Dakota X (formerly Deborah Martin; born June 9, 1961) is a contemporary American painter. X's artistic work examines the complexities of individual experience particularly in its relation to home, gender identity, isolation and memory. Much of the artist's practice emerges in collaborative conversation with writers and poets, taking form through exhibitions and publications. X's stark landscape paintings often convey the essence inherent within marginalized communities that exist on the fringes of American society.[1] In 2016, X focused on portraiture developing a long term project "Portraits of Autism" exploring the relationship and impact autistic children have within their immediate family and community on a continuum.[2][3][4]
Dakota X | |
|---|---|
| Born | June 9, 1961 |
| Nationality | American |
| Education | The Museum School Tufts University |
| Known for | Contemporary Painting |
| Awards | Orlowsky Freed Foundation Grant, Finalist in the shortlist for the 2018 BP Portrait Award, National Portrait Gallery, London |
| Website | https://dakota-x.org/ |
Work
editIn a continued exploration of American landscapes, X has focused his attention on two landmark "saline" sites in the United States known for their distinctive inhabitants, nontraditional social ecology, and unique architecture: the Salton Sea[5] and the Outer Cape area of Cape Cod. "Home on the Strange: In Search of the Salton Sea" is based on Polaroids taken over a period of several years, depicting various aspects of the reality of life on the Salton Sea. In this series, X examines the eerie atmosphere centered on the Salton Sea, a bizarre body of water accidentally created by an engineering fiasco in the early twentieth century when the Colorado River was diverted spilling the river's water over a lowland directly on the site of the San Andreas Fault.[6]
The "Narrow Lands" is a transdisciplinary project documenting the architectural geography of history and time along the Outer Cape. X's paintings that feature structures on the Outer Cape have justly warranted comparisons to Edward Hopper’s. Like Hopper’s paintings, his interpretations provide neither a critical nor celebratory stance. Unlike Hopper, however, X's application of paint is undetectable.[7][1][8]
X's series "Back of Beyond" features scenes of the unincorporated town of Wonder Valley, located in Southern California’s Mojave Desert. The imprint of America is more than apparent in this group of landscapes that feature large, gas guzzling vehicles from the 1970s and '80s. Bleached bare from years of unprotected exposure underneath the sun’s aggressive blaze, X's vintage sedans, vans, and convertibles don’t only evoke an air of abandonment, but they chronicle that which has been forgotten in exchange for what our commercially driven society considers worthy. X's series, The Slabs: The Last Free Place in America, gives voice to the nomadic cultures that drift in and out of Slab City. While the inhabitants of Slab City are noticeably absent from X's work, the paintings radiate with an underling pulse emblematic of the community’s soul. Such is achieved through the artist’s ongoing investigation of contrasting themes that touch upon isolation as well as community.[1]
Portraits of Autism
editIn this series Dakota X turns to ethereal abstraction to express the emotional experience of autistic children and the people closest to them. The intent of this body of work is to create a platform for social awareness while exploring the process a family goes through as their autistic child becomes an adult. The project focuses in part on relationship, connection and methods of communication while opening up a discussion about available support systems and funding for both children and adults diagnosed on the autism spectrum.[4] Portraits of Autism provides multiple opportunities for a better understanding of autism as it presents each subject with not only a highly skilled technical ability, but a compassionate viewpoint to show each child as a complete person not only defined by their disability.[2][3]
Education
edit1992 BFA, School of the Museum of Fine Arts Boston, MA
1992 BS Master of Arts in Teaching, Art Education Tufts University
Grants
editOrlowsky Freed Foundation Grant Sponsored in part by the Lilian Orlowsky and William Freed Foundation Grant and the Provincetown Art Association and Museum.
Collections
editReferences
edit- ^ a b c Stevens, Anise. "Deborah Martin's Newest Series Continues to Illuminate the Uncanny in America's Outback" Archived 2016-02-02 at the Wayback Machine AEQAI Magazine, June 23, 2015. Retrieved 2015-09-07.
- ^ a b Desroches, Steve. "A Complete Portrait" Archived 2017-08-18 at the Wayback Machine Provincetown Magazine Volume 40 Issue #15 July 27-August 2, 2017 p. 40 Retrieved 2017-08-17./
- ^ a b Brown, Susan Rand. "Deborah Martin’s Art Makes a New Connection" The Provincetown Banner (Provincetown, Massachusetts) July 27, 2017 pp. B9, B11/
- ^ a b De Crinis, Mona. "Freedom to Make a Difference, Realist Painter Deborah Martin Turns to Ethereal Abstraction to Express the Emotional Experience of Autistic Children and the People Closest to Them" Archived 2016-01-04 at the Wayback Machine Arts + Culture, Palm Springs Life Magazine Winter/Spring, 2016 pp. AC26-27 Retrieved 2016-01-24.
- ^ Japenga, Ann. "The New Sublime" Archived 2012-01-31 at the Wayback Machine Palm Springs Life Magazine, June 2011 pp. 22–25. Retrieved 2011-07-01.
- ^ Busa, Christopher. "Deborah Martin Uncanny Luminosity" Provincetown Arts 2014/15, Vol. 29, pp.75-77. Retrieved 2014-12-11.
- ^ Brown, Susan Rand."A Hushed Reverence: Deborah Martin Shows Provincetown in Magical Light" Archived 2013-12-03 at the Wayback Machine The Provincetown Banner, July 18, 2013 p. 27. Retrieved 2013-07-19.
- ^ Frank, Peter."Fabrik Art" Fabrik Magazine, January 17, 2011 p. 70. Retrieved 2015-12-09.