| Submission declined on 23 March 2022 by DoubleGrazing (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. This submission does not appear to be written in the formal tone expected of an encyclopedia article. Entries should be written from a neutral point of view, and should refer to a range of independent, reliable, published sources. Please rewrite your submission in a more encyclopedic format. Please make sure to avoid peacock terms that promote the subject.
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| Submission declined on 14 March 2022 by Rusalkii (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by Rusalkii 2 years ago. | |
Comment: The sources cited are primary, and therefore not sufficient to establish notability per WP:GNG. As for WP:MUSICBIO notability, I cannot see anything there that would clearly establish that; eg. the records are all apparently non-notable, as are the record labels. If music-specific notability is being asserted, please specify on what grounds, and what evidence there is to support that.Also, the draft is written in quite a promotional tone; please dial down the adulation and write in a more neutral and formal manner.-- DoubleGrazing (talk) 11:37, 23 March 2022 (UTC)
- Comment: There are a lot of [square brackets] in the draft, please correct (are they meant to be wikilinks?). -- DoubleGrazing (talk) 11:33, 23 March 2022 (UTC)
Federico De Caroli | |
|---|---|
| Born | August 7, 1964 Savona, Italy |
| Genres | electronic music, ambient music, film score, contemporary music |
| Occupation(s) | Musician, composer |
| Instrument(s) | Piano, Keyboards |
| Years active | 1985;present |
| Labels | Sonor Music Editions, Videoradio |
Federico De Caroli (born August 7, 1964 in Savona, Italy) is an italian pianist, composer and music producer. Mostly known with his official alias Deca, used for the largest part of his discography, he's considered one of the greatest italian contemporary composers. He's an established producer of electronic and ambient music who worked in the multimedia, theatrical, broadcasting and advertising field. His productions are mainly published and distributed in the whole world by relevant brands like APM Music[1] and KPM Music.[2]
Grew up as a classical piano player in the 70’s, he started to experiment his personal style in the middle of the 80’s, playing synthesizers and using the first popular music softwares. He started his professional career as Eugene Deca with a short inroad in Italo disco, producing one of the most famous songs of this genre: Clock War published in 1985.[3] Then his route began to get inspired by Kosmische Musik and electronic composer like Jean-Michel Jarre] and Vangelis. His debut albums Alkaid and Synthetic Lips are very rare and high-valued records, today (over $ 600 each copy)[4]. Furthermore, these albums have been recently reprinted for collectors by various international labels[5] De Caroli's compositions are found in many international commercial spots and multimedia, for famous companies like Novartis and for important movie trailers (Marvel). He keeps on alternating electronic and experimental music to piano music. He has played live with many known pianists in various festivals (like Riccardo Zegna) and he has published solo piano albums. He's a noted independent music journalist, too. He has signed various editorials about electronic music instruments and various interviews to famous protagonists of the '80s scene, like Lol Tolhurst from The Cure, Clan Of Xymox and Christian Death.[6]
He has published 15 official studio albums[7] and he has branded many compositions for RAI - the national public broadcasting company of Italy - theatrical productions and film score.[8]
Discography
editStudio albums
edit- 1986 – Alkaid (Videoradio)
- 1987 – Synthetic Lips (Videoradio)
- 1989 – Claustrophobia (Labyrinth Records)
- 1992 – Premonizione Humana (Videoradio)
- 1998 – Phantom (Old Europa Cafe)
- 2000 – Electronauta (Videoradio)
- 2002 – Simbionte (Videoradio)
- 2007 – Aracnis Radiarum (Videoradio)
- 2010 – Automa Ashes (Videoradio/RaiTrade)
- 2013 - Modulectron (Synthetic Shadows)
- 2014 - Onirodrome Apocalypse (Atom Institute)
- 2017 - Isole invisibili (Platform Music)
- 2017 - MASS (Mondo Groove)
- 2018 - Oniric Warp Reloaded (Ave Phoenix)
- 2020 - Music From Mars (Sonor Music)
- 2021 - Lucifero Alchemico (Atom Institute)
Category:Living people Category:1964 births Category:Italian male pianists Category:21st-century pianists Category:21st-century Italian male musicians Category:21st-century composers Category:Male composers
References
edit- ^ [1] Personal profile and library on APM catalog
- ^ [2] Personal music library on KPM catalog
- ^ [3] Eugene Deca - Clock War on Youtube
- ^ [4] Deca - Synthetic Lips on Discogs
- ^ [5] Reviews of Alkaid and Synthetic Lips reissues
- ^ [6] Lol Tolhurst interview by Deca
- ^ [7] Deca's complete discography on RYM
- ^ [8] Federico De Caroli on IMDB