Evan Penny (born 1953, in South Africa), currently lives and works in Toronto, Ontario, Canada. In 1978, Penny graduated from the Alberta College of Art and Design in 1975.
Evan Penny | |
|---|---|
| Born | 1953 (age 70–71) |
| Nationality | Canadian |
| Known for | sculptor |
Evan Penny makes sculptures of human forms out of silicone, pigment, hair and aluminium saying his interest "is to situate the sculptures perceptually between the way we might see each other in real time and space and the way we imagine our equivalent in a photographic representation."[1] Though his creations are lifelike, Penny believes that "the real can't be represented or symbolized."[2]
Early works
editPenny’s early figurative sculptures were brought together in Absolutely Unreal, a major survey of the artist’s work that traveled to the Museum London in London, Ontario, the Mendel Art Gallery in Saskatoon, Saskatchewan and the Glenbow Museum in Calgary, Alberta (2003–2006).
No One - In Particular (2004–2007)
editNo One – In Particular is a grouping of twice life-size sculptures that are imaginary portraits constructed to look like ordinary people but with larger parts of the body, accentuating the variability in the human form.
Stretch / Anamorphs (2003–2008)
edit
Penny’s Stretch and Anamorph sculptures stretch, blur and manipulate the human form in space. In works such as Stretch #1 2003, Penny’s traditional busts are vertically stretched elongating the head and shoulders.
Penny’s Panagiota works visually chart a conversation Penny had with a young woman by rendering her facial expression at different points in their conversation.
Backs (2004–2008)
editPenny created a series of hyper-real sculptures of the backs of individuals.
Recent works
editIn 2011, Penny created his largest sculpture to date, Jim Revisited, a 10 foot tall man with a commanding presence. As the model for this new sculpture Penny revisited his 1985 piece, Jim, a diminutive 4/5 life-size sculpture positioned in a contrapposto stance.
Exhibitions
edit- 2011: Evan Penny. Re Figured, Kunsthalle Tübingen, later on Museum der Moderne Salzburg and Art Gallery of Ontario, Toronto
- 2012–2013: Lifelike, group show originated at the Walker Art Center, traveling to the New Orleans Museum of Art, the Museum of Contemporary Art, San Diego, and Blanton Museum of Art in Austin, Texas[3]
Awards
edit- 1997 Victor Martyn Lynch-Staunton Award from the Canada Council.[4]
References
edit- ^ "Sperone Westwater Press Release, . "Evan Penny: No - One In Particular ." Sperone Westwater. N.p., 9 Sep- 29 Oct 2005 . Web. 10 Aug 2010". Archived from the original on 27 July 2011. Retrieved 11 August 2010.
- ^ "Enright, Robert, and Meeka Walsh. "The Artful Doubter." Border Crossings. 98 (2006): pp. cover, 24-39 . Print". Archived from the original on 2011-07-27. Retrieved 2010-08-11.
- ^ "Uncanny, Startingly Real Work in Lifelike Examines the Quieter Side of the Quotidian" (Press release). Walker Art Center. February 9, 2012. Archived from the original on May 8, 2012. Retrieved May 3, 2013.
- ^ "Prizes". Canada Council. Retrieved 15 August 2022.
Bibliography
edit- Tippett, Maria. "Sculpture in Canada". Douglas & McIntyre, 2017. Retrieved 2020-08-21.
- Alberto Fiz/Daniel Schreiber (Eds.): Evan Penny. Re Figured, Buchhandlung König, Köln, Germany 2011 ISBN 978-3-86560-990-8
