Divas Nightclub & Bar was a San Francisco nightclub located at 1081 Post Street in the Polk Gulch neighborhood of San Francisco, California, where it was located since 1998, prior to closing.[1][2][3] With three floors, the club catered predominately to trans women and their admirers, until it closed on March 30, 2019.[4] Prior to its location at 1081 Post Street, Divas had opened in 1989 across the street at the corner of Post and Larkin, under the name Motherload.[5]
History
editIn 1989 Joseph Jurkans and Mark Gilpin opened the Motherlode at 1002 Post Street (corner of Post and Larkin) in San Francisco.[6] The Motherlode was the predecessor of Divas. In 1998 Mark Gilpin (Joseph Jurkans having by that time died) moved the establishment across the street, less than a block away, to 1081 Post Street.[7] Both the Motherlode and subsequently Divas received sustained prolonged community opposition from people and entities, including: The First Apostolic Church, community organizations Save Our Streets and the Polk Street District Merchants’ Association, and Mayor (and former police chief) Frank Jordan.[8][9] Organizers made various claims, including that the club brought prostitution, illicit drug use, and noise problems to the neighborhood.[10]
Steve Berkey would eventually take over ownership of the club (and the building at 1081 Post Street).[11]
Before closing its doors on March 30, 2019, Divas was the only transgender club in California, and one of three in the country.[12] It served as a metaphorical town square for the San Francisco transgender community, bing an important gathering space and performance venue.[13][14]
In popular culture
editDivas was the subject of a book of portraits, entitled "Divas of San Francisco: Portraits of Transsexual Women," by David Steinberg (published February 1, 2008)[15]
Divas is repeatedly referenced in the book, "The Auto-Obituary of Joy Grrl Syn: Nymph of Darkness," by Magdelyn C. Bordeaux (February 2023).[16]
Divas is described in depth in Joseph Plaster's book "The Kids on the Street."[17]
References
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