| Submission declined on 6 May 2023 by JML1148 (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
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| Submission declined on 15 April 2023 by Dr vulpes (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by Dr vulpes 18 months ago. | |
| Submission declined on 12 December 2022 by DoubleGrazing (talk). The content of this submission includes material that does not meet Wikipedia's minimum standard for inline citations. Please cite your sources using footnotes. For instructions on how to do this, please see Referencing for beginners. Thank you. Declined by DoubleGrazing 22 months ago. | |
| Submission declined on 27 June 2022 by Greenman (talk). This submission is not adequately supported by reliable sources. Reliable sources are required so that information can be verified. If you need help with referencing, please see Referencing for beginners and Citing sources. Declined by Greenman 2 years ago. | |
| Submission declined on 27 February 2022 by HitroMilanese (talk). This submission is not adequately supported by reliable sources. Reliable sources are required so that information can be verified. If you need help with referencing, please see Referencing for beginners and Citing sources. Declined by HitroMilanese 2 years ago. | |
Comment: No change since last decline. Please make changes between draft submission, as if you don't, the draft could be rejected completely with no option to resubmit. JML1148 (Talk | Contribs) 07:27, 6 May 2023 (UTC)
- Comment: The way the information is supported is skewed. We do not need 15 sources (!) to verify that
"Peter Meso appeared as a guest"
on some media. We do, however, need at least one reliable published source to verify that"Peter Meso is Jewish"
(private personal information), or that he"won the first prize in the Czech National Composition Contest for young composers"
(significant claim). Please ensure that all material statements, anything potentially contentious, and all private personal and family details are clearly supported by inline citations to reliable published sources. Meanwhile, please do not REFBOMB unnecessarily. -- DoubleGrazing (talk) 19:54, 12 December 2022 (UTC)
- Comment: Education and early life for example still contain large chunks of unsourced text. All statements need to be sourced. Greenman (talk) 19:52, 27 June 2022 (UTC)
- Comment: Large portion of this submission is unsourced. Huge name droppings in one of the sections must be supported by reliable sources. Please remove references from Spotify. Hitro talk 07:11, 27 February 2022 (UTC)
Peter Meso | |
|---|---|
 | |
| Nationality | Slovak |
| Occupation(s) | pianist, arranger, composer, writer |
Peter Meso (also Peter Mešo) is a Slovak born pianist, composer, arranger, writer and street performer. He is known for creating and performing concert piano versions of the world's famous film soundtracks.
Early life
editMeso was born in Slovakia in 1985. His father was a theatre director. He is of Jewish origin, with half Polish and partly French background.[1]
Education
editIn his early years, Meso became one of the laureates of the national Slovak Composition Contest for young composers "Talent Revúca".[2] On December 13, 2002, his composition Concertino Bar-Baroque for chamber orchestra won the first prize in the third category of the Czech national Composition Contest "Generace" for young composers organized annually since 1975 by AHUV with the cooperation of Janáčkův Máj and Český rozhlas Ostrava.[3] Members of the jury of the competition were Czech renown composers such as Milan Báchorek, Hanuš Bartoň, Svatopluk Havelka, Alois Piňos and Vít Zouhar.
Theatre, Radio and TV appearances
editMeso appeared as a guest either alone or together with entertainer and singer Vladimír Hron on various major TV shows and national TV magazines.[4][5][6][7][8][9][10][11][12][13] He also appeared as one of the main presenters in recurring TV documentary series "Příběhy Obrácení" released by Czech TV, during live stage shows, concerts and radio broadcasts in Czech Republic. [14][15][16]
Artistic approach
editMeso is considered to be a crossover, classically trained musician with a repertory of classical, rock, jazz, pop and film music as well as his own compositions and transcriptions.
He arranged and performed music of many renown film composers for concert grand piano.[17] One of his piano semi-recitals took place at the New Stage of National Theatre of Prague accompanied by a ballet performance.[18]
Released albums
edit- 2009 - Complete Bad & Thriller (double album)
- 2020 - Father (film soundtrack)
- 2012 - Hollywood Soundtracks for Concert Piano (double album)
- 2021 - Hollywood Main Titles for Concert Piano
References
edit- ^ "Klavírista". Babylon.
Po matce je napůl Polák, s židovským otcem je to trochu složitější, protože díky němu mu v žilách koluje slovensko-francouzská krev.
- ^ "Už 20 rokov k nám prichádzajú mladí hudobníci". Revúcke Listy. 26 (9): 2.
Popoludní v priestoroch GMK sme sa mohli stretnúť s úspešnými laureátmi súťaže. S niektorými osobne, s inými len prostredníctvom prezentácie a hudobnej nahrávky. Svoje kompozície osobne prišiel predstaviť Peter Duchnický z Kežmarku, Dana Rudíková z Očovej a Ľubica Beňušová z Revúcej. Ale vypočuli sme si aj skladby Tomáša Lučivjanského, Františka Jánošku, Petra Klátika, Pavla Bizoňa ,Petra Meša, Samuela Hvozdíka,Tomáša Štefana, Dalibora Hevesiho, Henricha Klimenta.
- ^ "Brněnská konzervatoř Leoši Janáčkovi". Hudební Rozhledy (5): 1. 2003 – via Moravská Zemská Knihovna.
- ^ Živý zpěv: Vladimír Hron - 27. červenec 2012 - Dobré ráno | Česká televize (in Czech), retrieved 2022-03-03
- ^ "ČeskoSlovensko má Talent 2013: 1.casting! Foursome are awesome! (rekap)". Retrieved 2021-12-02.
- ^ Hosté I. Jahelka + V. Hron + P. Mešo + Soutěž - 27. červenec 2012 - Dobré ráno | Česká televise (in Czech), retrieved 2022-03-03
- ^ Hosté I. Jahelka + V. Hron + P. Mešo - 27. červenec 2012 - Dobré ráno | Česká televize (in Czech), retrieved 2022-03-03
- ^ Hosté I. Jahelka + V. Hron + P. Mešo + Vyhodnocení soutěže - 27. červenec 2012 - Dobré ráno | Česká televize (in Czech), retrieved 2022-03-03
- ^ Živý zpěv: Vladimír Hron + Rozloučení - 27. červenec 2012 - Dobré ráno | Česká televize (in Czech), retrieved 2022-03-03
- ^ Beseda: Michael Jackson - Dobré ráno - Dobré ráno s Jedničkou | Česká televize (in Czech), retrieved 2022-03-03
- ^ Beseda: Michael Jackson - Dobré ráno - Dobré ráno s Jedničkou | Česká televize (in Czech), retrieved 2022-03-03
- ^ "Peter Mešo, úterý, 19. 10. 2021, 4:20 - ČT art - tvprogram.iDNES.cz". iDNES.cz (in Czech). Retrieved 2021-12-18.
- ^ Peter Mešo (2013) (in Czech), retrieved 2022-03-03
- ^ "Klavírní recitál Vás vtáhne do světa filmu". Babinet.cz (in Czech). Retrieved 2022-03-03.
- ^ "Z veřejné nahrávky v DMH". Karlovy Vary (in Czech). 2011-05-10. Retrieved 2022-03-03.
- ^ "Synagoga Concerts - Minulé koncerty". synagogaconcerts.cz. Retrieved 2021-12-02.
- ^ "Klavírní recitál Vás vtáhne do světa filmu". Babinet.cz (in Czech). Retrieved 2022-03-03.
- ^ s.r.o, NETservis. "Vánoční arabeska - večer Mladého baletu Praha". Taneční aktuality. Retrieved 2022-03-03.
Druhá část programu začala v podobném duchu jako ta první – poté, co si publikum opět vyslechlo další várku Mešových transkripcí, tentokrát filmové hudby J. Williamse, přišel na řadu opět tanec, tentokráte již hojněji zastoupený současnou autorskou tvorbou.