Wikipedia

Draft:Shin Heike Monogatari (novel)

  • Comment: Only the 'Origin and Content' section is referenced, and that only with the book in question (which clearly cannot make itself notable). The rest of the draft is unreferenced – where is all this information coming from? And how does this book satisfy WP:NBOOK? DoubleGrazing (talk) 10:24, 28 November 2024 (UTC)

Shin Heike Monogatari (transl. New Tale of the Heike) is a historical and war novel by Eiji Yoshikawa. His work first appeared in the magazine Shukan Asahi from 1950 to 1957. The author reinterpreted the classic war novel "Heike Monogatari (The Tale of the Heike)" Kodansha published the first edition in paperback (16 volumes) in 1989. Shincho Bunko followed in 2014 with 20 volumes. The novel was adapted into a film of the same name.

Author

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Eiji Yoshikawa (1892 - 1962) is one of Japan’s best-known writers of popular literature.He wrote novels about historical characters and themes from an early age. From 1935 to 1939, he published the novel Musashi Miyamoto. People read no other novel as widely as Musashi Miyamoto. His literary portrayal of the famous swordsman resonated strongly with the Japanese suffering under the miserable circumstances of the Second World War. Sangokushi三国志 (1940 – 1946, 14 volumes, 大日本雄弁会講談社), Taiheiki私本太平記 (1959 – 1962, 13 volumes, Mainichi Shinbunsha) . Taikoki (新書太閤記) (1941 – 1945, 9 volumes, Shinchosha). Eiji Yoshikawa was very disappointed by the defeat of the Second World War and the unimaginable destruction of Japan and was unable to write for several years. He began writing the epic Shin Heike Monogatari, The New Taira Story, in 1950 and completed it seven years later. Yoshikawa encouraged many Japanese who were badly shaken after the war with the Taira epic and was awarded several literary prizes. Yoshikawa obtaines the most important award of Japan Order of Culture (文化勲章, Bunka-kunshō) 1960, 文化功労者（Person of Cultural Merit）, 毎日芸術賞（1962） . Many of his works one can see as movies (Taikoki, Miyamoto Musashi) and TV (Miyamoto Musashi, Taikoki, Taiheiki)

Origin

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Eiji Yoshikawa wrote New Tale of the Heike, Shin Heike Monogatari, in current Japanese. Based on Heike Monogatari, told in old Japanese, Eiji Yoshikawa harmonized the plots with the contents of other old stories from the same period. These include The Tale of Hogen (Jap. 保元物語), The Tale of Heiji (Jap. 平治物語), The Monograph of Minamoto no Yoshitsune (Japanese 義経記), the historical document Azuma Kagami (Jap. 吾妻鏡), Genpei Josuiki (Jap. 源平盛衰記) and the diary of Kanezane Kujo, Gyokuyo (Jap. 玉葉). New Tale of the Heike is many times longer than Heike Monogatari.

What is new to The Tale of the Heike?

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It is not just a translation of the old texts into a modern language. According to Keiji Shimauchi (Jap. 島内景二)[1], a Japanese literary scholar, the novelist put an end to "the aesthetics of doom" (Jap. 滅びの美学), which dominated Japanese literature for too long, and attempted to portray historical figures from a new perspective. According to Eiji Yoshikawa, Kiyomori Taira and Minamoto's samurai were active, ambitious warriors. The emperors and the ordinary people became the plaything of fate. They fought their way through troubled times as lively players. According to Shimauchi[1], Eiji Yoshikawa called for the liberation of Heike Monogatari with his novel. The title means The Anti Tales of the Heike. The author does not want to hear about the impermanence of all living beings (Jap. 諸行無常). Then the title is The Story Against Impermanence.[1]

Content

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The new Heike Monogatari tells of the rise and fall of the Taira samurai tribe. It took place at the end of the 12th century in Japan. One reads about 50 years of history of the Far Eastern country. In the beginning, the warrior tribes were subterranean people.[2] The emperor was the absolute monarch. He had the Fujiwara nobility implement his policies. The Taira and Minamoto warrior tribes struggled to make themselves heard. Tairas and Minamotos had first to decide who had the strongest army forces. This struggle to be the ruler over the warriors of the whole country was achieved through brutal wars, Hogen[3], Heiji[3], and Genpei.[4] The victor, Yoritomo Minamoto, took power away from the former emperor Goshirakawa and the nobles.[5] The victorious Minamoto family formed the government of Kamakura.[6]

The author described the historical events by working out from the surviving old documents what the individual protagonists might have done, thought, and felt in the process. It is his literary reconstruction of the historical events and how the Japanese of that time, as reported in the old books, lived. The novel tells of brave men and lovely women fighting, loving, and suffering. The author dedicated the end of the story to the victorious general of the Genpei War, Yoshitsune Minamoto, the younger brother of the first shogun, Yoritomo Minamoto.[7] The Kamakura government exiled Yoshitsune, and he died in Hiraizumi in the North. The local ruler attacked the tragic general. He did not want to provoke a new war. He deliberately renounced weapons and resistance against Kamakura and overcame a samurai's humiliation for the world's peace.[8]

Eiji Yoshikawa quoted the first paragraph from Heike Monogatari instead of the preface.[2] He implied that the traditional Japanese view of history and life would be the novel's starting point. The story would deal with the Buddhist doctrine of impermanence (Japanese: 諸行無常) and the inevitable downfall of those in power (Japanese: 盛者必衰). In contrast, the author developed a different view of life, death, and fate[1]. According to the novelist, Kiyomori Taira created the new society. He grew from a poor warrior tribe into a powerful ruler.[9] He abolished the regency of the Fujiwara nobility. The head of Taira became the prime minister and father-in-law of the emperor. Kiyomori Taira ascended to the highest position of a subject at that time. Kiyomori established his capital in Fukuhara (present-day Kobe city) and built a port in Owada, near Fukuhara, which withstood typhoons. The new stable port enabled trade with the Song Dynasty of China. In this way, the Taira tribe built up power and prosperity. However, after Kiyomori Taira's death, the Tairas were threatened by Yoritomo Minamoto. The Tairas became half nobles and half samurai over time.

Yoritomo Minamoto united the powerful samurai tribes of the eastern provinces under his leadership.[10] Yoshinaka Minamoto of Kiso conquered the provinces of the northern coastal region (Hokuriku region)[11] and marched with breathtaking speed towards the capital, Kyoto. Yoshinaka drove the Taira tribe out of Kyoto to the West.[12] The Shogun of the Rising Sun (Japanese 朝日将軍), the official title of Yoshinaka Minamoto, was defeated by Yoshitsune Minamoto and Nobuyori in less than two years of his reign in Kyoto at Uji and Seta.[13] In the meantime, Taira reorganized his army and navy around the Seto Inland Sea and attacked from Yashima (Japanese: 屋島) the armies approaching from the East.[14] Under the leadership of Yoshitsune Minamoto, the army and navy of the East destroyed Taira's forces in the battles of Ichinotani,[15] Yashima, [16] and Dannoura[17] An irony of Taira's fate was that Yoritomo and Yoshitsune Minamoto destroyed Taira's army and killed the most Tairas. Kiyomori could have executed Minamoto's two sons after the victory of the Heiji War in 1160[18], but he pardoned them for exile instead.

Yoshikawa described in detail the growing up of Yoritomo Minamoto[19] and Yoshitsune Minamoto under Taira's rule.[20] The warrior tribes in the provinces who played an active role in the Genpei War were headstrong warriors. They survived as territorial lords in the glamorous aristocratic society of the Heian period. These warrior lords won victories in the battles of the Genpei War, and many stories are told about their exploits.

The author recounted the lives of the fallen noble samurai of the Taira family. The Tairas merged with the aristocracy over time. They wrote poetry and loved making music. The waka poems[21] and the mournful sounds of gagaku music[22], written and played before fateful battles, are passed down to posterity. The victorious commander-in-chief general, Yoshitsune Minamoto, was slandered by Kagetoki Kajiwara.[17] His brother Yoritomo Minamoto suspected Yoshitsune of disloyalty and banished him from the Minamoto tribe and the Kamakura government.[23] Yoshitsune fled north with Benkei, Saburo Ise, and other retainers disguised as mountain ascetics (shugenja)[24] and found protection with the lord there. Still, the new lord killed Yoshitsune a few years later. Despite Yoritomo's humiliation, Yoshitsune did not resort to offensive weapons against Kamakura and renounced arms. He never wanted to fight another war that would cause so many human casualties.

The novel tells of women whom the storm of time tossed to and fro. Their lovers and husbands tried to seize power and became embroiled in endless battles. The first character in the novel, Kiyomori's mother, Lady Gion, was an energetic woman. From her, the mood of transience of all living things does not emerge at all.[25] In contrast to her, Kesa,[25] Masaruko Fujiwara,[26]Tokiwa,[27]Gio, Shizuka,[28] Senju,[29] and Yurino Kawagoe [30] each lead heartbreaking, tragic lives. Masako Hojo moved Japan’s fate as Yoritomo Minamoto’s wife. Yoshinaka Minamoto's wife and beloved, Tomoe [31]and Aoi,[31] were strong warriors who grew up with Yoshinaka in the mountain village of Kiso. They were different from the women of the noble Fujiwara family. They fought in battles for Yoshinaka with all their love. The enslaved woman, Yamabuki, was jealous. She did not shy away from vile methods. She wanted to win Yoshinaka Minamoto's love for herself[11]. Kiyomori Taira's wife, Tokiko, lived half her life as a good wife and mother.[32] She bore many children. After Kiyomori's death, she was honored as the second rank nun. She threw herself into the sea in the sea battle of Dannoura. She took little Emperor Antoku with her to his death.[33] Kiyomori's daughter Tokuko, later Emperor's wife Kenreimonin, jumped into the sea when her son, Emperor Antoku, died. She survived the demise of her family. Saigyo[34] and Mongaku [35] were two samurai. They were ordained as monks. In this way, they tried to escape the whirlpool of desire in samurai society. The author created a fictional character, Asatori Abe, as his ideal image. Asatori followed the path of humanity. He escaped the scourge of war as a doctor and found modest happiness after the end of the Genpei War.[36]

Awards

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Film Adaptations

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Television Movies

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Movies

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  • Shin Heike Monogatari; Three Women by Yoshinaka Kiso; 1956, movie studio Daiei, director Teinosuke Kinugasa, leading actor Kazuo Hasegawa
  • Shin Heike Monogatari; Shizuka and Yoshitsune; 1956, movie studio Daiei, director Koji Shima, leading actress Chikage Awashima

Translations

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  • (English) The Heike Story: The Novel of Love and War in Ancient Japan (Tuttle Classics): Alexander Bennett (foreword), Fuki Wooyenaka Uramatsu (translator), 2022, (552 pages, covering selected contents)
  • (German) Die Geschichte von Taira - Neue Interpretation: vol. 1 to 21 (Books on Demand GmbH, German): Yutaka Hayauchi (translator), 2023, (covering full length of the novel)
  • (English) New Tale of Taira (1) ((Books on Demand GmbH, German): Yutaka Hayauchi (translator), 2024, (covering full length of the chapters "Weeds in the ground" and "the Palace of the Emperor")
  • (English) New Tale of Taira (2) ((Books on Demand GmbH, German): Yutaka Hayauchi (translator), 2024, (covering full length of the chapters "Hogen" and "Visit of His Majesty to Rokuhara")
  • (English) New Tale of Taira (3) ((Books on Demand GmbH, German): Yutaka Hayauchi (translator) (covering full length of the chapters "Tokiwa" and "Stone Ships")

Footnotes

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  1. ^ a b c d this novel, Shinchosha 新潮社, vol. 1, appendix
  2. ^ a b this novel, Shinchosha 新潮社, vol. 1
  3. ^ a b this novel, Shinchosha 新潮社, vol. 2
  4. ^ this novel, Shinchosha 新潮社, vol. 13, 15, 16, 17
  5. ^ this novel, Shinchosha 新潮社, vol. 18
  6. ^ this novel, Shinchosha 新潮社, vol. 18
  7. ^ this novel, Shinchosha 新潮社, vol. 18, 19, 20
  8. ^ this novel, Shinchosha 新潮社, vol. 20
  9. ^ this novel, Shinchosha 新潮社, vol. 3
  10. ^ this novel, Shinchosha 新潮社, vol. 9
  11. ^ a b this novel, Shinchosha 新潮社, vol. 10
  12. ^ this novel, Shinchosha 新潮社, vol. 11
  13. ^ this novel, Shinchosha 新潮社, vol. 12
  14. ^ this novel, Shinchosha 新潮社, vol. 13
  15. ^ this novel, Shinchosha 新潮社, vol. 13
  16. ^ this novel, Shinchosha 新潮社, vol. 15
  17. ^ a b this novel, Shinchosha 新潮社, vol. 17
  18. ^ this novel, Shinchosha 新潮社, vol. 2
  19. ^ this novel, Shinchosha 新潮社, vol. 5
  20. ^ this novel, Shinchosha 新潮社, vol. 4
  21. ^ this novel, Shinchosha 新潮社, vol. 11, 16
  22. ^ this novel, Shinchosha 新潮社, vol. 9, 16
  23. ^ this novel, Shinchosha 新潮社, vol. 18
  24. ^ this novel, Shinchosha 新潮社, vol. 20
  25. ^ a b this novel, Shinchosha 新潮社, vol. 1
  26. ^ this novel, Shinchosha 新潮社, vol. 1, 3
  27. ^ this novel, Shinchosha 新潮社, vol. 3
  28. ^ this novel, Shinchosha 新潮社, vol. 19
  29. ^ this novel, Shinchosha 新潮社, vol. 14
  30. ^ this novel, Shinchosha 新潮社, vol. 14, 18
  31. ^ a b this novel, Shinchosha 新潮社, vol. 10, 11, 12, 13
  32. ^ this novel, Shinchosha 新潮社, vol. 1
  33. ^ this novel, Shinchosha 新潮社, vol. 17
  34. ^ this novel, Shinchosha 新潮社, vol. 1
  35. ^ this novel, Shinchosha 新潮社, vol. 1
  36. ^ this novel, Shinchosha 新潮社, vol. 20

Category:Japanese historical novels Category:1950 novels

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