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Author | Susan J. Napier |
---|---|
Genre | Reference |
Publisher | Yale University Press |
Publication date | 2018 |
Pages | xviii, 303 |
ISBN | 978-0-300-22685-0 |
OCLC | 1050871101 |
Miyazakiworld: A Life in Art is a reference work by the American animation scholar Susan J. Napier, published in 2018 by Yale University Press. The book analyzes the filmography of the Japanese animator and director Hayao Miyazaki.
Reception
editThe work was generally acclaimed by several reviewing scholars. The author and scriptwriter Jonathan Clements, in a review for Science Fiction Studies, wrote that the book featured a "commendable balance of analysis and insight" but fell short of a comprehensive criticism of Miyazaki's body of work without coverage of his manga and television series.[1] Writing for the Journal of Japanese Studies, the animation scholar Rayna Denison wrote that the book was a compelling reading experience for both general audiences and scholars, a "significant step forward in the nascent field of anime studies", but also felt that the book lacked discussion of Miyazaki's short films and other works.[2] Shiro Yoshioka, a Japanese studies educator, appreciated in a review for The Journal of Asian Studies the contextualization of Miyazaki's animation work within his personal life and the culture of the time.[3]
The book also received praise from magazines and newspapers. The Washington Post's Mark Jenkins appreciated the book's lack of overly academic language,[4] and Shane Healy of the Tokyo Weekender felt that the work offered an informative view into Miyazaki's filmography akin to "taking a peek inside his head".[5] Rhea Rollmann of PopMatters wrote that Miyazakiworld was an "excellent volume", concurring that it was a useful resource for a broad audience.[6] Reactor's Leah Schnelbach appraised Napier's analysis as "masterful", and wrote of the diverse perspectives employed in the work to analyze Miyazaki's animations.[7]
References
editCitations
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Clements 2019
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Denison 2020
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Yoshioka 2021
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Jenkins 2018
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Healy 2022
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Rollmann 2018
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Schnelbach 2018
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Sources
edit- Cannon, C. B. (March 2019). "Miyazakiworld: A Life in Art". Choice. 56 (7). American Library Association: 878. ProQuest 2187375784.
- Clements, Jonathan (2019). "Know your anime". Science Fiction Studies. 46 (2): 427. doi:10.5621/sciefictstud.46.2.0427.
- Denison, Rayna (2020). "Miyazakiworld: A Life in Art by Susan Napier". Journal of Japanese Studies. 46 (1): 213–217. doi:10.1353/jjs.2020.0023. ISSN 1549-4721.
- Frey, Angelica (February 11, 2019). "A look at the auteur of animation, Hayao Miyazaki". Hyperallergic. Archived from the original on February 11, 2019. Retrieved March 26, 2024.
- Hazelton, Claire Kohda (June 21, 2019). "Susan Napier: Miyazakiworld: A life in Art". The Times Literary Supplement (6064): 31. Gale A631896159. Archived from the original on September 27, 2020.
- Healy, Shane (May 17, 2022). "10 more books you should read to understand Japan". Tokyo Weekender. Retrieved August 30, 2024.
- Jenkins, Mark (August 29, 2018). "What ties the magical worlds of Hayao Miyazaki's movies together?". The Washington Post. Archived from the original on September 11, 2018. Retrieved August 30, 2024.
- McNeil, Taylor (February 4, 2019). "The fantastic worlds of Hayao Miyazaki". Tufts Now. Tufts University. Archived from the original on April 23, 2022. Retrieved August 31, 2024.
- Mihailova, Mihaela (2020). "Review of Miyazakiworld: A Life in Art, by Susan Napier". Monumenta Nipponica. 75 (1). Sophia University: 191–196. doi:10.1353/mni.2020.0011. ISSN 1880-1390.
- ——— (2018). Miyazakiworld: A Life in Art. Yale University Press. ISBN 978-0-3002-2685-0.
- "Miyazakiworld: A Life in Art". Publishers Weekly. August 13, 2018. Archived from the original on March 26, 2024. Retrieved March 26, 2024.
- Rendell, James (April 1, 2018). "Bridge builders, world makers: transcultural Studio Ghibli fan crafting". East Asian Journal of Popular Culture. 4 (1): 93–109. doi:10.1386/eapc.4.1.93_1. ISSN 2051-7084.
- Rollmann, Rhea (December 3, 2018). "Hayao Miyazaki's films help us see ourselves 'with eyes unclouded'". PopMatters. Archived from the original on August 30, 2024. Retrieved August 30, 2024.
- Schnelbach, Leah (October 24, 2018). "A grand unified theory of Hayao Miyazaki: Miyazakiworld: A Life in Art by Susan Napier". Reactor. Archived from the original on August 30, 2024. Retrieved August 30, 2024.
- "Susan Napier on the making of Miyazakiworld". Washington University in St. Louis. November 12, 2018. Archived from the original on August 17, 2023. Retrieved August 30, 2024.
- William, Ryan (April 10, 2019). "Book review: Miyazakiworld: A Life in Art". MovieMaker. Archived from the original on September 27, 2020.
- Yoshioka, Shiro (2021). "Miyazakiworld: A Life in Art". The Journal of Asian Studies. 80 (3): 752–754. doi:10.1017/S0021911821001005. ISSN 0021-9118.
External links
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Noodle zone
editClements felt that detailed accounts of Studio Ghibli's films existed in Japanese, but were often "compromised by personal connections" due to the studio's network of relations in the Japanese media industry. (Clements 427)
Napier acknowledges Helen McCarthy's Hayao Miyazaki: Master of Japanese Animation (1999), the first full-length critical analysis of Miyazaki's filmography,[citation needed] as an inspiration for her work.[1]
Clements wrote that McCarthy's book laid the groundwork for the academic study of Miyazaki's work, but felt that many writers in the field did not adequately utilize Japanese-language sources, instead recycling information that was already available in to academics and fans. (Clements 427–428)
Napier first came across Miyazaki's work viewing his film Nausicaä of the Valley of the Wind (1984), and became interested in it, as she wrote, due to its "surreal beauty" and subtle exploration of environmental themes. She was also compelled by the intricate morals of the titular character, whom she felt is a reflection of Miyazaki.(Napier xi)
Napier identifies traits of Miyazaki's works as characteristic of his artistry, including
- ^ Napier 2018, p. xiv.