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Comment: Doesn't meet WP:NARTIST. Safari ScribeEdits! Talk! 00:21, 22 October 2024 (UTC)
Pedro Ferreira (born in 1988) is a Portuguese multimedia artist and researcher based in Berlin, Germany. He holds a PhD degree in Fine Arts with the specialization in Multimedia Arts from the Faculty of Fine Arts[1] of the University of Lisbon.[2] His artistic work explores experimentation with the materiality of media and digital technologies from a critical perspective on the consequences of computational technologies.[3] His artworks take the form of experimental music, sound art, installation, generative art, audiovisual performance, experimental film, documentary, video art, art game and net art.[4] His academic research examines the notion of post-digital aesthetics in contemporary audiovisual art[5][6] and critical artistic approaches to art that addresses the impacts of digital technologies.[7] He is the author of the book Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts (2024) which traces four post-digital artistic perspectives that operate: on the digital infrastructure, within the effects of the post-digital age, in-between digital and non-digital media as media hybrids, and off digital media in a turn to analogue media for artistic practice.[8]
Publications
editBooks
edit- Ferreira, Pedro (2024). Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts. Bielefeld, Germany: transcript Verlag.
Articles
edit- Ferreira, Pedro (2022). "Rematerialising Digital Technologies Through Critical Making[9]." In 10th Conference on Computation, Communication, Aesthetics & X, 134–47. Porto, Portugal: i2ADS.
- Ferreira, Pedro (2022). "Things I Do When I'm Bored[10]." In 10th Conference on Computation, Communication, Aesthetics & X, 352–57. Porto, Portugal: i2ADS.
- Ferreira, Pedro (2022). "Debris: The Detritus of Digital Media Technologies." In 10th International Conference on Digital and Interactive Arts, 1–4. ARTECH 2021. New York, NY, USA: Association for Computing Machinery.
- Ferreira, Pedro, and Luísa Ribas (2021)."Off the Digital: Neo-Analogue Hybrids[11]." In 9th Conference on Computation, Communication, Aesthetics & X, 325–39. Porto, Portugal: i2ADS.
- Ferreira, Pedro, and Luísa Ribas (2020). "Post-Digital Aesthetics in Contemporary Audiovisual Art[12]." In 8th Conference on Computation, Communication, Aesthetics & X, 111–24. Porto, Portugal: Universidade do Porto.
References
edit- ^ https://pt.wikipedia.org/wiki/Faculdade%20de%20Belas-Artes%20da%20Universidade%20de%20Lisboa
- ^ Repositório da Universidade de Lisboa, accessed on 22nd Oct. 2024.
- ^ POR-POL NET, accessed on 21st Oct. 2024.
- ^ Ferreira, Pedro. About, accessed on 21st Oct. 2024.
- ^ Ferreira, Pedro, and Luísa Ribas (2020). "Post-Digital Aesthetics in Contemporary Audiovisual Art." In 8th Conference on Computation, Communication, Aesthetics & X, edited by Mario Verdicchio, Miguel Carvalhais, Luísa Ribas, and André Rangel, 111–24. Porto, Portugal: Universidade do Porto.
- ^ Ferreira, Pedro, and Luísa Ribas (2021)."Off the Digital: Neo-Analogue Hybrids." In 9th Conference on Computation, Communication, Aesthetics & X, edited by Miguel Carvalhais, Mario Verdicchio, Luísa Ribas, and André Rangel, 325–39. Porto, Portugal: i2ADS.
- ^ Ferreira, Pedro (2022). "Rematerialising Digital Technologies Through Critical Making." In 10th Conference on Computation, Communication, Aesthetics & X, edited by Miguel Carvalhais, Mario Verdicchio, Luísa Ribas, and André Rangel, 134–47. Porto, Portugal: i2ADS.
- ^ Ferreira, Pedro. Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts. Bielefeld, Germany: transcript Verlag, 2024. ISBN 978-3-8376-7416-3.
- ^ https://2022.xcoax.org/pdf/xcoax2022-ferreira.pdf
- ^ https://2022.xcoax.org/pdf/xcoax2022-ferreira2.pdf
- ^ https://2021.xcoax.org/data/pdf/xCoAx2021-Ferreira.pdf
- ^ https://2020.xcoax.org/pdf/xCoAx2020-Ferreira.pdf