Emma Webster is a British-American painter.[1] She refabricates nature from still life models and scenographic studies using VR technology.[2][clarification needed][3][4][5]
Emma Webster | |
|---|---|
| Education | Stanford University Yale School of Art |
| Website | emmawebster |
Career
editWebster's exhibitions have been reviewed in publications including The New York Times W Magazine ARTnews The New Yorker,[6] Los Angeles Times,[7] Artforum International,[8] and Artsy;[9][10][11] her paintings have appeared in Harper's Magazine,[12] New American Paintings,[13] and Jana Prikryl's Midwood (cover).[14] In 2022, she was the recipient of the Jericho Fellowship, Venice Italy.
Notable collections
editWorks about Emma Webster
editReferences
edit- ^ "Stems Gallery | Emma Webster - Ready the lanterns!". Stemsgallery.com. Retrieved 18 July 2022.
- ^ McDermott, Emily (2022-09-02). "Emma Webster Is Reinventing Landscape Painting Using VR Technology". ARTnews.com. Retrieved 2023-05-05.
- ^ Fontaine, Pearl. "Emma Webster Paints Ethereal Landscapes from a Virtual Reality". Whitewall. ART, 28 December 2021.
- ^ Alfred, Brian. "Episode 291 / Emma Webster". Sound & Vision (podcast), 11 November 2021.
- ^ 2019 Abrams, Loney. "Highlights from UNTITLED, Art Miami Beach 2019". Artspace, 3 December 2019.
- ^ 2021 Fateman, Johanna. "Emma Webster". The New Yorker, 27 September 2021.
From review: "It's an imaginative approach to the centuries-old genre of landscape, one that the artist shares with other Fauvist-inspired contemporary painters, including Shara Hughes and Matthew Wong. But the strange, engulfing sense of depth in Webster's luscious canvases also hints at the 3-D seduction of virtual-reality adventures..." - ^ Pagel, David. "Review: Emma Webster's Landscapes Take You into a Sublime, Magical World". Los Angeles Times, 10 March 2019, p. F2.
From review: "Emma Webster's paintings are grand affairs: sweeping landscapes filled with forests and mountains and rivers and lakes, some bathed in golden light and others shrouded in shadows so deep you shudder." - ^ Malone, Tyler. "Critic's Pick Los Angeles: Emma Webster at Diane Rosenstein". Artforum International, 4 March 2019.
From review: "Yet the postlapsarian world of Webster's pastoral dreamscapes somehow retains an Edenic sublimity through its foregrounded artificiality—these locales, while uncannily familiar, are like no place on earth, each so perfect a model of a model of some heavenly dwellings." - ^ "Emma Webster - 3 Artworks, Bio & Shows on Artsy". Artsy.net. Retrieved 18 July 2022.
- ^ "Summer's Not Over Yet: A New NorCal Exhibition Celebrates the Dog Days of Our Favorite Season". Artsy.net. 1 September 2014. Retrieved 18 July 2022.
- ^ From review: "Webster applies colorful brush strokes to compose a rich jungle landscape... Webster's paintings stitch together abstract gestures into a legible portrait."
- ^ Harper's Magazine,, October 2021, p. 13.
- ^ New American Paintings Pacific Issue 139 (2019). Print. New American Paintings Pacific Issue 127 (2016). Print.
- ^ ISBN 978-1-324-03521-3,
via author's Instagram - ^ "Golden Hour - Institute of Contemporary Art, Miami". Icamiami.org.
- ^ ISBN 978-1-7342921-4-5, Dimensions: 12 x 9 x 0.27 in., Publisher: Alexander Berggruen, Year: 2021, Pages: 60
- ^ "Emma Webster: Green Iscariot". Alexanderberggruen.com. Retrieved 18 July 2022.
- ^ ISBN 978-1-7375585-0-4, Dimensions: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Publisher: Emma Webster, Year: 2021, page: 240
- ^ "Lonescape | Emma Webster". Alexanderberggruen.com. Retrieved 18 July 2022.