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Norman Mathews (September 12, 1942)[1] is an Italian-American composer, playwright, librettist, and author. He is a composer of musical theater, opera, art songs, choral music, and instrumental and symphonic compositions. His work has been performed at the Kennedy Center, on radio, and at theaters and concert venues worldwide by Tony Award Winners and Grammy Award nominees.
Early life and education
editMathews was born Ignatius Norman Cancelose in Rockford, Illinois.[1] His father, Matthew Cancelose, was a supervisor in a toy-manufacturing company. His mother, the former Mary Giovingo, was a department store clerk. He had one younger brother, Larry. Mathews grew up in a close-knit Sicilian-American family. As a child, Mathews studied piano for several years. He graduated from East High School in 1960, where he appeared in theater productions and was president of the French Club. From 1960-1962, he attended Denver University, where he studied business administration and psychology. He transferred to New York University in 1962 but left school in his junior year to pursue a career as a dancer. Mathews began his career as a Broadway and film dancer-singer-actor.[2] Mathews studied ballet at the Ballet Arts School in Carnegie Hall and the American Ballet Theater School with Leon Danielian and Patricia Wilde. During his studies, he supported himself as an editor for Dance Magazine. After a back injury, Mathews returned to school and earned a B.A. in music from Hunter College and an M.A. in music from New York University. His composition and orchestration teachers have included Richard Danielpour, Richard Hundley, and Charles Turner.
Career
editDancer
editMathews landed his first dance job at the Pittsburgh Civic Light Opera in 1966. He then had a stint at the St. Louis Municipal Opera and a tour of the musical Half a Sixpence. In 1967, he toured with the national company of Hello, Dolly! starring Dorothy Lamour. He played several small roles in a Canadian tour of Irma La Douce, starring Pat Suzuki. In 1968, Mathews was hired as a dancer in the film version of Hello, Dolly! starring Barbra Streisand and directed by Gene Kelly. In 1969, Mathews made his Broadway debut in the Tom Jones and Harvey Schmidt musical Celebration[3].[4] During the run, he met his long-time partner, Todd Lehman, an assistant to Cheryl Crawford, the musical's producer. Not long after the show closed, Mathews injured his back and returned to school to complete his degrees.
Musician
editIn graduate school, Mathews formed a classical piano duo with fellow pianist Sarah Renberg. They performed nationwide at venues, including the Lincoln Center Library, Trinity Church Noontime Concerts, the American Landmarks Festival, Mohonk Mountain House, and the Rockford Theater[5]. During this period, Mathews also began teaching piano and music theory.
Composer
editClassical works
editMathews began private composition and orchestration lessons with Richard Danielpour, Charles Turner, and Richard Hundley. Mathews' first art-song cycle to Walt Whitman's poetry, Songs of the Poet, was premiered by Munich Opera's Gregory Wiest[6]in Germany. The cycle was featured in an American Composers Orchestra program entitled Whitman and Music.[7] Selections from the cycle were performed at the Kennedy Center[8] in 2003. Rossetti Songs, a cycle set to poems by Christina Rossetti for mezzo-soprano, piano, cello, and flute, was recorded by Navona Records.[9] and broadcast on Hawaii Public Radio. This work's piano/vocal version was premiered at the Source Song Festival[10] in Minneapolis] Sonnet No. 61 (Shakespeare), a work for chorus, piano, and oboe, won the 2011 Vocal Essence Award[11] in Minneapolis, where it was performed and recorded. Ye Are Many—They Are Few, Cantata for a Just World, for four voices and piano, was performed by Vox3 at Chicago's Cultural Center in 2014. His opera, La Lupa, inspired by the Giovanni Verga novella, for which he wrote the music and the libretto, was showcased by the Fort Worth Opera Company[12] n 2017. Flights of the Heart, a dramatic cantata for three voices and piano with a text by Patty Seyburn, was commissioned and premiered at Shorter University, where Mathews was composer in residence. Triumph of Night is an 8-minute work for full orchestra. His choral works received both Vocal Essence and Project Encore Awards.[13] His string quartet was performed by ACM in Chicago.
Musical Theater
editYou Might as Well Live, Mathews's one-person musical, is based on the life and writings of Dorothy Parker. Mathews wrote both the score and the book and employed Mrs. Parker's poetry as lyrics. It has starred Tony Award winner Michele Pawk and Broadway-cabaret star Karen Mason.[14] It appeared at the York Theater in Manhattan, the Harris Theater of Music and Dance in Chicago as part of the Chicago Humanities Festival,[15] the New York Musical Theater Festival,[16] and the Orlando Shakespeare Theater[17] The musical received a grant from the Vogelstein Foundation. Lost Empires is a musical based on the J. B. Priestley novel, with music by Mathews, book by Mathews and Todd Lehman, and lyrics by poet Patty Seyburn. It was performed at Shorter University.
Cabaret
editSomebody Write Me a Song, a cabaret revue Mathews wrote with lyricist Patty Seyburn. It was performed and recorded at New York's Donnell Library as part of the Arts and Artists series, starring Tony- and Grammy-Nominee Liz Callaway, Tony Award winner Debbie Gravitte, Barbra Streisand impersonator Steven Brinberg, and Peter Samuel.
Jazz
editMathews' collection of ballads, Sixteen Jazz Ballads (six instrumental and ten vocal), composed over the course of thirty years, was published by Sheet Music Plus.[18]
Plays
editDrone, a play about America's drone warfare, was performed at the Dayton Playhouse Future Fest.[19][20][21]
Author/journalist
editMathews is the author of The Wrong Side of the Room: A Life in Music Theater,[22] an autobiography that chronicles a boy who lacked self-assurance but had larger-than-life dreams. He let others discourage him from pursuing his interests to his detriment. After severe psychological issues and a near suicide, the boy pulls himself together to build a meaningful life in the arts and to find fulfilling love. The book was featured in Kirkus' Best Books of 2018[23] Mathews also narrated an audio book of the autobiography for Audible.[24] Mathews has been the News Editor of Dance Magazine, Managing Editor of Sylvia Porter's Personal Finance Magazine, and Editorial Director of Merrill Lynch internal publications. His articles have been published on several platforms, including Common Dreams,[25] the Times of Sicily, LA Progressive,[26] Theatre, Art, Life (now called StageLync), and MetroSource.[27]
Recognition
editMathews is a recipient of numerous awards, foundation grants, and commissions. His play, Drone, was selected as a semifinalist for the Dayton (Ohio) Theater's Future Fest. Drone also won the 2019 New Works of Merit Playwriting Contest[28] and was a 2018 Screencraft Stage Play Competition Quarterfinalist.[29] Ye Are Many—They Are Few, Cantata for a Just World, for four singers and piano, received a Puffin Foundation grant. Sonnet No. 61 (part of a 3-sonnet cycle to Shakespeare, entitled Love's Not Time's Fool for mixed choir, piano, and oboe and flute obbligato) was the winner of the American Composers' Forum 2011, Vocal Essence Award. Shorter University commissioned him to compose Flights of the Heart, a dramatic cantata with a libretto by Patty Seyburn and performed by faculty members. His song, The Last Invocation, received the Recognition of Excellence award at the Fifth Diana Barnhart Art Song Competition.[30] The Wrong Side of the Room: A Life in Music Theater is the Readers' Favorite Bronze Medal for Non Fiction—Entertainment.[31] His music received a review by Albert Williams in The Chicago Reader.[32] He was interviewed on Richard Skipper Celebrates and Norm Goldstein's Book Pleasures.[33] Mathews's art songs are published by Graphite Publishing.[34]
Personal life
editIn April 2014, Mathews married his long-time partner, Todd Lehman, who died in December 2019. He is passionate about cooking and publishes family and original recipes on his blog.[35]
References
edit- ^ a b "About - Norman's Background and Personal History". Norman Mathews. Retrieved 2024-09-20.
- ^ Carlson, Leona (January 23, 1981). "Dancer turns to new medium". Rockford Register-Star.
- ^ Mathews, Norman (January 22, 1969). "Norman Mathews, Performer". www.playbill.com.
- ^ Mathews, Norman (January 22, 1969). "Norman Mathews, Performer". Playbill.com.
- ^ Carlson, Leona (January 23, 1981). "Dancer Turns to New Medium". Rockford Register-Star.
- ^ "Norman Mathews, Information". gregorywiest.com. Retrieved 2024-09-14.
- ^ "Whitman and Music (1998–1999)". www.americancomposers.org. Retrieved 2024-09-14.
- ^ "Mapping the Legacy – Barbara Irvine". performingartslegacy.org. Retrieved 2024-09-14.
- ^ "Rapport". Navona Records. Retrieved 2024-09-14.
- ^ "Norman Mathews". SOURCE SONG FESTIVAL. Retrieved 2024-09-14.
- ^ "VocalEssence announces 2011 Essentially Choral reading session February 19". VocalEssence. Retrieved 2024-09-14.
- ^ "2017 Fort Worth Opera Festival presents Frontiers - CultureMap Fort Worth". fortworth.culturemap.com. Retrieved 2024-09-14.
- ^ "PROJECT : ENCORE". projectencore.org. Retrieved 2024-09-14.
- ^ Gans, Andrew (September 23, 2005). "DIVA TALK: Catching Up with Karen Mason". www.playbill.com.
- ^ Content, Contributed (2004-10-17). "CHICAGO HUMANITIES FESTIVAL". Chicago Tribune. Retrieved 2024-09-14.
- ^ Hoban, Phoebe (September 28, 2005). "Mrs. Parker, Indisposed, on Deadline". pp. www.nytimes.com.
- ^ By (2007-03-02). "don't miss: playfest". Orlando Sentinel. Retrieved 2024-09-14.
- ^ "16 Jazz Ballads - Voice - Digital Sheet Music". www.sheetmusicplus.com. Retrieved 2024-09-14.
- ^ "'Fall with Me' wins Dayton Playhouse FutureFest". Dayton937. 2019-07-23. Retrieved 2024-09-14.
- ^ "FutureFest 2019". Dayton Local. Retrieved 2024-09-14.
- ^ "Veterans rights focus of winning play at Dayton's festival of new plays FutureFest". dayton. Retrieved 2024-09-14.
- ^ Mathews, Norman (October 26, 2018). The Wrong Side of the Room: A Life in Music Theater. Bookbaby. ISBN 978-1732367104.
- ^ THE WRONG SIDE OF THE ROOM | Kirkus Reviews.
- ^ Mathews, Norman (May 3, 2023). "The Wrong Side of the Room: A Life in Music Theater". Archived from the original on September 15, 2024.
- ^ "Norman Mathews | Author | Common Dreams". www.commondreams.org. Retrieved 2024-09-14.
- ^ Sharon, Dick and (2022-06-30). "Norman Mathews". LA Progressive. Retrieved 2024-09-14.
- ^ metrosource.com https://metrosource.com/one-catholic-remembers-the-verbal-abuse-he-took-from-a-priest/. Retrieved 2024-09-14.
{{cite web}}
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(help) - ^ "2019". NewWorksOfMeritPlaywritingContest. Retrieved 2024-09-14.
- ^ ScreenCraft (2018-11-16). "Announcing the 2018 ScreenCraft Stage Play Competition Quarterfinalists". ScreenCraft. Retrieved 2024-09-14.
- ^ "Norman Mathews". Navona Records. Retrieved 2024-09-14.
- ^ "Readers' Favorite: Book Reviews and Award Contest". Readers' Favorite. Retrieved 2024-09-14.
- ^ Williams, Albert (2003-08-07). "You Might As Well Live". Chicago Reader. Retrieved 2024-09-14.
- ^ "In Conversation with Composer, Playwright, Librettist, Author, and Gastronome, Norman Matthews". www.bookpleasures.com. Retrieved 2024-09-14.
- ^ "Norman Mathews - Graphite Publishing". Graphite Publishing - Just another WordPress site. 2014-06-23. Retrieved 2024-09-14.
- ^ "Food Cream of Vidalia Onion Soup". Norman Mathews. 2024-09-13. Retrieved 2024-09-14.