Elizabeth Deane Rankin is a South African–New Zealand fine arts academic, and is an emeritus professor at the University of Auckland, specialising in neglected South African artists, and printmaking and sculpture.

Elizabeth Rankin
Born23 January 1943
Academic background
Alma materUniversity of the Witwatersrand
Thesis
  • Englishmen on the Acropolis: an historiography of the Parthenon, c. 1750-1850 (1978)
Academic work
InstitutionsUniversity of Auckland, University of the Witwatersrand
Doctoral studentsNgarino Ellis

Academic career

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Rankin completed a PhD titled Englishmen on the Acropolis: an historiography of the Parthenon, c. 1750-1850 at the University of the Witwatersrand in 1978. It was the first PhD in art history awarded by the university.[1] Rankin was appointed as Chair of the History of Art at Witwatersrand in 1982, and later served three years as Dean of Arts.[2]

Rankin was Chair of the South African Association of Art Historians starting in 1985.[2]

Rankin joined the faculty of the University of Auckland in 1998 as professor of art history. She was head of the department, and chair of the exhibitions committee for the university's Gus Fisher Gallery.[2] Rankin's research focuses on neglected South African artists, and sculpture and print-making.[3] Rankin published a history of Rorke's Drift printmakers with Philippa Hobbs in 2003. Rankin has written a biography of South African artist Peter Clarke, published in 2012, along with retrospective exhibitions at the South African National Gallery in Cape Town, in collaboration with Hobbs, and in Johannesburg.[4] Rankin has also written about photographer Fiona Pardington, and artist Neil Pardington.[3]

In 2012 Rankin was a visiting fellow at the Center for Advanced Studies at Ludwig-Maximilian University of Munich, where she worked with Prof. Dr. Rolf Schneider on the design of the frieze of the Voortrekker Monument.[5][6] Rankin retired in 2016 and was appointed Professor Emeritus at Auckland.[2] One of her notable doctoral students is academic and author Ngarino Ellis.[7]

Selected works

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Books

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  • Baker, Kriselle; Rankin, Elizabeth (2015). Neil Pardington: The Order of Things. Baker + Douglas.
  • Hobbs, Philippa; Rankin, Elizabeth (2014). Listening to distant thunder: The art of Peter Clarke. Fernwood.
  • Rankin, Elizabeth (2011). Baker, Kriselle (ed.). Fiona Pardington: the pressure of sunlight falling. Otago University Press.
  • Rankin, Elizabeth; Hobbs, Phillippa (2003). Rorke's Drift: Empowering prints. Double Storey.
  • Rankin, Elizabeth (1994). Images of metal: Post-war sculptures and assemblages in South Africa. Witwatersrand University Press.
  • Rankin, Elizabeth; Dell, E; Meintjes, J (1989). Images of wood: Aspects of the history of sculpture in 20th-century South Africa. Johannesburg Art Gallery.
  • Hobbs, Philippa; Rankin, Elizabeth (1997). Printmaking in a Transforming South Africa. David Philip Publishers. ISBN 0-86486334-9.

Other works

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References

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  1. ^ Rankin, Elizabeth Deane (1978). Englishmen on the Acropolis: an historiography of the Parthenon, c. 1750-1850 (PhD thesis). University of Witwatersrand.
  2. ^ a b c d "Academic profile: Emeritus Professor Elizabeth Rankin". profiles.auckland.ac.nz. Retrieved 15 September 2024.
  3. ^ a b "The pressure of sunlight falling, Edited by Kriselle Baker and Elizabeth Rankin". Otago University Press. Retrieved 16 September 2024.
  4. ^ Van Robbroeck, Lize (January 2012). "Listening to distant thunder: The art of Peter Clarke". South African Journal of Science. 108 (5–6): 08–09. ISSN 0038-2353.
  5. ^ "Contact page". www.cas.lmu.de. Retrieved 14 September 2024.
  6. ^ "DFG - GEPRIS - From memory to marble: the frieze of the Voortrekker Monument at Pretoria". gepris-extern.dfg.de. Retrieved 14 September 2024.
  7. ^ Ellis, Ngarino (1 January 2012). A Whakapapa of Tradition : Iwirakau Carving 1830 to 1930 (Thesis). ResearchSpace@Auckland. Archived from the original on 31 January 2024. Retrieved 22 January 2024.
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