondo, known as "the king of Tandima".[citation needed]
Annie Flore has participated in musical events, both improvised and planned, with a wide variety of musicians from around the world, including: Youssou N'dour (Senegal), Ray Lema (DRC), Lokua Kanza (DRC), La Baronne (France), Carlo Rizzo (Italy), Cynthia Scott (USA), Mario Chenart (Canada), Solange Campagne (Canada), Philip Peris (Australia) and Qiu-Xia-He (China).
Also known are guitarists like Georges Oyendze, La Rose Mbadou and Sylvain Avara, and the singer Oliver N'Goma. Imported rock and hip hop from the US and UK are popular in Gabon, as are rumba, makossa and soukous. Gabonese folk instruments include the obala, the ngombi, balafon and traditional drums.[citation needed]
Literature and oral tradition
editA country with a primarily oral tradition up until the spread of literacy in the 21st century, Gabon is rich in folklore and mythology. "Raconteurs" are currently working to keep traditions alive such as the mvett among the Fangs and the ingwala among the Nzebis.
Masks
editGabon also features internationally celebrated masks, such as the n'goltang (Fang) and the reliquary figures of the Kota. Each group has its own set of masks used for various reasons. They are mostly used in traditional ceremonies such as marriage, birth and funerals. Traditionalists mainly work with rare local woods and other precious materials.
