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Submission declined on 26 November 2023 by TheChunky (talk). This submission reads more like an essay than an encyclopedia article. Submissions should summarise information in secondary, reliable sources and not contain opinions or original research. Please write about the topic from a neutral point of view in an encyclopedic manner. Declined by TheChunky 11 months ago. |
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Submission declined on 29 September 2023 by Jamiebuba (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by Jamiebuba 13 months ago. |
- Comment: See WP:COI. All statements need sourcing, and WP:External links should be removed or converted to inline citations where appropriate. Greenman (talk) 23:37, 8 October 2023 (UTC)
- Comment: You submitted an article without adding any references. See WP:REFBEGIN. Jamiebuba (talk) 22:55, 29 September 2023 (UTC)
J. Mae Barizo is a Filipino-Canadian poet, essayist, and multidisciplinary artist currently based in New York City.[1] She is the author of two poetry collections: The Cumulus Effect (Four Way Books, 2015)[2] and Tender Machines (Tupelo Press, 2023).[3]
Barizo's opera, ISOLA, written with composer Alyssa Weinberg, premiered with Long Beach Opera in February 2024.[4][5]
She currently teaches at The New School.[6]
Recent writing appears in Poetry (magazine),[7][8] Ploughshares, [9] Esquire,[10] Los Angeles Review of Books, [11][12] The Paris Review,[13] Boston Review,[14], among others. She has been interviewed by BOMB Magazine,[15] The New York Times,[16] and Poetry Northwest, [17] among others.
References
edit- ^ Andreasson, Jesper (December 18, 2023). "Interview // "Small Essays on Disappearance": A Conversation with J. Mae Barizo". Poetry Northwest.
- ^ J. Mae Barizo. "The Cumulus Effect". Four Way Books.
- ^ J. Mae Barizo. "Tender Machines". Tupelo Press.
- ^ "Isola — World Premiere Opera Event — Tickets".
- ^ "J. Mae Barizo: A Versatile Poet, Essayist, and Multidisciplinary Artist". Long Beach Opera.
- ^ "J. Mae Barizo". The New School.
- ^ Barizo, J. Mae (4 October 2023). "The Mothers". Poetry Foundation.
- ^ Barizo, J. Mae (4 October 2023). "The Women". Poetry Foundation.
- ^ "Winter 2020-21". Ploughshares.
- ^ Barizo, J. Mae (23 April 2020). "Foraging Felt Like a Fad From the Past. Turns Out It Was a Reality Check I Didn't Know I Needed". Esquire.
- ^ Barizo, J. Mae (7 April 2014). "The Eye of the Mind". Los Angeles Review of Books.
- ^ Barizo, J. Mae (8 March 2016). "As Ever, the River". Los Angeles Review of Books.
- ^ cite web |last1=Barizo |first1=J. Mae |title=J. Mae Barizo |url=https://www.theparisreview.org/authors/32514/j-mae-barizo |website=Paris Review }}
- ^ cite web |last1=Barizo |first1=J. Mae |title=After J. S. Bach / Cello Suite No. 6, BWV 1012 |url=https://www.bostonreview.net/articles/j-mae-barizo-after-bach-cello-suite/ |website=Boston Review |date=January 15, 2015 }}
- ^ Wu, Kyle Lucia (October 24, 2023). "J. Mae Barizo". BOMB Magazine.
- ^ Mishan, Ligaya (2 November 2015). "The Changing Face of J. Mae Barizo's Kitchen". The New York Times.
- ^ Andreasson, Jesper (December 18, 2023). "Interview // "Small Essays on Disappearance": A Conversation with J. Mae Barizo". Poetry Northwest.