Eric Brown (1877–1939) was the first Director of the National Gallery of Canada. His tenure was from 1910–1939.[1]
Eric Brown | |
|---|---|
 | |
| Born | 1877 Nottingham, England |
| Died | 1939 (aged 61–62) |
| Known for | gallery director |
| Spouse | Florence Maud Sturton (1881–1978) (m. 1910) |
Career and biography
editEric Brown was born in Nottingham, England. His brother was the British landscape painter Sir John Arnesby Brown (1866–1955). In 1909, Brown immigrated to Canada at the invitation of F.R. Heaton (1866–1939), head of W. Scott and Sons, Montreal art dealers.[2] Upon his arrival, Brown superintended a loan exhibition of British paintings in Montreal and worked for the Art Gallery of Toronto. While in Montreal and Toronto, Brown met Sir Edmund Walker (1848–1924), who hired him first to undertake work for the Toronto Art Association and then as both Secretary for the Advisory Arts Council and Curator of the National Gallery of Canada, Ottawa.[2] In 1910, Brown married Florence Maud Sturton (1881–1978) of Holbeach, Lincolnshire, a teacher and graduate of Cambridge University.[3]
The National Gallery of Canada
editIn 1910, Brown was appointed as the first director of the National Gallery of Canada. Initially the gallery was a collection of the diploma works of academicians, supplemented by occasional gifts;[4] thus Brown's primary concern was the establishment of the Gallery and the building of its collections[3] as well as sending exhibitions and making extended loans to other museums across the country.[4] To these ends, Brown traveled across Canada and frequently in Europe and the United Kingdom, developing contacts with art historians, dealers, and advisors. In 1938, he organized a retrospective exhibition, A century of Canadian art, at the Tate Gallery in London.[5] His wife, historian, Maud Brown, was keenly interested in art and art education, and took an interest in establishing art education programs for children at the National Gallery.[3]
The Group of Seven
editBrown was an early supporter of the Group of Seven, and began buying their paintings for the Gallery’s collection several years before the Group was officially established.[2] Brown also made sure they were well represented in Canadian art shows at the Wembley Exhibition in England.[6]
Honours and awards
editHe was an honorary member of the Royal Scottish Society of Painters in Watercolours and received the King George V Silver Jubilee Medal (1935) and the King George VI Coronation Medal (1937).[5]
See also
editBurant, Jim. Ottawa Art & Artists: An Illustrated History. Toronto: Art Canada Institute, 2022. ISBN 978-1-4871-0289-0
National Gallery of Canada Library and Archives, "Eric and Maud Brown fonds: Finding aid"
References
edit- ^ Lerner, Loren R. (Loren Ruth), 1948– (1991). Art and architecture in Canada : a bibliography and guide to the literature to 1981 = Art et architecture au Canada : bibliographie et guide de la documentation jusqu'en 1981. Williamson, Mary F. Toronto, Ont.: University of Toronto Press. ISBN 978-1-4426-7101-0. OCLC 244767030.
{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) - ^ a b c Burant, Jim (2022). Ottawa: Art & Artists. Toronto: Art Canada Institute. ISBN 978-1-4871-0289-0.
- ^ a b c Brown, Florence Maud (1967). Breaking Barriers : Eric Brown and the National Gallery. Ottawa: Society for Art Publications.
- ^ a b Boggs, Jean Sutherland (2006). "National Gallery of Canada". The Canadian Encyclopedia. Retrieved 20 March 2020.
- ^ a b Horrall, Andrew. "Eric Brown". www.biographi.ca. Dictionary of Canadian Biography, vol. 16, University of Toronto/Université Laval, 2003. Retrieved 17 January 2023.
- ^ "Group of Seven | The Canadian Encyclopedia". thecanadianencyclopedia.ca. Retrieved 20 March 2020.