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Eduardo González Lanuza (July 11, 1900 - July 17, 1984) was an Argentine poet born in Santander, Spain. One of his best known work is "Poem for Being Recorded in a Phonograph Disc" (1932). He also was part of the Ultraist movement and one of the founders of Prisma and Proa magazines as well as contributor in Martín Fierro magazine.[1][2]
Selected works
edit- Prisms (1924) (poetry)[2]
- Coven (1927) (short stories)
- While the Clock Strikes Six O'Clock (1931) co-written with Armando Villar (theatre)
- Thirtysome Poems (1932) (poetry)
- Mr. Pulcinella's Walking Stick (1935) (theatre)
- The Cutthroating of the Innocent (1938) (poetry)
- Not Even the Flood (1939) (theatre)
- Handful of Songs (1940) (poetry)
- Passable Glass (1943) (poetry)
- Ode to Joy and Other Poems (1949) (poetry)
- Christmas and Passion Altarpieces (1953) (poetry)
- Sum and Go On (1960) (poetry)
- Christmas Mystery (1966) (theatre)
- Profession of Faith (1970) (poetry)
- Hai-Kais (1977) (poetry)
- The Pimpirigallo and Other Little Birds (1980) (poetry)
- Tunes for Songs (1981)
References
edit- ^ ""Eduardo González Lanuza," Enciclopedia Microsoft® Encarta® Online 2008". Archived from the original on 1 February 2009. Retrieved 13 October 2008.
- ^ a b "Request Rejected". www.borges.pitt.edu. Retrieved 2024-11-01.
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