Dream Memories of Tao'an (Chinese: 陶庵梦忆; pinyin: Táo'ān mèng yì) is a collection of autobiographical essays written by Ming dynasty scholar Zhang Dai (1597–1684), written c. 1665 but only published in 1775. It is considered one of Zhang's most famous works and an ideal example of the xiaopin style of essays produced during the late Ming dynasty.[1] [2]
Background
editZhang Dai was born into an esteemed and cultured family. He led a comfortable and refined life in his early years.[3] : 187 [4] Following the Jiashen Incident that overthrown the Ming dynasty, Zhang Dai served as an aide to Prince of Lu and participated in efforts to restore the Ming dynasty. After the fall of the Southern Ming, Zhang Dai's family fortune was depleted. He retreated to the mountains and spent his later years enduring poverty and hardship.[5] Dream Memories of Tao'an was written during this period, although it wasn't published until 1775, forty years into the Qianlong reign.
Title and content
editThe book takes its name from the concept of dreams. Zhang Dai confessed in the preface that the past "glory, honor, and wealth" were all but "one dream", and that by compiling a recollection "in front of the Buddha", he was "repenting" the casual and excessive luxury and pleasure from his earlier years.[3]: 187 Yet as noted by Chang, the repentance is rather paradoxical than purely lamenting. As many essays in the collection are perfect examples of refined literati lifestyle and late Ming connoisseurship.[5][3] : 188
While the underlying mood in this nostalgic recollection of a lost world may be bitter, the narrations are filled with charming visions of the past: it could be vibrant scenes of the tourist crowds and drinking parties on the West Lake, as in "Mid-July at the West Lake" (西湖七月半, Xi hu qi yue ban), or a sense of tranquil solitude on a snowy winter day, as in "A Snow Day at the West Lake" (湖心亭看雪, Hu xin ting kan xue).[6] The lines are filled with wisdom, humor,[6] and a keen sense of irony.[3] : 188
The book contains eight volumes and a total of 124 short essays. The styles of these essays are often informal, and their length can range from a few lines to a few pages in translation.[2] The topics and events covered are expansive, they can be significant or oftentimes trivial.[5] There are abundant records on "gardens, artworks, theatre, courtesan",[3]: 188 teahouses, folklores, calligraphies, antiques, flowers, excursions, ponds, and mountains of the author's time.[1] [2]
The reading experience is pleasant, as it sheds lights to the late Ming dynasty and Chinese literature as whole.[2] The book also offers a lucid portrayal of the people, their daily life, customs, and social landscape in the Jiangnan region of late Ming, and is considered a key reference document for scholars studying tangible culture heritage of the Ming dynasty.
References
edit- ^ a b Ning, Jiayu; Li, Ruishan (2003). Luo, Zongqiang; Chen, Hong (eds.). 中国古代文学发展史 [The History of Chinese Literature Development]. Tianjin: Nankai daxue chubanshe. pp. 41–42. ISBN 978-7-310-01915-1.
- ^ a b c d Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. p. 7. ISBN 978-0-231-10984-0.
- ^ a b c d e Chang, Kang-i Sun; Owen, Stephen (2010). The Cambridge history of Chinese literature edited by Kang-i Sun Chang and Stephen Owen. Cambridge: Cambridge university press. ISBN 978-0-521-11677-0.
- ^ Spence, Jonathan D (2014). Return to dragon mountain: memories of a late ming man. Penguin Group US. pp. Chapter 4. ISBN 9781440620270.
- ^ a b c "Return to Dragon Mountain: Memories of a Late Ming Man". Global China Center. 2009-02-21. Retrieved 2024-03-15.
- ^ a b Zhang, Peiheng; Luo, Yuming, eds. (1996). Zhongguo wen xue shi [History of Chinese Literature] (in Chinese). Shanghai: Fu dan da xue chubanshe. pp. 305–306. ISBN 978-7-309-01489-1.
External links
edit- 陶庵梦忆 (Tao An Meng Yi) at 维基文库 zh/wikisource
- 西湖七月半(Xi hu qi yue ban) at 维基文库 zh/wikisource
- 湖心亭看雪(Hu xin ting kan xue) at 维基文库 zh/wikisource
