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Submission declined on 9 September 2024 by Utopes (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by Utopes 49 days ago. |
Submission declined on 6 September 2024 by KylieTastic (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by KylieTastic 51 days ago. |
Submission declined on 6 September 2024 by Bonadea (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by Bonadea 52 days ago. |
- Comment: Removed the unreliable sources as stated by the previous reviewer. Safari ScribeEdits! Talk! 08:29, 23 September 2024 (UTC)
- Comment: Discogs, Spotify, Apple Music are not reliable sources. WP:DISCOGS. Unclear how the subject meets WP:NMUSIC. Utopes (talk / cont) 04:57, 9 September 2024 (UTC)
- Comment: Lacks significant coverage in multiple independent reliable sources to show notability, most of the sources are just mentions. Discogs is not a reliable source see WP:DISCOGS KylieTastic (talk) 17:02, 6 September 2024 (UTC)
Bogdan Dullsky (real name Bogdan Dulschii, born November 10, 1971) is a composer, sound artist, and audiovisual performer known for his experimental work in drone music, ambient, and electroacoustic compositions. His projects, such as Quest.Room.Project and Freedom Reflex, have been featured internationally, and he has collaborated with various notable artists and labels. Dullsky is particularly known for his explorations of human freedom, social awareness, and existential themes. He currently resides and works in Finland.
Biography
editBogdan Dullsky, born in the former Soviet Union, spent his formative years constantly traveling across the globe, a journey that profoundly shaped his distinctive worldview and deep fascination with sound and its perception. His exposure to diverse cultures and soundscapes fueled his desire to record his surroundings and explore how sound could convey internal experiences. From an early age, Dullsky utilized tape recorders to capture the sounds of nature, industrial environments, and everyday life, assembling multi-layered audio collages that not only reflected the external world but also expressed his inner emotions and thoughts.
As his artistic practice matured, it took on a philosophical dimension, focusing on the interaction between perception, reason, and reality through the medium of sound. For Dullsky, his soundscapes were more than mere audio recordings; they represented a means of accessing deeper truths and transcending surface-level experiences. Sound became a tool for insight, allowing him to explore the essence of both the world and human perception.
In the early stages of his career, Dullsky worked as a sound director in theater, where he used sound to enhance the emotional resonance and dramatic impact of performances. Over time, he transitioned from theater to focus on creating sound installations and live performances, where sound and visual elements interact dynamically. He developed specialized software that enabled him to "paint" music, allowing for real-time creation of audiovisual compositions before a live audience. This improvisational technique became central to his creative process, reflecting his philosophy of living in the present moment, where sound and image emerge spontaneously.
For Dullsky, improvisation is central to his artistic vision, likening it to an actor's embodiment of a role on stage. He emphasizes that originality arises not as a goal but as the natural result of authentically engaging with the present moment. "We were searching for stimuli and reacting to them, and it all blended into something larger," he reflects on his creative process.
Raised in a multicultural environment, Dullsky developed a cosmopolitan worldview in which borders dissolve and themes of unity and pacifism emerge as key aspects of his work. His art extends beyond personal expression, serving as a platform to foster connection and understanding among people through immersive sound and visual experiences. A philosophy rooted in love underpins his work, evident in each of his projects.
Today, Dullsky is an active participant in international festivals and exhibitions, where sound and video art converge in unified audiovisual performances. His career continues to evolve, and he is currently based in Finland, where he remains deeply involved in both local and global art communities. As he continues to explore art as a medium for self-expression and connection, he seeks new ways to create harmony between individuals and the world around them.
Collaborations
editThroughout his career, Dullsky has collaborated with numerous experimental musicians and artists. His joint works include performances and recordings with artists like Nikita Golyshev, Ray Kondrashov, Ilia Saveliev, and Jan Robbe. Robbe, also known by his alias Erratic, is a Belgian electronic musician and sound artist. Together, they worked on several projects that explored complex sound manipulation and audio-visual integration.
- Freedom Reflex: A collaboration with Nikita Golyshev and Ray Kondrashov, this project focuses on the emotional and sonic landscape of freedom. The album has been described as an exploration of complex soundscapes that challenge conventional musical structures.[1]
- Quest.Room.Project: One of Dullsky's most prominent collaborations, this project involved a series of releases and performances that explored the interaction between sound and space. The project's releases on Test Tube include Room Number: Fiducial Banality, a highly regarded work blending acoustic and electronic elements.[2]
- Interference: Dullsky, alongside Ilia Saveliev, Cisfinitum, and Idle Sunder, created the project Interference. Released through Entity Records, this album merges processed instrumentals, field recordings, and synthetic ambient sounds. The collaboration also features cello improvisations and noise elements that form an extensive 72-minute piece.[3]
Audiovisual Performances
editDullsky has performed internationally at various art exhibitions and festivals, blending his sound work with visual art. Notable performances include:
- ACTIVA 2015: Dullsky's audiovisual installations were featured in the ACTIVA festival in Spain, where his work was praised for its ability to merge sound with narrative visual elements.[4]
- Yarra Sculpture Gallery: His installation Everything is Conditional was exhibited in Melbourne, Australia, where it received attention for its commentary on human interaction with nature.[5]
- Night of the Arts, Vaasa: In Finland, Dullsky has been a key contributor to local festivals, including the Night of the Arts in Vaasa, where his performances blend sound and visual media to create immersive experiences.[6]
- Symbiotic Silence Festival: Since 2018, Dullsky has been a key performer and organizer of this electroacoustic and drone festival held at Gängeviertel in Hamburg. The festival focuses on immersive soundscapes and deep introspection through experimental music. Dullsky's performances and organizational efforts have shaped the event into a unique experience for ambient music enthusiasts.[7]
- ToBe Continued... 24h Streaming Concert: Since 2013, Dullsky has participated annually in this 24-hour international streaming concert held on World Tuberculosis Day. The festival, organized by Stazione di Topolò, features global artists performing half-hour sets from around the world, raising awareness about tuberculosis through art.[8]
Discography
editDullsky's discography spans several solo and collaborative projects. He has worked extensively with independent labels such as Test Tube and Setola di Maiale, contributing to the international experimental music scene.
Solo Albums
edit- Freedom Reflex (One) (2008) – Released on Setola di Maiale.[9]
- Freedom Reflex | Second (2014) – Released on Test Tube.[10]
- Room Number: Fiducial Banality (2007) – Released on Test Tube.[11]
Collaborations
edit- Psygnosis I (2007) – The first of the three-part collaborative project with Idle Sunder, Psygnosis I blends minimal rhythms with manipulated instruments and recordings. It explores existential and psychological themes through sonic experimentation.[12]
- Psygnosis II (2010) – The second album in the series continues to delve into deep soundscapes and experimental rhythms, with a darker, more introspective tone than the first.[13]
- Psygnosis III (2008) – The final album in the series, Psygnosis III, offers an extensive exploration of field recordings and manipulated sound textures, bringing the trilogy to a close with an otherworldly auditory experience.[14]
- Digital Snow (2008) – Collaboration with CD-R, known for its exploration of digital and acoustic soundscapes.[15]
Compilations
edit- Tribute to Iannis Xenakis (2007) – Dullsky contributed the track Pyromania to this compilation honoring the avant-garde composer Iannis Xenakis. The release featured renowned artists such as Alva Noto, Kenneth Kirschner, and Alexei Borisov.[16]
- Magnificentia Naturae (2007) – A compilation by Musica Excentrica, featuring experimental sound artists like CD-R, Kevin M. Krebs, and Kenneth Kirschner. Dullsky contributed to this release with a track representing his unique approach to blending natural sounds with electronic manipulation.[17]
References
edit- ^ "Freedom Reflex on Setola di Maiale". Setola di Maiale. Retrieved 2024-09-06.
- ^ "Quest.Room.Project - Room Number: Fiducial Banality". Test Tube. Retrieved 2024-09-06.
- ^ "Interference on Entity". Entity. Retrieved 2024-09-06.
- ^ "ACTIVA 2015 Festival". KaosArt. Retrieved 2024-09-06.
- ^ "March Exhibitions at Yarra Sculpture Gallery". Yarra City Arts. Retrieved 2024-09-06.
- ^ "Night of the Arts in Vaasa". vaasa.fi. 8 August 2022. Retrieved 2024-09-06.
- ^ "Symbiotic Silence Festival in Gängeviertel, Hamburg". Find Glocal. Retrieved 2024-09-06.
- ^ "ToBe Continued 24h Streaming Concert 2020". Stazione di Topolò. Retrieved 2024-09-06.
- ^ "Freedom Reflex (One) on Setola di Maiale". Setola di Maiale. Retrieved 2024-09-06.
- ^ "Freedom Reflex | Second on Test Tube". Monocromatica. Retrieved 2024-09-06.
- ^ "Quest.Room.Project - Room Number: Fiducial Banality". Test Tube. Retrieved 2024-09-06.
- ^ "Psygnosis I on Entity". Entity. Retrieved 2024-09-06.
- ^ "Psygnosis II on Entity". Entity. Retrieved 2024-09-06.
- ^ "Psygnosis III on Entity". Entity. Retrieved 2024-09-06.
- ^ "Digital Snow on Musica Excentrica". Musica Excentrica. Retrieved 2024-09-06.
- ^ "Tribute to Iannis Xenakis". Discogs. Retrieved 2024-09-06.
- ^ "Magnificentia Naturae on Discogs". Discogs. Retrieved 2024-09-06.