Everybody Saves Father and The Only Girl in Camp are two 1910 American silent short films produced by the Thanhouser Company. Both films were released together on a single reel on January 10, 1911. Everybody Saves Father is a comedy focusing on a father whose life is planned to be saved by a succession of his daughter's suitors. The plan of each of the three men work, foiling the attempts of the other, but a four suitor has wed the daughter whilst the scheming was done by the others. The Only Girl in Camp is a drama film focusing on the only girl in a mining town who foils an armed robbery with the use of bear traps. In 2009, The Only Girl in Camp was identified and deposited into the Library of Congress for preservation. The only known credits for the production come from film stills from the film. The reviews for Everybody Saves Father were positive, but The Only Girl in Camp was met with more or less neutral reception.
| Everybody Saves Father and The Only Girl in Camp | |
|---|---|
 A film still from the Only Girl in Camp | |
| Produced by | Thanhouser Company |
| Distributed by | Motion Picture Distributing and Sales Company |
Release date |
|
Running time | 1 reel |
| Country | United States |
| Languages | Silent film English inter-titles |
Plots
editThe official synopsis for both films was published in The Moving Picture World on January 14, 1911. The first film, Everybody Saves Father is focused on Jennie Gear, a young woman whose affections are sought by many men. Jennie's father thinks his daughter is too young to be married and drives off four of her suitors. One of the men, John, concocts a plan to save his life to win the man's approval. The plan is heard by another suitor, George, who decides to hire a rowboat to save the old man himself. This is overheard by George who concocts his own rescue to foil George. The plans go through without failure as each successive suitor's plan works to the actions of the other, and Henry wins the approval of Jennie's father. However, Jennie had already married Bill in the meantime.[1]
The second film, The Only Girl in Camp, focuses on Trapper Gates's daughter, who is the only woman in the mining camp. Three ruffians come across the camp and plan to rob the miners. The leader, Bill, announces himself as Professor Watson and says he will give a lecture on locating gold deposits in the town hall. All the miners are lured to the building, save the girl, and Bill's accomplices proceed to rob the men. She realizes that this meeting is unusual and goes to the town hall and witnesses the robbery, but has no way of reporting or stopping the three armed men. Struck with an idea, she returns home for her father's bear traps and sets them on the steps of town hall. The robbers back out of the town hall and step into the traps, where they are captured.[2]
Cast and production
editFilm historian Q. David Bowers does not cite credits for Everybody Saves Father.[1] Though Bowers does not cite credits for The Only Girl in Camp, the rediscovered film and identification of film stills have provided credit for Frank H. Crane, William Garwood, Violet Heming and Tom Fortune.[note 1] The other cast credits are unknown, but many Thanhouser productions are fragmentary.[5] In late 1910, the Thanhouser company released a list of the important personalities in their films. The list includes G.W. Abbe, Justus D. Barnes, Frank H. Crane, Irene Crane, Marie Eline, Violet Heming, Martin J. Faust, Thomas Fortune, George Middleton, Grace Moore, John W. Noble, Anna Rosemond, Mrs. George Walters.[5]
The writer of the scenarios was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions.[6] The film director may have been Barry O'Neil or Lucius J. Henderson. The role of the cameraman was uncredited in 1910 productions though cameramen employed by the company during this era included Blair Smith, Alfred H. Moses, Jr. and Carl Louis Gregory.[5][7]
Release and reception
editEverybody Saves Father and The Only Girl in Camp were released together on a single reel, approximately 1,000 feet in length, on January 10, 1911.[1][2] The total length of Everybody Saves Father is approximately 450 feet long and the Only Girl in Camp is 480 feet long.[2] Though both films were on a split reel, sometimes the films were advertised independently or listed Everybody Saves Father only. Theaters showing the one or possibly both films are known in North Carolina[8] Indiana,[9] Texas,[10] Kansas,[11] Arizona,[12] Pennsylvania,[13] and California.[14] A surviving nitrate print of The Only Girl in Camp was sold on eBay in 2009. The film was purchased and deposited in the Library of Congress for preservation.[15]
Everybody Saves Father was met with positive reviews in the trade publications. The Billboard review stated, "The comedy is distinctively American and makes a good subject. The photography is excellent and the acting clever."[1] The Moving Picture World affirmed that it was a good lively and laughable comedy.[1] The two reviews were also backed by The New York Dramatic Mirror's positive review of the comedy production.[1] The publications would also review The Only Girl in Camp were more or less neutral, but The Billboard highlighted how the prop traps could not believably work and hold a man as they did in the film. The Moving Picture World and The New York Dramatic Mirror offered praise for the novelty of the production without any criticism.[2]
See also
editNotes
editReferences
edit- ^ a b c d e f Q. David Bowers (1995). "Volume 2: Filmography - Everybody Saves Father". Thanhouser Films: An Encyclopedia and History. Archived from the original on March 4, 2016. Retrieved March 20, 2015.
- ^ a b c d Q. David Bowers (1995). "Volume 2: Filmography - The Only Girl in Camp". Thanhouser Films: An Encyclopedia and History. Archived from the original on April 2, 2015. Retrieved March 20, 2015.
- ^ "Thanhouser Company Preservation, Inc. Preservation Activities". Archived from the original on April 3, 2015. Retrieved March 20, 2015.
- ^ "Thanhouser western, ca. 1911". Archived from the original on April 2, 2015. Retrieved March 20, 2015.
- ^ a b c Q. David Bowers (1995). "Volume 2: Filmography - Thanhouser Filmography - 1910". Thanhouser Films: An Encyclopedia and History. Archived from the original on February 9, 2015. Retrieved February 12, 2015.
- ^ Q. David Bowers (1995). "Volume 3: Biographies - Lonergan, Lloyd F." Thanhouser.org. Archived from the original on January 17, 2015. Retrieved January 17, 2015.
- ^ Q. David Bowers (1995). "Volume 1: Narrative History - Chapter 3 - 1910: Film Production Begins". Thanhouser Films: An Encyclopedia and History. Archived from the original on March 4, 2016. Retrieved January 14, 2015.
- ^ "Three Big Pictures". The Wilmington Dispatch (Wilmington, North Carolina). February 15, 1911. p. 6. Retrieved March 20, 2015.
- ^ "Amusements". The Daily Republican (Rushville, Indiana). March 27, 1911. p. 5. Retrieved March 20, 2015.
- ^ "The Vendome". Corsicana Daily Sun (Corsicana, Texas). April 11, 1911. p. 6. Retrieved March 20, 2015.
- ^ "Palace Theatre". Great Bend Tribune (Great Bend, Kansas). April 1, 1912. p. 1. Retrieved March 20, 2015.
- ^ "O.K. Theatre". Bisbee Daily Review (Bisbee, Arizona) First Edition. April 12, 1911. p. 4. Retrieved March 20, 2015.
- ^ "The Family Theatre". Altoona Tribune (Altoona, Pennsylvania). January 24, 1911. p. 6. Retrieved March 20, 2015.
- ^ "At the Grand a Good Show". Santa Cruz Sentinel (Santa Cruz, California). March 28, 1911. p. 5. Retrieved March 20, 2015.
- ^ Thanhouser, Ned (October 20, 2014). "The Only Girl in Camp". Thanhouser Film Database. Thanhouser Company Film Preservation, Inc.
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